PANINfYA SIKSA
OR
THE SIKSA VEDANGA ascribed to PANINI
(being the most ancient work on Indo-Aryan Phonetics)
Critically edited in all its Five Recensions with an
Introduction, Translation and Notes together
with its two Commentaries
BY
MANOMOHAN GHOSH, M.A., Kavyatirtha,
University . of Calcutta
zj fa frd \J
Pc5jy> IQho.
CENT1U», AllOfiAKOLOGIOAJ
UUKPio.
PUBLISHED BY THE
UNIVERSITY OF CALCUTTA
1938
BY THE SAME EDITOR
1. Abhinayadarpafa of Nandikes>ara, a manual of gestures
used in ancient Indian dance and drama (Calcutta
Sanskrit Series, No, V).
2. Catura^gadIpika of gulapani, a manual of four-handed
dice-chess (Calcutta Sanskrit Series, No. XXI).
3. KarpuramaAjarI (Rajasekhara's Prakrit play), critically
edited with an Introduction and Notes (to be shortly
out).
\ A H\i; - ' - D4SU1L
*>j%^ 7*J7r,, *,»»## »*#»•••><»••••
PRINTED IN INDIA
PRINTED AND PUBLISHED BY BHUPRNDRALAL BANBRJEE
AT THB CALCUTTA UNIVERSITY PBESS, SENATE HOUSE, CALCUTTA
Beg. No. 903B, June, 1938— b.
\
it
DEDICATED
TO
the Sacred Memory of
the late Sir ASUTOSH MOOKERJEE
■i
CONTENTS
page
Preface
i
Bibliography
iii
Symbols and Abbreviations
vi
Introduction
1. G-eneral
ix
2. Six Vedangas
xix
3. Siksa
XXV
4. Prati£akhyas
xxxi
5. Panimya Siksa
xl
6. Commentaries to the PS.
lv
Sanskrit Text of the PininIya-Siksi
1. Reconstructed Text
1
2. The Agni-Puraiia Eecension
4
3. With the Panjika
7
4. With the Siksaprakas'a
23
5. The Yajus Recension ...
35
6. The Rk Recension
39
Appendix
Varna-sutras of Candragomin
45
Translation and Notes
49
Index
81
Addenda et Corrigenda
84
P.R.EF ACE
The Paniniya-Sihja ascribed to Panini, the great gramma-
rian of ancient India, is known as the Siksa-Vediinga. It was
eighty years ago that W,eber published a critical edition of this
work in his Indische Studien (IV). This edition has long been
out of print and besides this later researches and accession to new
materials have made it necessary that the work should be edited
afresh. Hence the present edition has been prepared. The im-
portance of this work has been discussed in the Introduction. But
one aspect of the critical study of the text of the Pariiniya-Silcsa
which has not been noticed there is that from such a study we
can more or less clearly understand how literary documents of
ancient India like the present text have in course of their trans-
mission to the posterity added to their bulk through interpolation
in successive periods. Eighteen couplets in which the original
Paniniya-Siksa was in all probablity composed had added to them
in the present day text no less than forty-two couplets. This
fact puts us on our guard against taking every syllable of an an-
cient work as of equal antiquity and we are inclined to turn our
attention to higher criticism which has been attempted in this
volume. The present editor however does not claim infallibility
for himself and will consider himself to be amply paid for his
labours if scholars will give him the credit for an honest attempt
in pursuance of a well-known principle.
For various reasons the printing of this volume took nearly
three years during which some amount of work related to the
subject has been done. I have tried as far as has been possible
for me to utilize or notice such work in the list of addenda.
If however any important writing in this line has escaped my
notice I should apologise to its author.
11 PREFACE
My best thanks are due to the authorities of the Calcutta
University for giving me every facility in the work and to my
esteemed friend Pandit Amarendramohan Tarkatirtha of the Skt.
MSS. Department, Calcutta University, for kindly helping me
in reading the proof of the text portion, and also to the autho-
rities of the India Office, the State Library of Berlin, of Munich,
the University of Lund for lending MSS. or supplying rotographic
copy of them. It is with great pleasure that I should mention
here that the rofcograph of the Siksa-pafljika supplied by the
University of Lund came as a gift to the Calcutta University.
And finally I should oiler my most grateful thanks to my
teacher Prof. Dr. Suniti Kumar Chatterji for his kindly
making valuable suggestions while he went through this volume
in MS. as well as in proof. It however goes without saying that
for all views expressed in the work the responsibility remains
entirely mine.
Diversity of Calgutta j ManOMOHAN GHOSH
'June, 1938
BIBLIOGRAPHY
1. Sanskrit Texts
Aitareya Brahmana, ed. M. Han g, Bombay, 1863.
Amoghanandinl Siksa (Siks^samgraha, pp. 93-106).
Anantabhatta's Commentary to the Vajasaneyi Pratisak hya, :
ed. Yenkatarama S bar ma, Madras, 1934.
Bhagavad-glta (Srimad).
Bhattojidiksita—Sabdakaustubha, Part I, Benares, 1933.
Siddhantakaumudi, ed. G a d g i 1, Bombay, 1904
and ed. Pandit Shivadatta, Venkateswar Press.
Brhadaranyaka Upanisad, ed. Sitanatha Tattvabhtisana,
Calcutta, 1928.
Brhad-devata, ed. A. A. M a c d o n e 1 1. HOS.
Ohandogya Upanisad, ed. Sltauatha Tattvabhusari.a, :
Calcutta, 1925.
Gautami Siksa (Siksa-samgraha, pp. 450-55).
Kasika-vrfcti on Panini (Ohowkhamba ed.), Benares, 1898.
Kautiliya Arthas'astra, ed. J. Jolly, Lahore, 1923.
Lomas'l Siksa (Siksa-sarngraha, pp. 456-62).
Mahabhasya (Pauiniya), ed* F\ K i e 1 h o r n, Bombay, 1892.
Mahiseya's Commentary to the Taittiriya Pratisakhya, ed.
Venkatarama S harm a, Madras, 1930.
Manduki Siksa ( Siksa- samgraha, pp. 463-78).
Manusmrti, ed. J. Jolly, London, 1887.
Mlmamsa-Sutra (Purva).
Mundaka Upanisad, ed. J. Hertel, Leipzig, 1924.
Naradlya Siksa (Siksa-sarngraha, pp. 394-449).
Natya^astra of Bharata (Chowkhamba ed.), Benares, 1929.
iv THE PANINIYA SIESA
Nirukta, ed. Laksman Sarup, Lahore, 1C27.
Nirukta, with Durga's Commentary (Bombay Sid. Series).
Paniniya Astadhyayl, ed. by Devendrakumara Bandyo-
p a d h y a y a, Calcutta, 1909.
,, Siksn, ed. Weber {Indische Studien, IV).
Parasarl Siksa (&ksa-samgraha, pp. 52-71).
P i n g a 1 a's Chandah-sutra, ed. Kunjaviharl T a r k a-
s i d d h a n t a, Calcutta, 1914.
Prasthanabheda, ed. A. Weber (Indische Studien, I).
Ektantra-Vyakarana, ed. A. C. B u r n e 1 1, Mangalore, 1879.
,, ,, ed. Suryakanta S a s t r I, Lahore, 1933.
Egveda Pratisakhya, ed. Pasupati gastri, Calcutta, 1927.
,, ed. Mangal Lev Shastrl, (Vol.11),
Allahabad, 1931 ; (Vol. Ill), Lahore, 1936.
Sabarasvami's Bhasya on Mimamsa Sutras (Bibliotheca
Indica ed.)
S a y a n a' s Introduction to the Egveda, ed. P. Peterson,
Bombay, 1890.
SiddhSnta Ivaumudi (see Bhattojidlksita) .
• Siksa-samgraha (grimad Yajfiavalkyad i-maharsi-pranlta),
ed. Yugalakisora "V y a s a, Benares, 1893.
Svaranku£a-Siksa (Siksa-samgraha, pp. 161-63).
Svarastaka-Siksa (Siksa-saipgraha, pp. 362-68).
Taittirlya Pratisakhya, ed. W. D. Whitne y in JAOS, Vol. 9.
Taittiriya Upanisad, ed. Sltanatha Tattvabhusana, Calcutta,
Vajasaneyi Pratisakhya, ed. A. Weber (Indische Studien, IV) ;
ed. Jivananda Vidyasagara, Calcutta.
Vakyapadiya of B h ar t rh ar i.
Varnaratna-pradTpika (Siksfi-sarpgraha, pp. 117-37).
Yajnavalkya-{3iksa (Siksa-samgraha, pp. 1-35).
2. General
Acta Orientalia.
Belvalkar, S. K., Systems of Sanskrit Grammar, Poooa,
1915.
BIBLIOGKAPHY v
Bloom field, M. and Edgerton, Vedic Variants, Vol. 2,
Philadelphia, 1932.
B loch, Jules, L'lndo-Aryen, Paris, 1934.
Chatterji, S.K., Origin and Development of Bengali Lan-
guage, Calcutta, 1926.
Charpentier, J., Uttaradhyayana Sutra, Uppsala, 1922.
Dasgupta, S. N., A History - of Indian Philosophy,
Cambridge.
Dayananda, Svaml, Vedanga-Praka^a, Allahabad.
Deussen, P., Philosophy of Upanisads.
G-eiger, W., Pali Literatur und Sprache.
G-hosh, M., 'Chando-Vedanga of Pingala 5 in IHQ.
,, 'Maharastrl, a late phase of SaurasenI' in JDL.
,, 'Pratigakhya and Vedic Sakhas' in IHQ.
Hertel, J., Mundaka Upanisad, Liepzig, 1924.
Indian Historical Quarterly.
Journal of the American Oriental Society.
,, ,, Bombay Branch of the Koyal Asiatic Society.
,, ,, Department of Letters, Calcutta University.
,, ,, Eoyal Asiatic Society of Great Britain and Ireland.
Keith, A. B., Keligion and Philosophy of Upanisads.
Translation of the Yajurveda.
Liebich, B., Panini, Leipzig, 1891.
Zur Einfuhrung der indischen einheimischen
Sprachwissenschaft, Heidelberg, 1919.
Liiders, H., Das Vyasa Siksa, Kiel, 1895.
Mac don ell, A. A., India's Past, Oxford, 1927.
Max Mii Her, E., History of Ancient Sanskrit Literature,
LondoD, 1860.
Oldenberg, H., Buddha, His Life, His Doctrines, His Order,
Calcutta, 1927.
Proceedings of the Fourth Oriental Conference, Allahabad.
Sarup, Lakshman, Translation of the Nirukta, Londo^ 192L
vi THE PANINIYA SIKSI
S kold, Harms, Papers oq Panini, London, 1926. .
,, The Nirukta: Its place in Indian Literature, its
Etymologies, London, 1926.
Thumb and Hirt, Grammatik der Sanskrit, Heidelberg, 1930.
Thieme, Paul, Panini and the Veda, Allahabad, 1935.
Vaidya, C. V., History of Sanskrit Literature, Poona, 1930.
Varma, Siddheswar, Critical Studies in the Phonetic Obser-
vation of Indian Grammarians, London, 1929.
Vidyalankara, S., Jivanlkosa (A Dictionary of Hindu
Mythology in Bengali), Calcutta, 1935.
Wackernagel, J., Alt-indsche Grammatik, I, Gotingen, 1896.
Weber, A., Indische Studien.
W i 1 s o d , Philological Lectures .
Winternitz, M., History of Indian Literature, Vol. I, Cal-
cutta, 1926.
.,, Geschichte der indischen Literatur, Band III,
Leipzig, 1923.
Zeitschrift der deutschen morgenlandischen Gesellschaft.
SYMBOLS and ABBBEVIATIONS, etc.
Thick types (Devanagari) in pp. 3-6„ 35-44- and asterisks
in pp. 7-34 and Arabic numerals on the left of all these pages will
indicate the position of the reconstructed text in different
recensioms.
An asterisk will indicate a spurious passage. When put
before the first hemistich the asterisk relates to the entire couplet
and it sometimes relates to an entire couplet together with a
third hemistich. An Arabic numeral appearing on the left
margin between a pair of double dandas (e.g., Ill 3 ll) signifies
the position of the passage in the reconstructed text, A number
prefixed to hemistich relates to it and the hemistich which
precedes it; numbers with 'a' and 'b' after them indicate
respectively the first and the second hemistich only of a couplet in
the reconstructed text.
SYMBOLS AND ABBREVIATIONS vii
Bigger types in the Translation have been for the transcrip-
tion and translation of: passages of the P§., which have been
considered original, and in Notes on them also such types
have been used.
A. 0.— After Christ.
AP. — The Agni-Purana recension of the Paninlya-Siksa.
B.C. — Before Christ.
DPS. — Dayananda's Phonetic Sutras.
Geschichte — G-eschichte der indischen Literatur, Band III
(or "Vol. III).
HOS. — Harvard Oriental Series.
IAnt. — Indian Antiquary.
IHQ. — Indian Historical Quarterly.
JAOS. — Journal of American Oriental Society. ■ -
JBRAS. — Journal of the Bombay Branch of the Royal Asiatic
Society.
JDL. — Journal of the Department of Letters,, Calcutta Univer-
sity. - •
JRAS, — Journal of the Royal Asiatic Society.
Mand. S. — Manduki Siksa.
Misra. — Paninlya Siksa, ed. by Pandit Kaliprasad Mis>a, Benares,
Sam. 1990.
Nar. &. — Naradiya-Siksa.
Pnj. — The (Siksa) Panjika recension of the Paninlya Siksa.
Prk. — The (Siksa) Prakasa recension of the Paninlya Siksa.
PS. — Panimya-Siksa as reconstructed by the Editor (pp. 1-3).
RPr. — The Rgveda-Pratisakhya.
RT. — The Rk-tantra-Vyakarana.
Sarma. — PaainTya Siksa, ed. Rudraprasad Sarma, Benares, 1937.
SBE. (S.B.B.)— Sacred Books of the East.
SS. — Siksa-samgraha.
Taitt. Pr. — Taittirlya Pratisakhya.
Taitt. Up. — Taittirlya Upanisad.
TPr, — Taittirlya Pratisakhya.
viii THE PANINIYA SIKSA
Tripafchi — Patiinlya Siksa, ed. Narayan Datta Tripathi, Benares,
Sam. 1990.
Vaj. Pr. — Vajasaneyi Pratisakhya.
VPr —
Yaj. — The Yajus recension of the Paniniya Siksa.
Yv. S. — The Yajilavalkya Siksa.
ZDMG-. — Zeitschrift der deufcschen morgenlandischen G-esellschaf t.
^.^. — Unadi-Sutras.
5Rgf— Kgveda.
W. HT. — Egveda-Pratisakhya.
aftcrr — Srimad-Bhagavad-Gita.
WT^t — Chandogya Upanisad.
IT. fax- — Naradiya Siksa.
JTT. — Paniniya Astadhyayi.
3" ■ ^T. — Brhadaranyaka Upanisad
*Tg — Manusmrti.
N.B.— References to the RPr. ( ^ 8 5^.) are always to the edition of Paiupati Sastn,
INTRODUCTION
1
1. The Present Edition. Among the large number of
works known as the Siksas 1 the Indian tradition 2 accords the
;) osition of the Vedanga Siksa to the one connected with the
name of Pauini (see §28). Weber ini his edition of the Paniniya
Siksa (Indische Studien, IV) has however remained silent on this
point. In his History of Sanskrit Literature too he did not give
any decisive opinion in the matter, but later on Max Miiller posi-
tively denied the validity of the traditional notion about the PS.
being a Vedanga." Since the days of Max Miiller his view has
been accepted by almost all the scholars without the slightest
protest. Prof. Liebich may be said to have been a notable excep-
tion in this matter 4 ; for he maintains that the PS. though late
in its present form, is old in its contents. This view however
has received very scanty attention from scholars who are other-
wise very careful. Even two very recent writers who touched
the subject, Mr. C. V. Vaidya and Dr. Siddheshwar Varma,
have followed the view oE Max Miiller. Of these two the
opinion of Mr. Vaidya deserves special mention because he is
frankly against what he considers to be a late date (c 1-00
B. C.) for the Rgveda suggested by Max Miiller, and is for
1 grl-Yaffiavalkyadi-Maharsi-pranffcalj. 'Siksa-sangraliah/ Benares, 1893; Siddh&shwar
Varma, 'Critic- 1 Studies in the Phonetic Observations of Indian Grammarians, ' London, 1929,
pp. 29 ff.
2 'Parasari Siksa,' 78, in the SS. ; 'Prasf-hann-bheda' in Weber's Tndi3che Studien,
I, p, 16; Siddheshwar Varma, op, cit. , p. 5; Durga in the Nirukfca-vrLli. ed. Bombay Skt
Series, p 24.
3 ' History of Ancient Sanskrit Literature 2 ,' p. 145.
i B. Liebich, 'Zur Einluhrung in die indische einheimische Spraohwia-stmsrhifb,' II,
Heidelberg, 1919, p. 20 ; M. Winternitz 'History of Indian Liter atuce,' Vol. I, p. 2cS5, footnote
3 ; also Geschichte der indischen Literatur, Vol. Ill, p. 382, footnote 1.
x THE PANINIYA SIKSA
placing this work as early as 4000 B. C. 1 But Mr. Vaidya does
not make any effort to explain why the PS. should not be
considered a genuine Vedanga belonging to the great antiquity
he assigns to Panini 2 and Yaska. 3 Dr. Siddheshwar Varma
however gives some arguments to prove the lateness of the P$.
But these, as we shall see later on (§§25 IT.) do not seem to be
based on all available materials which might have given him a
different view about the age and character of the work.' 1 For
he has known the PS. in three recensions only, while the work
itself exists in no less that what, may be called five recensions
which read together critically are to give one a better idea about
the age and character of the text. There is yet another scholar
who not only considers the PS. to be a late work and hence not
a Vedanga, but accords the same position to a Sutra work
ascribed, on very questionable grounds to Panini. 5 We shall
see later on (§§ 3.1-32) why this view is untenable, and this will
bring us face to face with the text-history of the PS. for which
a critical edition of the work is essentially necessary. Hence
no apology need be offered for undertaking such an edition of
the work together with that of the two commentaries attached
to its two (late) recensions. .Reasons which have led us to
believe that the PS. is the original Vedanga Siksa. will be discus-
sed later on (§§28-30) and as such it is-to be placed as early
as Panini who in all likelihood was its author (see § 33). This
being the oldest treatise on the phonetics of Old Indo-Aryan— »
and possibly of Indo-European — deserves to be studied carefully
for the history of the Vedic as well as Sanskrit sounds.
1 History of Sanskrit Literature, Poona, 1930, Vol. I, Section I, pp. 25-40.
2 Op. tit., Sec. Ill, p. 8.
3 Ibid, pp. 5 f.
4 The main arguments which Dr, Siddheshwar Varma adduces to show that the PS.
is a not the Vedanga Siksa are as follows : (1) The PS. has no claim to be a mul&gama or
source of the Prabiiakhyas, (2) Pingala, and not Panini, is the author of the PS. The first
argument has been refuted in §§ 28-30, and the second in § 33.
5 Dr. Baghu Vira, 'Discovery of the Lost Phonetic Sutras of Panini' in the JRAS. ,
.19 31, pp. 653 ff.
INTRODUCTION xi
l ) . The Critical Apparatus. It has been mentioned above
(§1) that the PS. is available in five recensions. Bach of these
recensions again is available in MSS. or printed texts with more
or less varying readings. Hence before reconstructing the PS.
on the basis of different recensions we shall have to find out
the most representative text of each version and its age and
special characteristics. For this purpose we have consulted
various MSS. and printed texts and are giving below the results
together with a description of them all.
(a) The Agni Parana Recension. The Agni Purana con-
tains the shortest available text of the PS., which consists of 21-J
couplets only. Among these AP. 16-10, 17- 21c corres-
pond to PS. l-3a, 10, 4b-7a, 8-13a, 15a, t.6b, 17, 18 (see below
the text of the AP. recension). The AP. recension omits one
complete couplet (14) and halves of four others (7b, 13b, and
15b-16a) which the PS. in all likelihood contained. Grounds
for such an assumption will be discussed below in the Notes
(26a, li f 23 and 30), AP. la, 11-16, which are late additions
to the PS. will also be discussed in the Notes (2, 18, 48a, 49a
and 38a). Besides these twenty couplets and a half the AP.
recension includes the following which may justify us to
assume the existence of the AP. 3b-4a.
rangas ca khe aram proktah hakaram pancamair yuktah\
antahsthabhih samayuktah 'aurasya' 'kanthya' eva sah II
In this couplet we meet with the AP. 3b (italicised in the
above quotation) and the two fragments of the second half of
the same (put within the inverted commas) . The reading
vaksye mukhe' ksaram (for rangai ca khe aram) recorded by
some MSS. seems to rule out the possibility of yatha saurastrika
narl, etc. (Yaj. 6), ever occurring in the place of the AP. 3b-4a.
This interpolation seems to be the work of some late scribe who
under the influence of the Yaj. recension supplied the reading
rangat ca, etc., to the erroneously repeated AP. 3b-k. unfortunate-
ly without any advantage.' Prom a consideration of the possible
xii THE PANINIYA SIKSA
age of the Agni Purana (c. 800 A..C.) later than Panini by
much more than 1000 years we may be justified to make an
assumption about its defective tradition.
The representative text of the AP. recension of the PS.
has been obtained from the following materials :
M. The Agni Purana edited by Eajendra Lai Mitra and
published in the 'Bibliotheca Indica' Series.
P. The Agni Purana published from the Anandasrama,
Poona. MSS. ka, kha, ga, gha and m used, for this text have
been indicated by a, h, c, d and e respectively.
V. The Agni Purana with Bengali translation published
by the Vangavasi Press, Calcutta.
(b) The Panjika Recension. As the commentary called
the Siksa-Panjika does not contain the particular text, it follows,
in a complete form, the Pnj. recension of the PS. had to be
reconstructed to some extent conjecturally from the pratikas of
passages handled in the commentary. The compiler of the
catalogue of Skt. MSS, in the India Office Library, London, has
wrongly considered this to be identical with the Yaj. recension.
But on comparing the latter (Yaj. rec.) with this we find that in
some important points the two differ. For example, unlike the
Yaj. the Pnj. contains the hemistich aniisvara-yamanam ca
nasika sthanam ucyate (PS. Ida) and upadhmaniya usmct ca
jihvd-multya-nasike (PS. lib) and in this respect it falls in
a line with the Prk. recension. Two passages (PS. 9, 10)
though not explained in the Panjika seems to have existed
in the text used by its author 1 (see Notes 26a and 28) and for
this reason they have been included in the reconstructed
text. Except these two, the Pnj. consists of 21-J couplets of
which 4-19, correspond to PS. 1-18, respectively. On comparing
1 The name of the author does not occur in any MS. But Mabamahopadhyaya Pandii
Shivadatta in his introduction to the Riddhanta-kaumudi (ed. Venkatesvara, Bombay, says
asya iihsayah Ragliav&carya-krtarti bhaqyam jagartiti dik. Now in some MSS. thePa5.jilf§
has been called Bhasya (p. 17). It may ba that Rigbavaearya is the author of fcho Pafljika.
INTRODUCTION x'm
the Pdj. with the Prk. recension it appears thai the latter
is an inflated version of the former. There are no sufficient data
to suggest any precise date for the Pnj. recension. But it appears
by no means recent. For the Panjika quotes from one of the old
authorities named Audavraji of whose exact time we have no
information; but as he is mentioned by the Nar. S., 1
a work, except for its interpolated passages, is as old as
200 B. 0., he was probably older than this time. He has
also been mentioned in the Rk-tantra Vyakarana (Samaveda
Pratis'akhya) 2 and in the $iksa~prakasa, 3 another commentary to
the PS. There being no mention of Audavraji in pbonetical
works which are palpably very late we may assume that at
their time his work was lost and the author of the Panjika
flourished possibly earlier than a time when A.'s work was
still available, and such was the case with the authors of the
available Ek-tantra Vyakarana and the Siksa-prakasa. 4 Now
the time for the Siksa-prakaga being placed tentatively between
1000 A. C. and 1300 A. C. we may consider the lower limit to
the date of the Pnj. recension as the 1200 A. C. Along with this
should be considered the fact that the Agni Purana recension can
be placed at the earliest in 800 A. C. Thus it appears that
the Pfij. recension existed between 800 and 1.200 A. C. The
representative text of this recension of the P&. has been
worked out from the following MSS. and printed text.
A 1 . Manuscript of the Siksa-Panjika in the Eoyal Asiatic
Society of Bengal, No. 2834.
A 2 , MS. of the Panjika in the same Society, No. 1169.
A 8 . MS. of the Panjika in the same Society, No. 4180 C.
B. The rotograph of a MS. of the same procured by the
Calcutta University from the State Library of Berlin.
1 Ed. SS„ II, 8. 5.
2 Ed. Suryakanfca Sasfcri, Sutra CO.
3 Ed. SS„ p. 388. Sec also the same edited below,
4 See below on the Prak. recension.
xiv THE PANINIYA SlKSA
0, The text of the Siksa-Panjika together with the PS.
in its Rk recension printed in Benares, 1929 (Hariclas Skt.
Series No. 10) [Mr. Suryakanta Sastri mentions one such text
printed in Benares in 1387 (op. cit., introd., p. 33n.)]. But
we have not seen it. From Mr. Sastri' s quotation it seems
to agree with HL.].
H. A manuscript of the SiksEL-Pafijikfi from the Royal
Library of Munich. This was used by M. H-aug.
1. A manuscript of the Siksfi-Panjika from the India Office
Library.
L. The rotograph of the Siksa Panjika presented to
the Calcutta University by the University of Lund.
(c) The Prahah. Recension. As was the case with the
Panjika recension this also had to be reconstructed from the
pratikas of the passages explained in the commentary called
the Siksa-prakaSa. Having had to depend on rather imperfect
materials we can never be sure that these restored texts were
actually before their respective commentators. The most we
can claim for these texts, is that they surely contained these
particular passages in approximately the same form. But in
case of the Prk. recension this claim can be admitted only
subject to the limitation that the actual order in which some of
the couplets occurred is not known. The Prk. passages, of the
position of which in the text we are not sure, have been marked
with an asterisk in the Table C, showing their relative position.
This recension but for the inclusion of one hemistich (Prk. 22a)
and the exclusion of one couplet (Yaj. 34) and the different order
in which the different passages of the Yaj. recension have been
arranged, is similar to the latter. But the confused manner
in which the passages are available in the Yaj. recension gives
us grounds to assume that the same were reduced to writing
from memory at a time later than the composition of the Siksa-
prakasa and hence we have taken it as a separate recension.
The date -of the Prakas'a recension may be considered to
be later than that of the Pnj. for the simple reason that the
INTBODUCTION xv
former is much longer than the latter and the increase in
hulk has needed some time. But the Siksa Prakasa may not be
earlier than the 10th century. For he seems to quote a long
passage verbatim from the commentary of Visnumitra on the
Rk Pratisakhya (vide infra). Now this Visnumitra seems to
be a predecessor or at best a contemporary of Uvata (1100 A.C.).
Besides this, from the introduction to the Siksa Prakasa wo
learn that the anonymous author wrote a commentary to PiAgaJa's
metrics. Now the only commentary available for the Chandah-
siitras of Pingala is by Halayudha 1 who was the minister of the
king Laksma.ua Sena (c, L200 A.C.) of Bengal. Hence we may
tentatively assign the Prk. recension to a time about 1200 A.C.
It may be that MadhusCidana Saras^ati (c. 1500 A.C), author
of the Prasthana-bheda described, this recension as the p a ri c a-
khandatmika and it is sure he did not mean the Rk recension,
for that is ekadas a-khand&tmika (see the text below).
The text of the Sikaii-prakasa or the Prakasa Recension has
been edited from :
L. The rotograph of a MS. from the University of Lund.
Be. A version of the Prakasa printed in the Siksa-samgraha
from Benares.
(d) The Yajus Recension. This recension of the PS. has
been carefully edited by Weber in his Indische Studien, IV, pp.
345 fL, on the basis of two MSS., B and W, of which Wis dated
Samvat 1696. Occasional help from three MSS. of the Rk.
recension 0, D and L has also been taken in this. For all
practical purposes this edition being faultless we have adopted
it leaving out its minor details. Special characteristics of this
recension have already been indicated (§ 2c).
(e) The Rk Recension. This recension has also been edited
by Weber (Joe. cit.) on the basis of three MSS., 0, D and L.
Omitting some minor details we have adopted this edition after
comparing it with the following :
1 Weber places him in the second half of the lOfch century. See Ind. Stud., VII T,
p. 193 ; also Winternitz, Geschichte, Bd. Ill, p. 27.
xvi THE PANINIYA STKSA
Oh. The PS. published along with the Siksa-Panjika from
Chowkhamba, Benares, 1929.
This recension is scarcely much older than the 18th century ;
for MSS. of this used by Weber are all later than Saipvat 1833
and we have come across no earlier MS. This is the most inflated
version of the PS. and contains nearly 60 stanzas. Only 17J
among these may be taken as genuine. These are Rk 4-11, 13,
16-19, 22-23, 3840a corresponding to PS. 1-8, 9, 11-13, 14a,
.15,16a, 166-18, respectively. The nature and source of the re
maining 42 couplets have been discussed below (§3).
3. Reconstruction. From a very close study of its five
recensions eighteen only of the couplets appear to constitute
the original PS. Only fourteen among them, however, occur
in all the recensions, 1 while the remaining couplets do not so
occur. But on internal evidence they appear to be organically
connected with the fourteen couplets common to all recensions
and hence surely occurring in the original PS. Problems con-
nected with them have been discussed in detail in Notes given
along with the translation of the PS. Sources of more than
half of the remaining forty-two couplets which we consider to
be later additions to the text of the PS. have been traced to
different late Siksa 2 works. Of the remaining twenty couplets
the source of which we could not explore, at least eight (Rk
1-3, and 56-60, and passages corresponding to them in other
recensions), can probably be credited to the editors of different
recensions. The remaining twelve were, in all likelihood, taken
also from some late Siksas lost to us. Grounds on which
we have considered a passage or group of passages spurious
or later additions have also been discussed in Notes. From
1 See the conspectus of Text- Units of the different recensions given at the end of this
Introduction.
2 Oases of later giksas can to some extent be compared with those of the later
Upanisads (cf. Wmternitz, History of Ind. Lit., Vol. T, p. 239). In order to give
imthenticity to their own theory or practice later writeis on Vedic phonetics have
called their works Siksas. These late works are nevertheless important for the study
of Indo-Aryan phonetics.
INTRODUCTION
xvn
a study of the interpolated passages it appears that the custodians
of the Vedanga Siksa have at different times made desperate
efforts to preserve this small treatise consisting of only eighteen
couplets, from extinction. Lest it should fall out of use
before later works on the subject, which for the time being gave
better guidance to the reciter of the Vedic texts they culled some
new materials from these and tagged them on to the PS. in
different relays. Even this method though resorted to some-
times were not exclusively followed. To supplement this they
put it along with other works on similarly important subjects
in the body of a big compilation like the Agni Purana. A case
which seems to be analogous to this is the alleged interpolation
of the Bhagavad-G-Ifca in the corpus of the Mahabharata.
For a tabular statement of the growth * of PS. showing the
distribution of genuine and interpolated passages in its
different recensions, 1 see Table A.
Table A,
i
Recensions.
i
j
1
Total
Number of
Hemisfcichs.
Interpolation.
Total.
Traced.
Un traced.
j Agni Purana
43
* 13
12
1 (—1 editorial)
, Paftjika
50
14
2
12 (-12 „ )
Prakaia
68
33
20
13 (-13 „ )
Yajub 6akha 2
70
35
85
20
15 (-12 „ )
Rk 6akha
120
44
41 (-16 „ )
1 Compare with this the growth of the text of the Nirukta (Prof. L. Sarup's Introduc-
tion, pp. 19-20 ; S. Sastri, Rk-tantra, Lahore, 1933, Introduction, pp. 45, 46) and of the
Unadi-Sutras (Prof. G-oldstucker, P&niui : his place in Skt. Literature, London, 1861,
pp. 131, 170; Reprint from Allahabad, 1914, pp. 130, 139; S. Sastri, ibid).
2 For the meaning of the Sakha see below (§§ 18ff.),
xviii • THE P1NINIYA SIKSA
From a study of the above table as well as the contents
of the different recension we can suggest the mutual relation
of the different recensions as follows :
Uf-text of the P£>.
A P. Re.c. | ~|
| | | Kk. Rac.
Pfij, Ret. Prk. Ree. ¥u,j. Bee.
Six Vedi:&gas
4. Before taking up the history of growth and deve-
lop meat of individual Vedangas it would be proper to enquire
into conditions which made it obligatory for the Vedic priests
to admit as a part; of the sacred lore six subjects, the study of
which was necessary either for the recitation, the understand-
ing or the proper sacrificial employment of the Vedic hymns.
Materials for such a study are indeed very poor. We have few
relics of that early age when the Vedic seers were composing
songs of praise or adoration to their deities with the least
idea of their later complicated use in various rituals and ceremo-
nies. Hence, how and when the simple utterances of the early
Indo-Aryans who entered India most probably sometime after the
beginning of the second mellenniumB. O., 1 began to be considered
sacred and meant specially to be used in sundry rituals, will
probably remain a mystery for all time to come. But it will
not be out of place to make here the following a priori considera-
tions.
5. As a great many of- the subsequent ramifications observ-
able in the Vedic cult (e, g. f those in the Brahmanas and the
Sutras) have been found to be non-existent among Indo-European
people of other countries it may be assumed that a great part of
them owe their origin to the influence of some widespread pre-
Vedic cult or cults of India. 2 In case of the Old Indo-Aryan
1 Of. Winternitz, op. cit., Vol. I, pp. 299ff.,310; ZDMGL, 1934, pp.*23* *24* Thumb-Hirt,
'Handbuch des Slcfc.' I. Teil : Grammatik, Zweifce Auflage, §27 and Naohtrag to the same.
Prof A. B. Keith holds a different view. See 'The Religion and Philosophy of the Ved l
and Upani?ads," H S., 1925, p. 7. ,
2 S. K. Chafcterj i, 'Origin and Development of the Bengali Language,' pp. 26, 31f.
also c/. Keith, op, cit., p. IS.
xx THE PANINiYA SIKSi
. Jangaage a similar pre-Aryan influence has already been postulated
.to account for the development of cerebral sounds as well as a
portion of the Old Indo-Aryan vocabulary. 1 If such an influence
played any considerable part in giving shape to the Vedic
religion it may be said to have practically finished a great part
of its work about 1000 B. C. 2 as far as the Indian Midland was
concerned ; for a very long time must have been necessary for
the pre-Aryan Indians to get reconciled with the hostile new-
comers and ultimately to accept their faith and culture. Now
the ethnic constitution of the modern Indians who profess
adherence to the Vedas shows that a great majority of them
has come from non- Aryan stocks. Thus one will probably be
justified to assume here a conversion— may be unconscious — of
the non-Aryan people to Vedic religion, which was responsible
for such a state of things ; and such a conversion in all likelihood
began to progress with considerable force about 1000 B.C.
when the Vedic people and their ways were in all probability
not only no longer displeasing but also was becoming attract-
ive to the pre-Aryan people of the land, and a progressive
section of them had already been Aryanised as far as their
religion was concerned. And even some blood-mixture with the
new-comers is much likely to have occurred at this stage. It is
quite possible that the six Ved'uigas partly grew up and partly
took shape under the circumstances demanded by an effort on
the part of these progressive non-Aryans and their descendants
to acquire thoroughly the Vedic culture, a great deal of which
was essentially conuected with religious practices.
6. It is conceivable that these neo-Vedic people con-
sisting of Aryanised non-Aryans as well as mixed Aryans took
more than ordinary interest in Aryan faith and culture,, and
1 S.~K. Chatterji, op. tit., pp. S7f., 1701
2 Oldenberg places the period of the Br&hmurias aod Upanisads (of course old ones)
between 9 JO B. C.-7J0 B. C. (Buddha, : his Life, his Doctrines, etc., Calcutta, 1927, pp. 14-16J.
The Brahtnanas are characteristically tbe product of that pex*iod in which primitive Indo-
Aryans were very much influenced by pre-Aryan8 of India,
INTRODUCTION xxi
later on their descendants began to get ashamed of their extra-
Aryan origin and wished very much to pass themselves off
as thorough-bred Aryans. 1 But a great obstacle in their
way was indeed the colour of their skin as well as their
language and customs. For the time being difficulties seemed
insuperable, but they did not remain so for a long time.
Means were gradually discovered for concealing their ethnic and
cultural origin.
7. The famous Purusa-sukta (Rgveda, X. 90) having been
revealed (c. 1000 B. C.) the question of colour became explicable
without reference to any ethnic mixture though such a thing
had in a manner had to be recognized later in a rather queerly
formulated Vartiasankara theory of the Dharma-sutras to explain
the existence of different non- Aryan groups which entered rather
late within the pale of the society organised in the Varqdirama
principle.
8. The language and customs were from their very nature
ill suited to remain hidden under the Vedic revelation. Habits
whether of speech or of other matters die indeed very hard.
Though the exigencies of their religious rites compelled them
to recite the Vedic mantras and to use the sacred tongue, the
neo- Aryans surely used in their family or tribal circles their
traditional speech while during their intercourse with the Aryans
a jargon • consisting of varying degrees of Aryan and non-Aryan
was prominent. This state of things, as can be easily imagined,
was detrimental to the purity of the Vedic speech and occasion-
ally gave rise to mlecchiba (corrupted) speech condemned so much
by the custodians of the Vedic culture (Brahmanena na mlec-
chitam mi, etc. Patanjali, ed. Kielhorn, Vol. I, p. 2). Thus the
necessary incentive was furnished to contemporary leaders of the
Vedic religion, who surely included neo-Aryans too, for studies
in phonetics (tiksa), metrics (chandas), grammar (vyakaraiiCL) and
1 A case parallel to this is to be found iu the attempt on the part of some descendants
of non- Anglo- Saxon people of America to pass as people of Anglo-Saxon origin.
xxii THtf .PIN INI YA SIKH A
vocabulary (nigkaniu). 1 The contents of the Kalpa-sutni which
branched off later on to $raufca, 2 Grhya and Dharma-sutras may
also be said to have received attention at that time when the neo
Vaidikas were trying to assume the appearance of thorough-
bred Aryans and for this purpose they required a set of codified
rules by followiug which they could be trained in Vedic ways.
Oldenberg who does not pay any attention to the ethnic com-
position of the Vedic people seems to consider that a training
in the Vedic ways was a priestly imposition on the other Aryan
classes. (See 'Buddha, His Life, His Doctrines, His Order,'
Calcutta, 19^7, pp. 14-15.) As, for various ceremonies the
observation of correct date and days of the moon was already a
necessity even before the conscious Aryanizing activities began,
the study of astronomy {jyotisa) commenced earlier ° ; but it
is probable that its results were not gathered in a written treatise
till later when some of the earliest available texts of other
Vedangas have been composed.
9. One of the earliest references to the six angas of the
Veda occurs in the Sadvimsa Brahmana of the Samaveda 4 which
on linguistic grounds has been considered to be pre-Paninian/'
And in the Mun4ak6panisad (circa 700 B. C.) too the six
Vedangas have been enumerated. 6 In a passage of the Gautama
Dharma siitra (circa 500-400 B.C.) we learn that as his
authorities on the administration of justice the king was to take
among other things the Vedaiiga (VIII. 5 ; XI. 19 ; SBE., Vol.
33, p. 234; Winternitz, op. cit. s Vol. I, p. 519). In the Apastamba
1 Prof. Lakshman Samp bas a different; opinion on this point (Translation and
Notes of the Nighar;$u and the Nirukta, pp. 221-223). He is also unwilling to recognize
Panini's grammar or Nighantu or similar other works as Vedangas (loo. cit,).
2 Srauta Sutras in fact represented the Kalpa sutras most. For according to the
Sik*a PrakSia commentary to the PS. kalpa is the science of rituals.
s Max Muller, op. cit., pp. 211 ff. *■ Ibid, pp. 112-113.
5 Winternitz, op. cit., Vol. J, p. 191.
6 Ibid, p. 268. For the time of Mundaka, see Hertel's edn., pp. 64ff.
INTRODUCTION xx jii
Dharma sQtra (c. 500 B.C.) 1 too Vedangas have been mentioned
twice (I. 10, 28, 21 ; II. 4, 8, 10). This sutra work also enu-
merates the six angas, one of which is of course the Siksa CIL
4, 8, 10). 2 In spite of these very early references to Vedangas
with or without their number, earlier scholars were not prepared
to admit that such references implied 'the existence of six
distinct books or treatises intimately connected with the sacred
things' and in their opinion these references implied merely
the admission of six subjects, the study of which was necessary
either for the recitation, the understanding, or the proper sacri-
ficial employment of the Vedic hymns (Max Miiller, op. cit.,
p. 109 ; Wintemitz, o-p. cit., Vol. I, p, 268), But as we have
seen before that conditions favourable for the rise of the
Vedangas were probably in existence as early as 1000 B.C. and
as the beginning of these studies at the time of the early
Brahmanas are attested by reliable references the existence
of written treatises on Vedic aiigas about 600 B. 0. can by
no means be considered to be impossible. The most one can
assume about such works in the absence of suitable evidence,
is that they have probably been lost. But to consider them to
be non-existent after a lapse of nearly four centuries during
which Vedic priests could compose voluminous Brahmanas will
indeed be a unique piece of inconsistency. Max Miiller' s
schematic division of the Vedic period into Ohandas, Mantra,
Brahmana and Sutra periods perhaps lie at the back of this
kind of unreasonable view. It is not possible that such closely
divided ages ever existed ; some overlapping has surely occurred ;
some at least of the Vedanga treatises were written in the
Brahmana period— may be towards its end. For it is scarcely
possible that when an energetic and intelligent people like
the Indo-Aryans were already composing works like the
1 SBE., Vol. 33, xliii ; also Bafcakrishna Ghosh, 'Apastamba and Gautama' in THQ.,
1927, pp. 607ff.
2 J. Charpentier places without auy justification the origin of the Vedangas between
300-100 B.C. (see his ed. of the Uttaradhyayanasutra, pp. 31-32).
xxiv THE PANINIYA SIK$A
Brahmanas, small treatises on the Vedangas which, as we already
noticed (§ 5), must have been a vital necessity with them about
1.000 B.C. and after, were not then being prepared. Thus we are
justified to assume that treatises on different Vedangas might
have been in existence between 1000-000 B.C. 1
1 Cf. Siddbeshwar Varma, op, oit., pp. 2, 4.
SlKSI
10. We have seen above under what possible conditions
the Vedic priests might have turned their attention to the
pronunciation of their sacred language and how this attention
ultimately gave rise to the Siksa-vedanga. But, as can very
naturally be expected, the word Siksa did not continue to mean
the same thing during the different stages of its evolution.
11. According to Panini (VII. 4. 58) the word Siksa
has been derived from the desiderative of 3ak, 'to be able. 3
Thus the literal m sailing of s'iksa will be 'a desire to be able.'
It is very difficult to understand how this rather curious meaning
finally developed into 'phonetics.' It is indeed due to this
difficulty that Weber and Max Miiller have cu£ the Gordian
knot by a bold assumption that a/ siks means originally 'a desire
to know' (zu konnen suchen) though it must be admitted
that 'knowing' cannot very well be equated to 'pronunciation.' 2
But, from the discussion made above of the conditions under
which Siksa as a subject of study arose, the original meaning
of this word seems to be plain enough. For were not the newly
Aryanized people with th^ir different ancestral speech-habit
ill able to recite the Vedic mantras in a faultless manner ?
Now it may well be assumed that the difficulty in their case
who had a totally different linguistic basis was so great that
learners am )ng them had to have indeed a very strong 'desire
to be able' to recite the Veiic hymns. Possibly on such a
hypothesis alone can we understand how the original meaning
of 'to desire to be able' cima to be narrowed ,iown 'to desire
to be able to recite the Vedas correctly' and from this finally
1 See Luders, Vyaaa^iksa. p. 1.
2 Weber, Ind. Sbud., TV, p. 345,
xxvi THE PANINIYA glKSA
developed the sense of the study of pronunciation. Thus the
original import of the term Siksa seems to have embedded
in it an important history.
12. Now the Vedic pronunciation as we see from the
Siksas and Prati^akhyas was more or less a complex affair.
But it is not so much possible that all phases of this complexity
were felt all at once at the very beginning when attention began
to be given to pronunciation 1 ; even in case of its being felt these
different aspects of it could not be handled with success at the
very beginning. Whatever might be the case it is pretty sure
that with the early Vedic phoneticians ($iksakaras) matters
were simple enough and only the fundamentals occupied their
attention. Our evidence in this matter comes from Patanjali
who in his definition of a typical priest (arUrijina) says that
he should be able to use the (Vedic) speech with (properly
inflected) words (padrt), with (proper) accent (svara) and with
the (properly articulated) speech-sounds (varnas).' 2 From this
we learn that the observation of the proper accent as well as the
right pronunciation of speech-sounds were Siksakaras' chief
object of study. And a later authority Visnumitra, a commentator
of the RPr., defines the $iksa as $vara-varndpade§aJca-£astram, a the
science which teaches accent and the speech-sounds (varna).
Madhusiidana Saras vati too says the same thing more elaborately, 4
Hence we see that the correct production of speech-sounds in
general and the pitch and quantity of vowels comprised
1 In order to appreciate these we are to take notice of different stages in the
phonetic evolution of the Middle Indo-Aryan. See S. K Chatterji, op. oit.
2 yo va imant, padaiah svarati®' k§ar&6o vacaip vidadliati sa artvipnah (Mahabbasya,
Vol. I, p. 3). Pada in this parage does not; mean 'Versstollen' though in the Aitareya
Brahmana this is the meaning (see B. Liebich, Zur Einurbrung, II, §§ 3-4) and
alisara does not mean here syllable in connection -with metrics but with phonetics,
for Patanjali says later on that Vedic words are taught to those who know places of
articulation, adjustment of organs and the vocal words. This probably shows phonetics was
studied earlier than metrics.
3 v. 1, svara-varn6ccaran&pade£aka R>Pr., ed. Benares, p. 10; 3. Varma, op. eit., p. 4.
* tatra iikRaya udattmudattasvanta-hra^vadirghaplutmiiista-svaravyafljanal'maka-
varno-ccarana visista-jnamm prayojanam, Weber, Ind. Stud,, I, p. 16,
INTRODUCTION xxvii
the sole scope^of the Siksa at the earliest stage of its develop-
ment. It is quite possible that there was no written treatise
on these topics, the Acarya teaching the young learner (brahma-
can) 1 by words of his mouth, and it was only a little later
that the earliest manual on different topics of the Siksa came to
be written down. Now of the two phases of pronunciation that
were considered important in the beginning, the proper instruc-
tion of the speech-sounds was probably reduced to a system first
of all. We do not know what this system was like, but in view
of somewhat phonetic arrangement of varnas in the Varna-samam-
naya or the so-called Siva-sutras 2 we are tempted to assume that
this— probably in some earlier form— constituted the first treatise
on the instruction of speech-sounds. The word samamnaya
' traditional recitation ' probably gives support to this view.
Katyayana also seems to give it support while he says vrlli-savna-
vayarlha upade§ah, the enunciation (of the speech-sounds in
the Siva-siitras) is meant for arranging the varnas in a proper
order for (the facility of) recitation. 8
* The prescription of along residence of the very young Brahmacarin (coming-
in some cases from extra- Aryan groups) with the Acarya, in the Gyhya-sulras
resulted and seems to be meant for a linguistic rebirth {dvijatva).
2 Prof. B. Faddegon says that the Siva-sutra as a phonetical classification deserves
the highest praise (' The mnemontechnics of Panini's Grammar/ Acta Orientalia, VII,
1929, p. 54). Mr. X. 0. Ohatterji is against such a view (see Journal of the Depart-
ment of Letters, Calcutta University, Vol. XXIV).
3 In ibis translation we have ventured to differ from PataSjali on the infcei-
pretation of the word vrtti which he explains as iastra-vrantlih (ed. Kielhorn, Vol. I, p. 13).
Our translation of the word as 'recitation' has its support from the well-known couplet
abhyasMJie drutavi vrltim, etc. (BPr., XHI. 19, Yaj., 22, etc.). Compare also the worj
Sof tti recitation. J f Patafijali has misunderstood Katyayana there is no wonder about it ;
according to his own testimony Patafijali lived in a decadent age as regards the
proper teaching of the Vedas. He says : In the hoary antiquity it was like this :
Brahmans after their upanayana studied grammar. And when they have learnt the"
places of articulation of sounds, the adjustment of organs and vocaL chord in pro-
ducing them, they were given instruction in Vedic words. But to-day it is not so.
Keadin„. the Veda (straight) one quickly becomes a rector of the same. {Pura kalpa
etad asit, tawskardttarakahw Brahmana vyakarartam am&dhiyate, tebhyas tatra sthana^
karanAnuprad&jflebhyo Vaidika iabdi upadiiyante. tad adyatve na tatha. Vedam adhUya
ttariti vaktaro bhavanti.) The use of the word kalpa is very significant. It literally
means 432 million years but is used here in the sense of 'hoary antiquity.' 'Dm
xxviii THE PANINIYA SIKtfA
13. There may however be some objection to the above
view on the following grounds •' (i) in the Varna-samamnaya
Jong and pluta vowels have been omitted, (u) unvoiced stops
have not been arranged in the same order as the voiced ones,
(Hi) the absence of ynrna, anusvara, visarga, jihva-muliya and
upadhmamya in it and (id) the h of the sutra ha-ya-va-ra-t and
the sii-tra ha-l at the end duplicating h, is inexplicable.
14. Now in reply to the first objection it may be said that
a person learning short vowels correctly will naturally find it easy
to produce their long and protracted varieties, and it is for
this reason that the author of the Varna-samamnaya did not
. probably like to make it unnecessarily cumbersome for the
beginner by inclusion of these sounds, for the quantity of the
vowel constituted a separate subject of instruction (see PS. 7).-
That voiced and unvoiced consonants have not been arranged
in the same order in the Varna-samamnaya cannot go against its
phonetic character ; on the contrary, by varying the places of
articulation in the utterance of the sounds their mechanical and
hence wrong pronunciation has possibly been guarded against.
Or it might be for the sake of his Pratyaharas Panini had to
arrange the sounds like this. As for the omissioni of yama
and anusvara, etc., it may be said that being development of
sounds already existing in the Varna-samamnaya they do not
appear there. Eegarding the repetition of the sound h it may
be said that there were possibly two h's recognized in the Old
Indo-Aryan, one voiced and another unvoiced. The fact that the
second h is taken along with §, s and s, may justify us in making
the above assumption. Prof. Skold has tried to explain this
double, h by assuming that the Varna-samamnaya might have
been altered since its first formation and the last sutra has
probably been a later creation (Papers on Pacini, p. £0).
passage ahows that the chronological distance between Patafijali and the early writer*
on Vedio phouetics aB well as Panini might be very great or the progress of Buddhism
that preceded Patafijali must have been very detrimental to the Vedio studies or bof h
might be facts.
INTRODUCTION xxix
15. As for the authorship of the Varna-samamnaya we have
no means of deciding whether it was made hy some pre Pacinian
authority (Siva, MahesVara) or Panini. 1 All we can reasonably
assume is that Panini might have adopted the already existing
material (the Siva-sutras in their original form), with certain
changes, as the matrix of his pratyaharas, and the Sik?a connect-
ed with his name was perhaps the work to which was prefixed
this Varna-samamnaya and furnished the basis of Panini's gram-
mar and phonetics. The relation of the PS. to this work which
in its original form may go back to the first age of the Siksa-
Yedanga (1000-600 B.C.) will be considered later (§ 20).
16. The scope of the Siksa as .given in the Taittiriya
Upanisad probably brings us to the second stage in the evolution
of this Vedanga. According to this Upanisad (t. 2) the Siksii
consists of svara ' pitch accent,' matra ' quantity,' bala ' stress,*
sama 'utterance in a medium tone,' and santana ( sarfihlta,
'euphoric combination.' 2 While referring to the Siksa in his
introduction to the Rgveda-bhasya Say ana thinks of the developed
state of this Vedanga even when he says varna-svarddyuccaraya-
praJcaro yatra upadiiyate sa Hksa ; for he brings in the
1 Prof B. Faddegon says : Most likely the Siva Sutra is of earlier date than the
Astadhyayi (op. cit,, p. 56). Dr. Mangel Deva Shastri too thinks that the Siva-sutras are
pre- Pacinian (' The Kelation of Panini's Technical Devices to hia Predecessors' in the
Proceedings of the Fourth Oriental Conference, Allahabad, Vol. II, 1028, pp. 469f.). Mr. K. A.
Sulrahmania Iyer however thinks that the Siva Sutras are Panini's own (On the Fourteen
Mahes>aia Sutras, ibid, p. 142). Dr. P. Thieme thinks as follows : The idea of some modern
scholars that this dogma [i.e., the divine revelation of the Siva-sutra) contains as a
* historical nucleus' the fact that Panini did not compose the ' Siva Sutras ' himself, is
nothing short of absurd (op. cit.). But his view that Patafijali took it for granted
that the Siva Sutraa are P.'s work, seems to be wrong. Patafijali merely says in this
conneetion th.it etad jilapayaty acaryah (Panini). The verb jflapayati (suggests) has the
same root as jMpaka (a suggested or implied precept) so often uf ed in the Maaauhasya,
2 . The translation oi the terms given above is based on Sankara's Bhasya of the Taitt.
Up. ; of. the translation of these terms by Prof. Wiuternitz (k History of Indian Literature,
Vol. I, p. 282). Macdonell in pursuance of Sayana translates these a3 letters, accents, .quality,
pronunciation and euphonic rules (see Hist, of Skfc. Lit., p. 256). Dr. Siddheshwar Varma-
translates variia a3 'individual sounds/ svara as 'accent,' santana as,' chanting of tbe Vedie
verses' and in this connexion he ignores bala totally (see his Critical Studies, p. 4),
xxx THE P'lNINiYA SIKSA
passage from the Taitt. Up. (1.2). According to him svara-
varnadayah means varna, svara, mSttra, bala, sama and
saniana. But the fact that Sayana in his Veda-bhasya
quotes from Pratisakhyas does not invalidate his testimony
about the Vedanga SiksH which according to him is the
PS. For he mentions no less than three couplets (PS.
S, 9, 10) of the latter work * As Uvata, one of Sayana's
predecessors, in his introduction to the commentary of the Rk
Pratis'akhya has considered this work to be a Siksa 2 we can
easily believe that Sayana was fully conscious about the historical
relation between the PS. and the Pratisakhyas and he surely
followed a correct tradition in according due honour to each kind
of works on the subject. For the Pratisakhyas, though one of
them has called itself a Vedaoga, 3 were, as we shall see presently,
the Siksa manuals belonging to the second stage in the develop-
ment of this Vedanga, and Madhusudana Sarasvatl too was aware
of this fact. 4 The position of the Pratisakhyas in the history of
ancient Indian phonetic literature seems to have been very much
misunderstood. 5 And in order to appreciate their proper
position as well as that of the Vedanga Siksa composed by
Panini we must now inquire into the nature and scope of the
Pratisakhyas and their time.
1 Sayana evidently used one of the very late recensions of the PS. for he says sa
c&Hgabhuia-Mksa-grantJie spastam udiritafy 'trisa^is' catufyastir v3, varna sambliavato
matah" etc. (Pnj. Prak. Yaj. and Rk. 3.J
2 tathapy asyim Sikqayarri, dantyamuliya iti replio ian.tyamu.liya ity uktdh (ed. S&masrami,
p. U). Madhusudana too calls PiabisSakhyas Siksas; see the Note 5 below.
3 RPr. XIV. SO ; Madhusudana seems to be of opinion that the Pratisakhyas too are
Vedafigas.
* tatra sarva-vedasaihclranaJiksa Payinina prakMita prative,da6d,lc!iaiy, ca bhinnarUpi
p ralisakhyasamjMta anyaireva munibUh prakMila.
5 Of. Max Mflllar, op. cil„ p. 116f. ; Winternitz, Vol. I, p. 283 ; Kielhorn in I. A.nt., 6,
pp.144, 193 contra which Burnell, Rk-tantra VySkarana, pp. xlix-1 ; S. Sastri, op.' cit,
Introduction, p, 40. Exceptions are Goldsfciicker 'Panini', p. 184, and Paul Thieme, 'Paoin
and the Veda,' Allahabad, 1935, pp. 81ff.
PBATI&KHYAS
17. Before entering into any discussion about the origin,
nature and scope, etc., of the Pratis'akhyas it would be proper
to examine the term about the meaning of which there seems
to exist some misunderstanding. The word consists of thre^ 1
parts : prati, 4akha and the formative element. Of these,
the exact meaning of Sakha should .be determined first
of all.
18. The sakha, as is well-known, relates to the different
Vedic schools ; but we do not know whether the sakha refers
to the one undivided Veda or to e a c h of the different
Vedas, such as, Rk, Saman, Yajus (Black and White), etc.
Let us first consider the case of an undivided Veda. From
the story occurring in the Mahabbarata and some Puranas
that Krsaa-dvaipayana Muni divided the Veda into four
parts 1 we may infer that the Vedic mantras existed once as
an undivided corpus. The fact that particular mantras 'are
found in more Vedas than one, hints that the mantras were
collected under different names chiefly with a view to their
ritual use. For example, the collection of mantras made for
the use of the Hotr was called Rk and that for the use
of the A d h v a r y u was called the Yajus while the
U d g a t r' s collection was called the Saman. Now the
principle according to which the particular mantras could be
put under different labels was the same as that which has been
traditionally afc the root of the division of the Vedas into
Sakhas. For, from Mahadeva's commentary on the HiranyakesI
i For details see SaslbMsana Vidyalaiikara, ^faftt^tf (Jwanvhosa), Calcutta, 1341
B.E. , pp. 1090 f . (article on 'Vedavyasa'),
xxxii THE PININIYA glKSA
Sutra we ]earn that one of fche reasons which gave rise
to sakhas was the manner of reading the Vedas. 1 This being
the case we can well say that from one original Veda came out
first of all sakhas like Bk, Saman, Yajus, etc. 2 For, the
uttering of Vedic mantras by different classes of priests was
different ; the Hofcr recited the Rcas with his normal voice,
fche Adhvaryu muttered the Yajurnsi silently, while the Udgafcr
chanted Sarnans loudly. 8
19. But the threefold sakha, if we are allowed to postulate
this, must have existed at the very beginning of the period which
witnessed the growth of Vedic ritualism, or roughly in the
period preceding the Brahmanas. From this period onwards
the Vedic people, that is, the Aryans together with the pre-
Aryan ethnic element which they might have absorbed, began
to scatter themselves in widely separated regions of the Indian
continent where Aryanization followed. This diffusion of the
Vedic people, their culture and religion gave rise, in course
of time, to difference in pronunciation of the mantras, and
mantras being orally transmitted some of them came, in course
of time, to be read in different places with more or less different
word order, and a difference in the order of stanzas constituting
them also arose. It is probably these factors that brought forth
different sakhas in the generally accepted sense and they were, in
fact, sakhas of s'akhas or secondary sakhas.
Pratis'akhyas relate to all such sakhas in existence at the time of
their composition or final redaction. But separation among the
different branches of the Vedic people resulted not only in the
1 SaMabhede* dhyayanabhedad va sRtra bhedld m. See Max Miiller, Ancient Ski.
Literature, London, 1859, p. 127.
2 Max Miiller also writes ; 'The word {i.e., Sakha) is sometimes applied to fhe three
original SamhitSi, the Rgveda-sarphita, Sama-veda-sirnhita and Yajur-veda-samhita, in
relation to one another and without reference to subordinate Sakhas belonging to each
of them." (op. cit., pp. 123, 124). Yaik-i's use of singular number with reference to
the Veda deserves notice \1.20j. Prof. Sirup however takes this differently. See his
transl., p. 221.
* Max Muller, op. cit, pp. 122, 471 f. ; Purva-Miiharnsa-Sutras (II, 1. 35-37),
INTKODUCTION xxxiii
difference of pronunciation of the mantras but also a variation
of their sacrificial rules and social laws and customs. Thus the
sakhas came to relate also to a difference in such matters/
though Pratisakhyas had nothing to do with such sakhas. 2
20. Now the exact sense of sakhas having been determined
we shall proceed to ascertain the sense of the term PratiSakhya.
According to Max MiiHer who wrote in 1859, ' Pratis&khya...does
not mean, as has been supposed, a treatise on phonetic peculiarities
of each Veda, but a collection of phonetic rules peculiar to one
of the different branches of the four Vedas, i.e., to one of those
different texts iu which each of the Vedas had been handed down
for ages in different families and different parts of India.' 3 This
view has been subscribed to by Whitney in his edition of the
Afcharva-veda Pratisakhya (1862) . 4 Since then almost all the
scholars have followed this view. 5 But such an opinion seems
to have been expressed on very inadequate grounds. For,
Madhava, quoted by Jnanendra Sarasvati in his gloss on the
Siddh. Kau. (P. IV. 3. 59), explains Pratisakhya as prati-
§aliham bhavam. 6 And Anantabhatta too in the introduction to
his commentary to the Sukla-Yajus Pratis'akhya defines the
word similarly and shows, after an elaborate discussion, that
Katyayana's work relates to all the fifteen sakhas which
developed out of the Sukla Yajur-veda. 7 From the testimony of
Durga also we learn that the Pratisakhya related to more
schools than one. For in his commentary to the Nirukta (I.
17) he says : kirn parsadani ? svacaraw-parsady eva yaih
1 See above, footnote 2. 'Sutra' in Mahadeva's comm. means Kalpasutras, i.e.,
Srauta-, Grhya- and Dharma-Sutfas.
2 The word 'Sakha' uBed hereafter in this essay will mean, unle8s otherwise
pualified, a phonetic Sakha only.
3 Op. cit„ p. 119. i JAOS., Vol. VII, pp. 342, 580 f.
5 See Siddheshwar Varma, Critical;Studies, p. "12 ; Winternitz, Hist, of Ind. Lit,,
Vol." I, Calcutta, 1924, p. 284.
6 Siddhanta-kaumudx, ed. Gadgil, Bombay, 1904, p. 249.
7 Katyayana's Vajasaneyl Pratisakhya, ed. Venkatarama Sharma, Madras University,
1934, pp. 2-5. *
D
™v THE PANINIYA SIKSA
pmtiBkliam niyatam ova paddvagmlia-pragrhya'kmma-samMld-
svaralaksanam ucyale tani imani parsadani prattiakhyani ity
arthah. 1 "Those Parsada. books by which in a Parisad of one's
own Carana, the peculiarities of accent, samhita, krama-reading,
pragrhya vowels and separation of words are laid as enjoined for,
and restricted to each s'akha are called Pratisakbyas.' Max
Mtiller who quoted the above passage may be said to have
misunderstood it. Pratisakham which he translated as 'to
certain sakhas' should be equivalent to 'to each Sakha.' It
should be noticed in this connexion that Max Muller's transla-
tion of the passage is not in agreement with his own definition of
the term Pratisakhya quoted above. However the fault lies
principally with commentators like the author of the Vaidikft.-
bharana whom Max Mtiller in all likelihood followed. For in
the last named work which does not say anything about the
exclusive phonetic character of s'akhas in a Pratisakhya, it has
been suggested that the Pratisakbyas relate to a group of
sakhas. 1 This suggestion seems to give partial support to
Madhava's and Anantabhatta's testimony referred to above. For
it does nob restrict Pratisakbyas to o n e only of the many
sakhas.
The word Parsada which is a synonym for Prattiakhya
seems to give some clue to the solution of the problem whether
Pratislkhyas related to only one or all the Sakhas of a Veda.
In Narayana's commentary to a passage (deary am saparisatkam
bhojayet sabrahmacarinas'-ca in the Gobhila-Grhyasutra-bhasya
we find the following saha parisada tisyaganend vartata iti
sa-parisatkah tarn, samanam tulyakalam brahmacaritvam yesam ta
ime anyaiakhino'pi sabrahmacarinah savayo'bhi adhiyante. 2
From this passage we learn that students belonging to different
Vedic schools could take their lessons from one Acfirya who
together with his pupils, constituted a Parsada or Parisad, Thus
1 Mas Miiller, op. cit.< p. 131; S. Varma translates Madhava's words as belonging b
each individual (prati) 6akba {op. oil., . 12),
a On the T, Pr„ IV. 11 ; Siddheshwar Varma, op. cit., p, JL3 #
INTRODUCTION xxxv
Parsada siitras evidently related to such Parisads comprising
different schools of. a Veda. Hence it seems justifiable to
conclude that Pilrsada-sutras or Prfitisakhyas related to each one
or all the sakhas of a Veda.
21, By taking what seems very much to be a wrong view
about the meaning of the word Pratisakhya or the scope of a
work so named, Whitney felt some uneasiness over naming the
Pratisakhya of the .Krsna-Yajnr-veda as the Taittiriya
Pratisakhya. 1 The very fact that this Pratisakhya mentioned
the Black Yajus schools like Mimaqpsaka and Ahvaraka as well
as Taittiriya, made id very inconvenient for him to attach the
Pratisakhya to the last named school. (Taittiriya) only. But
still he considered it prudent to adopt the name Taitt. Pr. for the
work, though it did not quite satisfy his great critical acumen.
For he confesses that ' we are far from fully comprehending as
yet the origin, nature and relation of the " schools" of Vedie
study and their accepted texts or gakhas...' 2 This, however, was
not the attitude of Whitney a few years earlier when he edited
the Atharva-veda Pr. and had recourse to conjectures of varying
degrees to explain away the discordance between the theory
current in his time about the nature and scope of Pratisakhyas
and the characteristics of the Pr. in hand. He attached this
Pr. to the Saunaka school of the Atharva-veda and troubled
himself about the problem why in certain points it was not
in complete agreement to the Veda of this school. He little
dreamt the Pr. in question related also to other Atharva Sakhas
which in all likelihood perished or were till then untraced. 3
Hence in his edition of the Atharva-veda Pr. Whitney writes
'It is peculiarity of the authors of our treatise to give
their rules a wider scope than the vocabulary of the Atharva
1 See p. 427 of Whitney's ed. of this Pratis&kbya was published in 1871.
2 Whitney, T. Pr. p. 427.
3 Tbe Paippalada sakba of the Atharva-veda discovered after Whitney's e3. of the
Atharva Pr. should be remembered in this connexion.
xxxvi THE PININIYA SISSI
requires, in many instances contemplating and providing for
combination of sounds which are found nowhere in the body
of Vedic scriptures,, and for which accordingly the commentator
U obliged to fabricate illustrations (p. 583).' Now whatever
may be said about the genuineness of examples given by the
commentator who was possibly very late, it cannot be said that
the author of the Pratisakhyas based his rules on non-existing
materials. In view of the tradition that "Vedas, in different
periods, came to be lost and had to be recovered, it will not be
difficult to assume that some of the sakhas with their texts
perished beyond recovery. 1 Even if his allegation against the
commentator in some rare cases may not be untrue, Whitney
himself has admitted that ' there are certain number of
sentences among those given by the commentator which have
more or less clearly the aspect of genuine citations from
"Vedic texts; and although some might be regarded as instances
of carelessness on his part quoting by memory from another
source than his own Veda, we cannot possibly extend this
explanation to them all ; it must remain probable that, in part
at least, they were contained in some hitherto unknown gahhti
of the Atharva-veda.' 2 From these passages one will easily
realise the untenable nature of the meaning given to Pratisakhya
by Whitney, his predecessors and followers. a
22. Max Miiller, in his introduction to the Rk-Prati^akhya
(1870) does not care to examine in details the deviations of
the Pratis'akhya from the available Rgveda text (of Sakala
recension). This may be said to be due particularly to his
strong belief that Pratisakhyas were concerned with one sakha
of a Veda. Hence, he very summarily disposes of the question
of relationship between the Pratis'akhya and the Rgveda (Sakala)
text by saying that, as "in all essential points our own best
1 Hopkins, ' The Great Epic of India,' p. 5.
2 JAOS., VII, p. 588.
3 E.g., Prof. Keith believes with Whitney that the T.Pr. relates to the Taittirtya
Mantra-patha alone. See The Veda of the BlaeK Yajua School, HOS, p. xxxviii.
INTRODUCTION xxxvii
manuscripts of the text agree with the data in the Pratisakhya, we
may prudently conclude that the text of the Rgveda we possess is
the same as seen by the authors of the Pratisakhya more than
2000 years ago." 1 Along with this should be remembered what
he himself wrote in this connexion eleven years earlier. In the
History of Ancient Sanskrit Literature (1859) Max Miiller
wrote : " There is not a single MS. at present existing of the
Rgveda in which rales of our Pratisakhya are uniformly observed,
and the same applies to the MSS. of the other Vedas." 2
22 (a). Bunnell, too, in his introduction to the Bk-tantra-
vyakarana (Mangalore, 1879), considered by him to be a
Pratisakhya of the Sama-veda, thought that Pratisakhyas
belonged to one of the many sakhas of a Veda. He attached
the Rk-tantra to the Kauthumi sSakha alone and made some
conjectures as to why this Pratisakhya could not be connected
with Jaiminiya, Talavakara or Ranayaniya sakhas, and he
assumed that Pratisakhyas connected with these sakhas had
been lost. But all these assumptions seem to be uncalled
for. For example, characteristics of some Sama sakhas such
as the cerebral I and short e and o were in all probability
phonetic developments occurring or recognized later. 8
There can be nothing against such an assumption. For
there is the traditional view that the difference of sakhas
arising from difference in uttering mantras is without any
(historical) beginning ; 4 and from this we may deduce that even
after the Pratisakhyas were written new differences in pronuncia-
1 IETQ'., Vol. Ill, 1927, pp. 611-612 : Introduction to Bk-Pr., translated into
English by B. K, Ghoab.
2 Pp. 136,137.
3 Patanjali's opinion regarding the shortening of e and o in the Satyamugrlya and
Banayanlya Sakbaa of tbe Sama-veda deserves special notice ,jn this connexion. For be is
unwilling to recognize such a deviation from tbe tradition thougb the Parisad gave it
sanction. He says, paraadalqtir esa tatmbhavatam naiva loke n&nyasmin vede'rdha
elcaro'rdha olcaro v&sti on tbe Sivasutra {ai-au-c).
* adliyayana-bhedatc cMMabhedo'nddi quoted by Max Miiller., op. cit., p. 127. See also
pp. 117-118 ; pravacanabhedai praiivedam bMnna bhuyasyaS ca tehha, says Madhusudana
Sarasvati in the Prasthana-bheda,
xxxviii THE PANINIYA 3IK8A
tion could arise between several groups of Vedic people and did
actually arise and thus the process which brought into existence
different iSakhas was practically without an end. 1 It will be
found on a closer study of the various Pratis'akhyas and Siksas
that the difference of pronunciation amoug Vedic sakhas owe
their origin to the forces which tended to develop the Old Indo-
Aryan to the Middle Indo-Aryan and the later to the New Indo-
Aryan dialects. 2 But Whitney, Max Muller and Burnell however
viewed the matter differently and so did Weber before them. 3
23. The Pratis'akhyas belonging as they do to the second
age of the study of the Siksa Vedanga had a much wider scope
than the manual of the subject that was produced in the first
age. 4 Prom a study of the contents of the Prati^akhyas we find
that the scope of the Siksa as given in the Taittiriya Upanisad
(I. 2) applies to a considerable extent to the Pratis'akhyas which
1 Mr, Suryakanta Sastri in his Introduction to his new ed. of the Rk-tantra follows
Burnell in assigning the work to the Kauthumi fekha (pp. 2-6). But Mr. Sastri has also
given some fresh arguments in support of Burnell 's theory. These, however, are by no
means unassailable. That the Jaiminiya text of the Sama-veda did not give the peculiarities
provided for in the Sutras 58, 94, 112 and 114 can be explained also by the assumption that
the phonetic changes in question might have arisen later or the Prati^akhyas being manuals
of pronunciation had not much influence with the scribes, and discrepancy between the
written text and its pronunciation can well be assumed to have existed in early times also.
From the emphatic manner in which the use of written texts of the Vodas has been
discouraged we can well infer this. For the Naradlya-Siksa says :
Pustahapratyayddhttan n&dhitaiib gurus annidhau
mjate net sabhdmadhye jaragarbJw iva striyah- (II. 8. 19),
and the Yajnavalkya-Siksa has the following :
gtit frglir 1 sirah-ltampi tatha lihhita-pathahah
anarthajno'lpakanthas' ca sad ete pathak&dhamah. (198).
The long quotation which Mr. Sastri has given in support of his connecting the Rk-tantra
with fcheKauthuma £akha alone of the Sama-veda, is not at all convincing. According to
this question the KautbumI s^kha seems to include Narada, Lorna^a, Gautama and Naigeya
schools, He ought to have explained this fact.
2 Bloomfield and Edgerfcon, Vedic Variants, Vol. 2, Phonetics, Ch. I, especially §§ '2043.
See also Max Muller, Ancient Skt. Lit., p. 117.
3 Weber, Indische Studien, IV, pp. 67 ff. See also Winternitz, 4 Hist, of Itid. Lit.,
Vol. I, p. 284. According to the Taitt. Up. Siksa treats of the follwing : varna (speech-sounds)
svara (pitch-accent), matra (quantity), bala (stress), stima (utterance in a medium tone), and
sarnliita (euphonic combination).
Contra this, see Winternitz, op. cit,, Vol. I, p. 285.
INTRODUCTION xxxix
should be called secondary Siksas. 1 When judged by the
standard set up by the Taitt. Up. for Siksa (phonetics), the Prati-
sakhyas may be found wanting in certain respects. 2 For example,
the treatment of sama and bala is non-existent in them. But it
can well be assumed that as these two topics were exclusively
matters of oral instruction the Pratisakhyas did not discuss them.
24. As for the date of the Pratisakhyas which as we have
seen can be called the secondary &iksas, their rise and develop-
ment, at least of the older ones among them, can be roughly
placed between 600-200 B.C. 3 A detailed discussion about the
date of the Pratisakhyas will carry us far beyond the scope of
the present work. But in support of the lower limit to the
date of the early Pratisakhyas it may be mentioned that the
passages from the. Taittirlya Pr. and Atharva Pr. occur in the
Mahabhasya of Patau jali (c. 200 B.C.). Patarrjali's loan to
the Pr. has already been pointed out by Dr. Siddheshwar
Varma but the acquaintance of the Bhasyakara with the A.
Pr. has not been pointed out before. Under the Varttika to
Panini I. 1. 10. Patau jali * quotes sprstam spartonam kara-
nam. Isatsprstam antahsthanam. vivrtam usmanam Isad ity
anuvartate. svaranam ca [MSS. A B vivrtam isaditi nivrttam].
Here we have sutras 29-32 of the APr. with the difference that
the word order of the sutra usmanam vivrtam ca has been
changed and ca has been omitted. The accompanying vrtti in
Patanjali's quotation shows that he has quoted from some sutra
work which was evidently the APr. 5
1 C/. Suryakanba Sastri, op. ait., "Introduction, p. 8.
2 For the scope of the &ik§§ as laid down in the Taitt. Up., see § 16.
3 S. Varma, op. cit., p. 412. See also Hannes Skold, 'The Nirukta : Its place in Old
Indian Literature, its Etymologies.' Lund, 1926, p. 121. Before Dr. Varma he surmised
that the Pr. was to be placed before Patanjali though he very rightly held that the
age of the Prltislkhyas has rather been overrated. Cf. Winternitz, Vol. I, p. 268,
4 Ed. Kielhorn, Vol. I, p. 64.
5 Becenti attempts to show that the Saunakiya Caturidhyayika is not the A. Pr. must
be pronounced as a failure {.vide The Atharva-Pr?ti£akbya, ed. Viswa Bandhu Vidyarthi
Shastri, Lahore, 1923, pp. 13-14. S. Sastri, op. cit, introduction, p. 6). For, UVata in his
introduction to the Rk Pr. writes, "tatha catharvana-prd,ti£althye idam eva prayojancm
uhtdm evam iheti oa vibhdsapraptani samanye." A. Pr.. I, 2.
s
Pa^inIya Siksx
( 25. Its contents. The PS. as we have reconstructed it
from different recensions, contains only eighteen couplets in
anustubh metre though the longest (Rk) recension includes no
less than forty-two additional couplets 1 most of which are in
the same metre. The extreme shortness of this Siksfi-Vedanga
can well be compared with that of the Chanclo-Vedanga which
is embedded in the Chandah-sutras of Pingala and contains
only 87 sutras which will scarcely be much bigger in extent than
the PS. 2 But in spite of its extreme brevity the PS. was more
or less a complete manual on the pronunciation of the Vedio
speech-sounds in general at the time the work was composed.
In the first two couplets the PS. enumerates the speech-
sounds (varnas) ; vowels and consonants have been separately
mentioned. The next four couplets (3-6) give a theory of
production of the speech-sounds. This is followed by a five-
fold classification of these sounds according to their pitch,
quantity, place of articulation, primary effort (prayatna) and the
secondary effort (anupradana), (7-16). It goes without saying
that pitch and quantity primarily concerned vowels while the
remaining items all the sounds. The sounds mentioned in the
P$. are shown below in phonetic script according to their classes.
1 Some of the additional passages, e.g. Rk 46, 47 are not in verse. We however, have
called them couplets only as a matter of convenience.
2 See Manomohan Ghosh, ' The Chando-VedMga of Pingala ' in IHQ, Vol. VII, 1931,
t>p. 727 ff. j Weber, Ind. Stud., VIII, pp t 229-287.
INTRODUCTION
xH
Table B
Panini's Classification oj Speech-Sounds of the I A.
1. According to Places of Articulation.
m
SB
3
kautha
*
8
>
J3
• i— <
•r-s
J3
niurdhan
c3
a
cS
H3
+3.
o
P
13
ostha
alpaprana 1
kg
c J
*0
td
p b
<3
£-1
S3
on
mahaprana
kh gB
eb jfi.
thrfi
th dfi
ph bR
anunasika
usman
{lateral)
h
3
J 1
n
m
c8
(h)fi
X
9
/
s
I
1
-u
XI-
{flapped)
r
a
-
c3
{semivowel)
J
„
W
samau die Para
a a:
i i:
u u:
e8
(monoph-
thong)
05
sandhyakmra
kantha-talu
kantha-osfcha
(diphthong)
e:(-
■ al = seg ? ) ai
! " ' •
o : (=3,u=oo ? ) „au
2. According to Prayatana.
a-sprsta
a a: , i i: , u u: , e:( = ?aee) ai
o:(-
-? ob)
QU
Tsafc-sprsta
j w r 1 ( h x f ) *
nema-sprsta
9 f B
sprsfca
all stops and h
1
1 Terms in Italics have not been nsed in the PS
xlii
ttHE PININIYA SIKSA
3. According to Anupradana.
f anuuasika
nadin <
t an-anunasika
g J 1
n n m
4fi dfi bfr
Isan-nada
g J
d d b
svasin
kh eh
th th ph
isac-chvSsin
k c
t t p
26. lis Language. Within the short extent of eighteen
couplets we have one clear instance of Vedic usage (see
.Note 9, see also Note 18). There is another expression which
also according to the Kasika follows the Vedic usage (see Note 9
on so' dtrnah)'. Thus we may be justified to conclude that the
PS. was written in a late form of the Vedic speech. The
text of the Rk recension of the PS. as printed in the Siksa-
Samgraha (Benares, 1893) has been furnished with accent marks.
But as eighteen only of the couplets have been considered to be
original we have no sufficient ground to take these accent-marks
to be very old. But on looking to the archaic language of the
PS. we are tempted to assume that the editor of the text of the
&k recension, which served as the basis of the SS. text, must
have bad behind him a good traditional support. It is quite
likely that these accent-marks in the PS. fell into disuse just
as the accent-marks in the Astadhyayi and Paniniya Dhatu-
patha did. 3 Panini's sutras such as svaritenddhikamh, anudatta-
nita atmane-padam (I. 3. 11, 12) clearly indicate that these two
works were once accented. This possible existence of accent-
marks in the PS. again speaks for its great antiquity.
27. That the PS. has been composed in the anustubh
metre has been considered by Max Miiller to be the sign of its
lateness. On this point, after emphasising the antiquity of
the Ek Pratisakhya he says, ' By comparing Saunaka's chapters
1 See Wackernagel, I, p.
INTRODUCTION xliii
in his first Pratisakhya with the small sloka compilation which
is generally quoted as the Vedanga, the difference of old and
modern s'lokas will at once be perceived.' * As he has not
expressly laid down the criterion with which to distinguish
between the old and the new slokas we cannot judge the strength
of his argument ; but slokas which he considered to be modern
in structure might well have been among those which we have
had to consider spurious. Whatever may be the fact, the
anustubh metre in which the reconstructed PS. has been
composed appears by no means younger in age than that in
which works like the Brhaddevata (c. 400 B. C.) has been .
composed.
Four important characteristics of the classical Skt. s'lokas
are : (i) of every pada the 5th syllable shall be short and (ii)
the 6th syllable long and (Hi) the 7th syllable of the first and
the third pada shall be long and (iv) that of the second and the
fourth pada shall be short. Now in the PS. (as reconstructed
by us) the 5th syllable of the pada is long thrice (6a, 15a, c) 2
and the 6th syllable short seven times (4a, 5a, c, 6a, 8c, 11a, c)
and the 7th syllable of the first and the third pada is short seven
times (4a, 5a, c, 6a, 11a, c) and the 7th syllable of the 2nd pada
is long once (2b) . Considering the fact that the PS. consists
of 18 slokas only these 18 instances of metrical irregularity is
enough to show their archaic nature.
28. Its place in the Indian Literature. In his commentary
to Jaimini's Purva-mimamsa sutras Sahara (c. 500 A.O.) 8 once
(on I. 1.22) mentions the 'authors of the Siksa' (tiksakarah) }
Plural being evidently used for showing respect we do not learn
from this what particular author of Siksa Sabara had in mind.
1 op. cit, p. 145.
2 a, b, c and d indicate in this paragraph the first, second, third and the fourth
quarter of a sloka.
3 E. G-. Bhaudarkar, JBRAS, 1914, p. 297 f. ; Winternitz, III, p. 425.
4 nam vdyu-Mranahah syaditivayurudgatah samyoga-vibhagaili 6abdo bhavatititatha
ca sik s a-harali ahuh vaynr apadyate iabdatam Hi- Sabara here does uot quote the
words of the PS but gives its view,
xliv THE PANINIYA glKSA
But he discusses later on (under I. 3. 25) a theory of the pro-
duction of words, which is identical with that available in the P$.
(3-6). 1 Bhartrhari (c. 650 A.O.) too in his Vakyapadlya (I.47) 2
seems to follow the same theory, though he does not mention any
Siksa or Siksakara. But from Sahara's or Bharfcrhari's probable
acquaintance with the PS. we do not learn anything about the
authorship of this work. It may be that like the compiler of
the Agni Purana they were not aware of the name of its author
though it was surely looked upon by them as the most
authentic Siksa or the Vedanga Siksa. The same may be
said of Durga (c.1300 A.C.) 8 the commentator of the Nirukta,
and Sayaria (1400 A.C), as well as Somesvara 4 and Bamakrsna 5
about the date of whom we have no definite idea. But
Madhusudana SarasvatI G (c. 1500 A.C.) as well as the author
of the Paraiarl Siksa 7 knew the PS. as the Vedanga and knew
Panini as its author. Prom the description of the Siksa given
in the Sukraniti 8 it- appears that the author of this work too
knew of the PS. to be a Vedanga. Thus we see that though
there might have occurred some break in the tradition about
Panini's authorship of the P$. it was taken as the most import-
ant Siksa or the Vedanga by eminent authorities probably from
500 A.C. to 1500 A.C. The question why the authorship of
the PS. came later to be obscured is difficult to answer.
1 inahafa prayatnena gabdam uccaranti vayur nabher utthitah urasi vistirnali Icanthe
vivartitah murdhanam ahatya vaktre viearan vividhan hbdan abhivyanjayati. PS. 3-4.
8 vitarlcitah pura buddhya kvacidarthe niveSitah
karariebhyo vivfttena dhvanina so'nugfhyate.
v.l. karanebhTJO vivrttew is evidently due to confusion.
3 .Durga in his introduction to the Comtn. of the Nirukta quotes PS. 3, from what
he calls the Vtdanga Siksa (see Nirukta in Bomb. Skt. Series, p. 24). The date of the author
is about 1300 A.O. (Introduction to thp, Nirukta, by Sarup, p 50).
4 Max SI filler, op, cit., p. 122.
5 Ed. Simon, p. 42; Siddheshwar Varma, op. cit, p. 5.
6 tatra sarva-vedasadharanaiiksa atha siksam pravaksyamiii paftcakhandatir.ika
Paiiinina prakateta. Prasthana-bbeda, ed. Weber, p. 16.
7 SS. p60.
8 svaratah kalatah stliana-prayatnanupradanatah.
savcvna&yaii ca sa Hksq, varrianatri. paiha-sikmiidt.
INTRODUCTION xlv
29. In the absence of suitable data on the point we may-
explain this obscurity by the fact that the ancient Indians did not
sefc any value on history as such, their only care being the S&stra
and not its authors or their dates. They however took notice
of the most . important fact about the PS. that it was a Vedanga
and concerned all the Vedas. 1
But the great importance attached to the PS. by these
authorities is apparently weakened on the following grounds:
The places of articulation for the sounds r, e, o, r and I as
given in the PS. do not correspond to those given in the Prati-
sakhyas and some of the late Siksas; and sounds like I (ss)
and Ih (3SJ?) found in some Vedic texts do not occur at all in
the PS. though they make casual appearance in the Pratisakhyas.
30. But looking more closely into these cases we shall find
that there cannot be any real difficulty on these points. For
we have seen before (§ 22a) that one aspect of different
treatises on the Vedic phonetics is that they in a way
help to trace the development of the spoken Indo-Aryan
since the inception of its tendencies towards reaching to the
Middle Indo-Aryan stage, and it is pretty sure that these tenden-
cies interfered with the correct pronunciation of the Vedic
mantras. Thus I { S5 ) and Ih ( 55 n ^ ) can easily be explained as
later developments. 2 Mr. C. V. Vaidya thinks that these sounds
were non-existent in the Vedas and developed later due to
Dravidian influence. 3 This opinion seems to be extremely
sound. The change of place in case of the articulation of r,
e, o } r and I also can be explained in a similar fashion as later
developments. Thus we should have no objection in admitting
the Vedanga character of the PS.
1 See cotes above.
2 Of. S. K. Cbatterji, op. cit., p. 38; Thumb-Hirfc, Handbuch des Skt., Teil. I. § 21.
Wackerrtagel, Altindiscbe Grammatik, Vol. I, pp. 255-256.
3 Hist, of Skt. Lit., Vol. I, Sec. I, p. 57 ; Sec. H, pp. 81, 114, 130, 137, 142, 154.
Soutb Indian Skt. MSS. very often interchange Z and I without any principle. This probably
points to the Dravidian origin of I (vide Waokemagel, he. cit).
xlvi THE PXKINIYA SIKSA
There seems to be another fact which goes in favour of the
view presented above. As we have seen before (§ 25) that the
PS. has a theory of production of the speech-sounds (3-6). The
(Taitt. Pr.*) surely betrays an acquaintance with it. The acquain-
tance of the Vaj. Pr. is probably clearer. 2 The Rk. Pr. (I, 18) a
too seems to have known this. It is not clear if the APr.
knew of it.. But the silence of the last work may well be ex-
plained by assuming that its author did not probably
consider it necessary to include the theory in his sQtras,
for he might well have assumed a knowledge of it on the part
of the readers.
81. Thus we can well take the PS. as the Siksa-Vedanga.
This view will be further strengthened when we shall discuss
below the relation of the PS. with the Astadhyayl and will
produce evidence to show that the two works in all likelihood
proceeded from the same master's hand. But before taking
up the relation between the PS. and the Astadhyayl we shall
have to examine the claim of another work for the position of the
Vedanga. Dr. Eaghu Vira in an article named 'Discovery of
the lost Phonetic Siifcras of Panini' published in the J R A S,
1931, (pp. 653 ff.) claims to have discovered the lost Phonetic
Sutras of Panini. From the several arguments which he puts
forth with great enthusiasm it may appear that the sutra work of
his discovery (DPS. or Dayananda's Phonetic Sutras) is the
Yedanga Siksa. But on a closer examination of the arguments
we find that they are not as sound as Dr. Raghu Vira believes
them to be. He starts with the assumption that the DPS. is the
lost phonetic sutras of Panini though no independent authority
1 ^f%*^l **? SHnwp fapcftf m*H (XXIH, 10-12. Whitney, XXIII. 10),
See foot-note of § 28.
2 spg fargTftfecrn | ^^^^SS^Tfr (I. 29-30). By Siksa Katyayana
seems to mean the PS.
3 3P3fts*frrc: spwr^ffl ^ wrfffpff $ftrf?rr *swr ( 1, 18.),
The view of 'some' who took 'h' as an urasya sound can be compared with the P$. 10.
which has 'h' as aurasa under certain circumstances,
INTRODUCTION xlvii
attests its existence or the story of its alleged loss before the
present time. Dr. Raghu Vira's allegation that Patanjali and
other grammarians borrowed passages or their substance from
this sutra work (DPS.) is extremely unhappy. For this borrow-
ing might well have occurred the other way round, that is, the
author of the DPS. might have culled his materials from
sundry sources such as the Mahabhasya and the Varna-sutras of
Oandragomin } In the face of facts that there is no ancient or
modern MS. or any descriptive reference of it in any early or
late work to vouch for its authenticity, 2 one may well be justified
to take such a view. Along with this should be considered the
following facts about the PS. :
(i) It has been styled as the Vedaiiga Siksa by Sayana and
Madhustidana Sarasvati.
(ii) It has no less than what may be called five different
recensions, and numerous MSS. of each such recension.
(m) It has two old commentaries. Thus we see that in
marked contrast to the PS. the DPS., the alleged phonetic Sutras
of Panini, have remained in oblivion for about two millennia and
a half to be discovered only at the beginning of the nineteenth
century. Though such a discovery may not be totally impossible,
one need be very cautious in such matters. The discovery
of Kautilya's and Bhasa's works cannot be brought here as
a parallel case, for quotation from these works have been shown to
have occurred in fairly old documents.
32. Prom materials which Dr. Raghu Vira has so ably
collected in his article 3 we can well see that the DPS. is not
an old work. On referring to a recent catalogue (p. 12) of the
Vaidika Pustakalaya, Ajmer (Samvat 1988), publisher to the
Arya Samaja, we find that the DPS. constitutes the first among
1 The Varna-suferas have been given in the Appendix. Dr. Paul Thieme seems to dis
believe that the Pacini's Siksa of Dr. Baghu Vira was quoted by Pataiijali (see op. cit., p. 86)
2 Non-existence of any MS. of the DPS. has al--o raised a doubt in the mind of Dr.
Paul Thieme as regards the authorship of the work {ibid.).
3 JBAS, 1931, pp. 653 ff.
xlviii THE PJNINIYA glKSA
the fourteen sections of the Vedanga Prakasa, a grammar which
Svami Day&nanda compiled for the use of the 7edic students.
It is probably due to inadvertence that Dr. Raghu Vira did not
mention this fact in his article. The different sections of the
Vedanga Praka£a including the first one have also been issued
separately. The first of these sections bears the title of the Varnoc-
carana-Siksa by Panini. This sutra-work as has been shown
by Dr. Raghu Vira (loc. cit.) resembles the Varna-sutras of
Candragomin, the Buddhist grammarian, who flourished about 500
A.C. 1 Considering the great influence which "Candragomin
exercised on the grammarians of Panini' s school (the KMka and
the Vakyapadiya showing traces of such influence) it is quite
possible that some late grammarian re-edited and amplified the
Varna-sutras of Candragomin and fathered this upon Panini, evi-
dently for imparting to it a superior authority. Though there
is no suflicient material to prove this we are inclined to suggest
that this late grammarian was Svami Dayananda himself who,
among other things was a very close student of Sanskrit gram-
mars as his Vedangapraka^a and the edition of Panini's Asta-
dhyayi show. But whatever may be the actual fact about the
authorship of the DPS., it is sure that the work is neither from
the hands of Panini nor an old one. 2
33. Its Author. Now if we are sure about the fact that
the PS. is the real Vedanga Siksa we shall have to take up the
problem of its authorship. Though the work has probably been
drawn upon by very old authors 3 its author has not been
1 This date is assigned by S. R. Belvalkar (Systems of Skt. Grammars, p. 58).
Dr. Siddheshwar Varma places C. in the 7th century (See his Critical Studies, p. 8)
at the latest.
2 Dr. Paul Thieme with a somewhat different line of argument disallows the genuine-
ness of Panini's Phonetic Sutras discovered by Dr. Baghu Vira (see his Panini and the
Veda, p 86). We do not agree with him on all points.
3 Dr. Paul Thieme thinks that if Patafijali knew the PS. as Pacini's work, he would have
referred to it 'in unambiguous terms' and would have treated it with the same respect as
Panini's grammar (p. 86). Hence, as the PS. has not been referred toby Patafijali, one may
according to Dr. Thieme reject its relation with Panini. Bat it would be a mistake to place
too much confidence on the argument of silence, which may be otherwise explained.
INTRODUCTION - x\ix
mentioned till very late (see § 28). The earliest evidence about
the existence of the complete work is perhaps the Agni Puraiia
which isu sually placed in the 800 A.C. But it does not refer to
Panini as the author of the Siksa though in case of the metrical
version of Pingala's prosody the source has been mentioned (see
Notes on 1). This can well be taken to mean that to the compiler
of the Agni Purana the authorship of the PS. was not known.
But we have seen before (§ 29) that Madhusudana Sarasvati
in the 15th century in no unambiguous terms considers Panini to
be the author of this Siksa though the Siksa-Prakas'a, a
commentary to the PS. which is possibly earlier (c. 1200 A.C.)
than Madhusudana, ascribes the latter work to Pingala. Thus
the problem of the authorship of the PS. with its late and
mutually conflicting data seems to possess no dependable means
for its solution. But we need not feel hopeless in the matter.
External evidence failing we turn to the PS. itself and find
some important hints which are being discussed below.
(a) It is usually known that Panini was a great grammarian
but his greatness as a phonetician is no less considerable.
But unfortunately it has scarcely been noticed and far less em-
phasised. This sort of defective appreciation of Panini is due to
the mistaken notion commonly held that the Prati^akhyas, even
if they are not actual grammars, are grammatical writings. 1
But in fact the Pratisakhyas are purely phonetical treatises.
Viewed in this light we find that Panini has treated in his gram-
mar svara (pitch) and matra (quantity) of vowels as well as
samhita (euphonic combination). 2 These items as we have seen
before (§16) are, according to the Taitt. Upanisad, the three
1 Winternitz, Vol. Ill, pp. 381-882; Laksbman Sarup, the Nighan$u and the Nirukta,
English Translation and Notes, London, 1921, p. 220; S. Varma, Critical Studies in the
Phonetic Observation of Indian Grammarians, pp. 14*15 ; S. Sastri, 'The Rktantra,' In-
troduction, pp. 1-2.
s The Aatadbyayi treats of svara ia chapters VI (1. 58-2, 199) and VIII (1. 27-71)
and in many other places. The matra has been treated in chapter VI (3. Ill, 138) and
the samhita in Chapters VI (1. 72 f and 3. 114f) and VIII (3. 1-4 j 4348).
G
1 THE PININIYA SIKSI
among the six branches of the Siksa or phonetics. Can there
be a better evidence of Panini's masterly knowledge of phone-
tics? But this evidence alone is not sufficient to identify
Panini with the author of the PS. "What we may gather from
the above is that of the two names Panini and Pingala proposed
for the authorship of the PS. the case for the former is stronger.
(b) Besides this a comparison of the contents of the Asta-
dhyayi and the PS. further strengthens the claim of Panini to
the authorship of the PS. From such comparison we gather
the following facts 1 pointing to the handiwork of the same author,
(i) In the PS. Paninian Pratyaharas, such as ac, car, ghaS,
yan, ja§, $ar, hal, have been requisitioned.
(ii) ku, cu, tu, tu and pu have been used to indicate res-
pectively k, c, t, t and p groups. This convention has been for-
mulated in the Astadhyayi (I. 1. 69) anudit savarnasya ca
'pratyayah.
(Hi) The PS. (17) includes the Anunasika into speech-sounds
while its definition has been given in the Astadhyayi (I. I. 9.)
mukha-nasika-vacano ' nanasikah.
(iv) The explanation of terms like hmsva, dirgha and pluta
has also been given there (I. 2. 27, ukalo'j hrasva-dirgha-plutah) ,
(v) According to a rule of nd-tva as laid down in the As|;a-
dhyayl (VIII. 4.1). n after r and § turns to n. From this we
get r as a cerebral sound. According to the PS. (11) too r as
well as s is a cerebral sound (Pratisakhyas have r either
in the roots of the teeth or close to the teeth (see Varma,
op. cit., p. 6).
All these fairly settle the question of the authorship of
the PS. Now the important question arises which of - the two,
the Astadhyayi and the PS., was composed first. To find
this out we must remember once more the different braDches
of the Siksa as enumerated in the Taitt. Upanismd, " varna,
svara, matra, bala, sama and santana. Panini as we have
1 Pacini's Siksa brought to ligLt by Dr. Bagbu Vira lacks similar facts, hence Dr. Paul
Tibiae rightly rejects the genuineness of the work (see op. cit., p. 86).
INTRODUCTION li
seen before (§33 a) treated svara, matrd and santana (samhita) in
his grammar. Of the remaining 1 three branches bala and sama
can, scarcely be the fit subject of a theoretical treatise. Hence
varna (speech-sounds) alone was left without treatment in the
Astadhyayi. Now Panini, who undertook to build up his
great Sabdanus'asana, the Vyakarana-Vedanga, 1 could not very
naturally think of leaving varna without any treatment. This
is probably the reason why he wrote the PS. which is as
it were a companion to his famous grammar.
34. It may now be asked why Panini wrote the PS. in
metre and not in prose sutras. We may think that such a question
is not difficult to answer. Considering the simplicity and
shortness of the subject to be treated Panini, it may be assumed,
adopted in case of the &iksa the metrical style which for the
Astadhyayi with its complex subject-matter would have been
quite unfit.
35. Now this being practically certain that the PS. as re-
constructed here, is from the hands of Panini we get some rough
idea about the age of the work. But as the PS. seems to offer
some fresh data for this purpose we shall discuss below various
points of view on Panini' s age and try to suggest some time
in which the great Indian grammarian was likely to have
flourished. Panini has variously been placed between 800 B.C.-
400 B.C. 2 The view of those who hold that Panini should
be placed in about 350 B.C. should be considered first. 8 Their
main argument against an earlier date is the fact that Panini
1 Winternitz does not admit (Hist, of .Tnd. Lit., Vol. Ill, p. 383) that the Astadhyayi
of Panini is a Vedanga, but this is against the traditional Indian view. MadbusMana in his
Praathanabheda writes ^TfT ft^PfsoT^ ^Tff' flTf^CfaajPeTra* (ed. Weber, pp. 16-17).
In the introduction to the Siddhanta Kaumudi (ed. Venkatesvar, Bombay, 1914)
Mahamahopadhvaya Pandit Shivadatta Sbastri discusses the claim of all extant Vyakaranas
for Vedangatva and concludes qifa^STWireN ^^TFaPyTO^ ^ ( Pp. 6*8).
2 Winternitz, Vol. III. pp. 383 f; S. K. Ohatterji, op. cit, p. 50; Macdonell, India's
Past, p. 136; Liebich, Panini, p. 8; Keith, HOS, Vol. 18, pp. clxviii f. Goli&tiicker,
Panini, 1861.
Dr. Paul Thieme very rightly characterizes the use of this date as "due to a common
but wholly unproved belief (op. cit., p. 83).
Hi THE PININIYA SlKSA
used the word yavana which they think could not have entered
India before Alexander's invasion. But this argument has been
very ably refuted by ProfessorsS.lv. Belvalkar and H. Skold
— Belvalkar, Systems of Skt. grammar, pp. 15 If.; Skold, Papers
on Panini, pp. 24 ff.). The latter has shown very conclusively
"that old Indian yavana must have entered this language before
520 B. 0., and there is no reason at all to locate Pacini
as late as after Alexander the Great on account of the here-
quoted sutra." "Moreover Prof. Liebich has proved that
P a ni n i's rules apply to the language of the Brahmanas, some
obsolete (perhaps archaic) forms only separating his language from
that of the Brahmanas (Papers on Panini, p. 38)." On the
basis of this finding of Prof. Liebich, Prof Skold thinks that
Panini must have belonged to the latter Vedic period of the
Indian literature (loc. cit,). Prof. Liebich however is not willing
to assign Panini to a period before Buddha (Panini, p. 8;
Winternitz, Vol. Ill, p. 383). But he seems to have been over-
cautious in the matter. For he himself admits, according to
Prof. Skold, that Panini seems to be less lax than that of the
Sutras (op. cit., p. 41.) 1 Prof. Skold concludes on the basis of
this view of Prof. Liebich that we could be inclined to place
Panini in a period shortly preceding the Sutra literature proper
(loc. cit.) Now the sutra works which are considered to be
among the oldest have been placed in 500 B.C. (Macdonell,
India's Past, p. 136).
36. Prom the above discussion it appears that Panini was
most probably earlier than 500 B.O. And there seems to be
other facts too which seem to corroborate this. view. For ex-
ample the Astadhyayl which mentions the Brahmana literature
no less than four times (II. 3. 60; IV. ',. 66, 3. 103; V. 1. 62)
and distinguishes between the old and the new Brahmanas, does
not refer to the Aranyaka literature though the word 'aranyaka'
1 Keith on the doubtful authority of Panini, VI. 1, 157, concludes that the grammarian
knew Paraskava the sutrakara. His views about Panini'a acquaintance with Katyayana
the fSrautasutraktlra, and the KausSika sutrakara also seems to be inadmissible. (Translation
of the Yajurveda, p. clxix.)
INTRODUCTION liii
in the sense of * forest dweller ' has once (IV.. 1 . V29) been men-
tioned. That Katyayana composed a Varttika to extend the use
of the word c aranyaka ' to an adhyaya (most probably of the
Brahmana) may be taken to mean that in Panini' s time the
Aranyaka appendices to the Brahmanas were not yet written or
even if they might have been written they were not styled as the
Aranyakas. Now accepting the second alternative as being more
likely we can place Panini at the close of the Brahmana period.
Along with this we should mark another fact, viz., the non-occur-
rence of the word 'upanisad' in the sense of 'secret, instructions' 1
and religio-philosophical texts containing them in Panini's Asta-
dhyayi (Panini, I. 4. 79, indeed has the word 'upanisad' in the
compound upanisafkrtvaY which literally means ' sitting very
close to', i.e., in a private manner. Now we may well conclude
that the Aranyakas which contain Upanisads were not old at
the time of Panini, for they were not yet known as Aranyakas
or Upanisads. Now the oldest among the Upanisads are con-
sidered to have been compiled about 500 B.C. 8 Hence we
should not place Panini later than 500 B.C. It is likely that
Panini lived some time earlier than this. 4 The diphthongal cha-
racter of e and o which Panini has recorded in his Siksa (L3)
shows that the langaage described by him was in the same stage
of evolution as the Old Persian of the Cuneiform Inscriptions
(600 B.C.) of Persepolis. For this latter language too has diph-
thongs corresponding to our e and o (see Meillet, ^rammaire du
Vieux Perse, pp. 55 ff.). As we have no Old Persian Siksa we do
not know what the actual phonetic value of diphthongs ai (Skt.e)
and au (Skt. o) was. It is likely that the graphic system was
ahead of the phonetic development. The fact that Panini has
1 Deusaen, Philosophy of Upanishads, pp. 10-15. Dasgupta, History of Indian Philo-
sophy i p. 38-
2 Cf. Keith. Tr. of Yajurveda, HOS., p. olxvii.
3 Dasgupta, op. tit., p. 39.
4 Dr. Paul Thieme seems to support such a conclusion in his following remark: "Pa-
nini's grammar must have been composed at a time when the language of the North was yet
felt to be necessary " (op. tit. , p. 81).
liv THE PININIYA SIKSA
given rules in his grammar of the proper accentuation of the bha§a
words (VI. 1. 181, vibhasa bhasayam; VIII. 2.98, Purvam tu
bhaqayam) shows that the current language of his time was much
ahead of the classical Sanskrit (which has lost its accents)
and was nearer the Vedic phase (though in its very late form)
of the Old Indo-Aryan than the latter. In addition to this we
should also reckon the fact that Panini's grammar was originally
accented like a Mantra or Brahmana text (vide ante § 26) and as
such it should be assigned at the latest to the close of the period
of the Brahmanas.
COMMBNTAKIES TO THE PS.
37. The Siksa Patijika. The MSS. and the printed text from
which the present edition has been re-constructed have been
described before (§ 26) in connexion with the text of the P5j. re-
cension of the PS. We are now .giving below the main features
of the commentary reconstructed. The Pnj. recension of the PS.
as we have seen before (§ 26) came into existence between 800 and
1100 A. C. Hence the Panjika itself may be tentatively placed
somewhere in the 12th century. Thus the work which may be as
old as seven centuries is sure to contain some old materials. Some
of these, such as a reference to Audavraji, has already been pointed
out (§ 2b). These materials will be discussed below. According
to the Panjika, the Siksa, is the science by which the pronun-
ciation of speech-sounds is learnt (giktyate'nayd, varnoccaranam
iti $ite, p. 8, lines 3-4). This is to be compared with the term
vamas'iksa occurring in the BPr. (XIV. 30). It is not possible
that the author of this work has referred by this term to Prati-
slkhya and this being the case varnas'iksa relates to the Siksa
of the early period when it still lacked the later elaboration
as observed in the Pratisakhyas (see §§ 16, 23). Hence the
RPr. has scarcely any legitimate claim to interpret this word as
Tratisakbya', which must have existed considerably earlier than
the time when the KPr. was compiled. The Panjika in the
definition of Siksa quoted above seems to have preserved this
tradition which agreed so well with the fact that the PS. deals
merely with the utterance of the speech-sounds of the Old Lido-
Aryan as represented in Vedic texts. Besides this it gives us
rare informations on the following points :
(a) There are two anusvaras (p. 10, line 14; p. 12, lines 9-10).
No other authorities seem to have taken notice of this fact.
lvi THE PlitflNIYA SIKSA
(b) A quotation from the Brhadarauyaka Up. (p. 15, lines
22-23) occurring in this commentary varies to some extent from
the text of this work as received from Sankaracarya.
(c) In the reconstruction of the PS. 13 this commentary has
given a valuable hint (see p. 18, lines 6-7). From this hint we
may assume .that the author of- the Panjika had PS. 13 as
reconstructed by us. But he however could not rightly explain
this passage.
(d) It gives us the old name for anusvara as anusvarah nasi-
hyah (p. 18, lines 12-13). For details about the anusvara see
Note 27.
So much for the importance of the Panjika. In spite of its
valuable aspects it should not be considered infallible. It has the
weakness of average commentaries of Skt. and Pkt. works. Some-
times it gives information and explanation which are not accu-
rate. "For example, the Panjika considers prayatna as twofold
,in spite of its Siksa text (see p. 14, line 13). It is possible
that he failed to understand the passage (18) properly. The same
appears to be the case in its determination of the quantity of
the component parts of e, o and ai, au (See p.. 18, lines 6-7; and
Note 23). The author of the Panjika is ignorant about the author-
ship of the PS. which it considers to have been written in con-
formity with the teaching of Panini. In this he simply be-
lieved what was given in the first couplet (Paninlyam matam
yatha, of the Pnj. version of the Siksa). This however weakens
the testimony of the author of ■ the Siksa-Prakaia commentary,
..who considers that Pingala, the younger brother of Panini, was
fche author of the PS. (p.. 23, line 8).
37. 'The 8ik§a-Praka4a. This commentary has been
received in corrupt 1 MSS., at leasfc the two we could directly or
indirectly use are such (see § 2 c). It is inferior in worth to
the Panjika discussed above. But it has importance in the fol-
lowing points :
1 The conniption is most palpable in the passage at p. 26, lines 22 ff.
INTRODUCTION lvii
(a) It ascribes the authorship of the PS. to Pingala,- the
younger brother of Panini (see p. 23, line 7). The authenticity
of this information has been discussed before (§23).
(b) It defines the Siksa as a science for the utterance of
(proper) pitch (of vowels) and speech-sounds in general (§iksa,
svaravarnoccarakam Sastram, p. 23, line 15). This is different
from the definition given in the Panjika (see §37). Appar-
ently slight though this definition is, it is not without impor-
tance. In the Panjika definition we find speech-sounds only
as subject of instruction while in the Prakas'a svara (pitch accent)
comes in. It may be assumed that the two definitions point
to two distinct traditions having their origin in two successive
stages in study of Vedic Phonetics. That is, speech-sounds
came first of all to be studied and the pitch received attention
later or at least was treated in a 3astra later (see also §12).
(c) In the reconstruction of the PS. 13 this commentary
gives valuable help. Though the MSS. are defective on this
point the original reading of the passage before the author of
the Prakas'a can easily be guessed from them (see p. 31, line
16).
' (d) This commentary ascribes to the Brhaddevata of
Saunaka the following couplet : svaro varno'- ksaram matra
viniyogMham (?) em m, mantram jijmsamanem veditavyarn
pade pade (pi 24, lines 6-7).
38. Of the two available commentaries of the PS., the Siksa-
Panjika seems to be the earlier because it is written in a simpler
style and has better acquaintance with the old phonetical
traditions. The first point will be clear to any one who
will compare for himself the languageof the two commentaries.
And to substantiate the second point we shall refer the treat-
ment of the Anusvara. About the exact manner of its pronuncia-
tion there is difference of opinion among specialists in the Indo-
Aryan linguistics (see Wackernagel, I. §§223-224). Whitney
understands the phooetic value of the Anusvara which is nothing
but the nasal vowel (T. Pr. 2. 30, JAOS., Vol. 10, p. Ixxxvi;
lviii THE PANINIYA SIK$X
Mem. Soc. ling. 2. 194 ft. ref. Wackernagel). But Wacker-
nagel and others do not accept this. After a fresh examination j
of the various Pratis'akhya passages together with the opinion of j
PS. on this point we find Whitney to be right. The Anusvara ;
is nothing but a nasalization of the preceding vowel. The j
fuller name of the Anusvara was Anusvara-Afasi&t/aA or Anusvarah j
Nasikyah, a post-vocal nasal or a nasal vowel. It has some- j
times been called simply Nasika or Ndsikya too. That the name j
Anunasika, which according to Panini (1.1.8) means only nasal j
stops, has been used to indicate nasal vowels for a pretty long J
time, seems to have been due to a misunderstanding (more about j
this point in Notes to the PS.). I
39. Now the anonymous author of the Siksa-Panjika seems j
to have been fully aware of the true nature of the Anusvara. \
Hence in his comment on Pnj. 17 (PS. 14-15) he quotes j
I
from Audavraji an entire passage enumerating the Ayogavahas i
as follows :
This passage occurs in the first Prapathaka of ths Ektantra (ed. j
S. Sasfcri, p. 2 t 11. 11-12) with the difference that the latter roads j
f fa^^rfac. (v.l. fefa^Tfa^, «ITfira:). v In view of the fact
that the Ektantra mentions ^g^fT^t not much later, and *T5OTC |
as one of the Ayogavahas, it is evident that the extant Ektantra !
is corrupt in the passage ff*ftf*jwfofi:. The reading ^ 5^301 <: j
5TTfTO: surely goes to the Ur-text of the Audavraji 1 which must I
have been partially included in his work by the author 2 or the j
Vrttikara or the Ektantra. !
1 But some of the other quotations in the Pafijika from Audavraji are corrupt. (Se*
below.)
2 Audavraji who has been mentioned in the sutra 60 of the Rkfcantra can scarcely be
its author. The first Prapajhaka which is not coun ted as an integral part of the Rkfcantra
by the MS. B was in all likelihood a part of the original work of Audd-vraji (see ed. 8. Sastri,
Introduction, p. Si).
iNtfBODUOTIOH . lix
40. Thus it appears that the author of the Pa&jika
flourished at a time when the original work of Audavraji was
still available in a more or less correct form and in fact he may
be older than the Vrttikara of the Rktantra who appears by no
means to be modern. Thus apart from offering a help in solv-
ing certain problems connected with the text of the PS. (see
frote) the Siksa-Panjika has importance on account of the infor-
mation it gives about Audavraji, who has been mentioned, as far
as we know, in four other works : — the Naradiya Siksa (II. 8. 5)
and the Siksa-Prakasa commentary to the PS. and the Vams'a
Brabmana of the Sama Veda (Ind. Stud. IV, pp. 374-386) and
the Bktantra (S. 60) 1 ".
Some of Audavraji' s passages cited in the Siksa Paujika
occur in the Rktantra with its vrtti and some occur in a
distorted manner and some do not occur. Let us quote them
below in a classified manner.
(a) Occurring in full.
i. ^FT^n^^lit *(«* 2RT, q j lij J<K : ($T. 2. 14).
a. ws zKitf wrhn^ ^sretrewRTij CRT. 3. i) .
Hi. *%m§ ^ ^rf sais^rct, iraiftff fHSf*w (BT.
2. 14. 15).
(b) Occurring with different readings.
t. ft^T^Ht (c/. K-T. 3. 3. ^r^Tg^WT:) The correct
reading seems to have been ft ^sUTSTgir^Rt I
cf. qfi fa nw wfafa *r* fa-i^i ^faarfoinr. (ST. 7. 1-2)
The ET. reading seems to be correct.
sqw^fa < ^3*3tt; *tifaW, WOtWWT: (Difl. with RT. shown
above) .
1 The very fact that the Pafijika does not quote from any of the late Sik?a works except
the N«wllya Siksa probably show that these latter are later in origin than the Pajika or
at least they were not yet counted as authority at its time. Prom this fact also we may
assume the old age of the Pafijika.
lx THE PANINXYA SIKSA
(C/. siiretrataTWJ 1 fl^taT^ IWRT*IT*pit^g«fat (RT. 3. 3) also
^m\ ^ftww: ii$n (RT. 7. 10).
(c) Not occurring,
i. fa%T3fraT TTT^r WT3 I
Besides Audavraji the Panjika has laid the following works
under contribution : Aitareya Brahmana, Srtiti, Ohandogya
Sruti (Upanisad), Panini's Astadhyayl, Unadi Sutras, Bhagavad.
G-Ita, Patanjaii, Manusamhita, Rk-Pratis'akhya, Naradlya £>iksa.
41. In spite of its importance discussed above the author
of the Panjika seems to have misunderstood the PS. very much;
for example, his explanation of PS. 13 ( = Pnj. 15) may be cited
(see Note 23). But in this matter he seems to have been mis-
guided by Uvata 1 if the latter was his predecessor, or both he and
Uvata born long after Panini, when the Middle Indo-Aryan
speech-habits had already overwhelmed to a certain extent the
purity of the Phonetic tradition among the Vedic priests, have
independently failed to explain correctly the difference between e
and o with ai and au respectively. Other features of the Panjika
have been discussed in Notes.
42. The Siksa-Prakasa or the Prakas'a does not seem to
be a very old commentary to the PS. Some points regarding its
date have been mentioned before. The Praka^a quotes verbatim
a passage (p. 23) from Visnumitra' s commentary to the Rk-
Prafcisakhya. Now we do not possess any definite evidence about
the time of Visnumitra. The fragment of his writing prefixed
to the available MSS. of Uvata's commentary to the RPr. shows
that he enjoyed some popularity among the Vedic priests and
hence his fragment was saved from oblivion by putting it at the
beginning of Uvata's work. Thus we may assume that
Visnumitra was not later than Uvata (11th century A.C.)
1 Uvata (on VPr, I. 78) is right bo far in hia aualysis of ai an/1 au, a-element of tnth
beinur taken as equivalent to a matra, but his remark ^%^ sfit'tf ^irdfirct arPSTffit is not
clear and the view of unnamed authority (kecid) quoted by him is misleading.
INTRODUCTION " ixi
This gives us the upper limit to the Prakasa; the lower limit
is to be had from the author's conjectural identity with the com-
mentator of the Pingalacchandah-Sufcras. This is 1300 A.C.
43. This commentary (Prakasa) quotes from Panini,
Yaska, Naradlya Siksa, Gautami Siksa, Saunaka, Patanjali aud
Audavraji. The only quota tion from the last authority seems
to be taken not from any original work of Audavraji but
from some author who quoted him. The case with the
author of Panjika was different, for he quoted as much as
he could (see before). The fact that the Prakasa 'does not
quote any of the late Siksas except the Naradlya and the Grautami
Siksa probably shows that it is not quite modern.
Jxii
THE PlNINlYA dlKSI
Table G
A Conspectus of Text-units of different Beeensions,
showing their relative position.
Note. — Numerals indicate the serial number of hemistiches in a
particular recension.
Hemisticlie.
a
•8
m
n
d
.2
a
4)
H
a
.2
§
o
<0
M
p
o
'm
a
g
t
S3
a
V
s
3
-2J
o
P
m
a
o
u
atba dikijssip etc.
1
1
1
1
...
sastranu-par^yaip „
2
2
2 t
2
...
prasiddham api „
3
3
3
3
punar vyakfcf- ,,
4
4
4
4
...
tri?a§ti^ catu§- ,,
5
5
5
6
cf 1
Prakrte Sarpskfte „
6
6
6
6
••
svafa Yiqp^atir „
7
7
7
7
2
1
ySdaya6 ca f ,
8
8
8
8
3
3
anusvaro visarga6 »,
9
9
9
9
4
9
dufrspretaiS cfiti „ ... ...
10
10
10
10
5
4
fttma baddhya „
11
15.
11
11
8
5
manab kayagnim „
12
16
12
12
9
6
maratas tflrasi „
13
17
13
13
10
7
pratafc-savanayogatp,,
14
18
14
14
11
8
ba^he madhyan- „ ... ...
15
19
15
15
12
9
taraip tartlyasavanaip,>
16
20
16
16
13
10
aodlr^o murdhna- ,>
17
2L
17
17
14
11
vanjafi janayate ,,
18
22
18
18
15
12
svaratali k&Iatalj >,
19
23
19
19
16
13
ili varpa-vidab i,
20
24
20
20
14
udattai cinudattaiS ,, .. ...
21
45
•21
21
17
15
INTEODUCTION
Table C— (contd.)
lxiii
Hemistiches.
J
a
8
a
02-
d
2
'3
a
<D
u
e
'5*
a
o
CO
a
s>
2
CM
d
*m
a
id
J
s
g
si
i
u
m
g
irasvo dlrghalfr etc.
22
46
•22
22
18
16
udatte ni§ada- ,,
23
27
•23
Bvarita-prabhava ,,
24
28
25
*24
...
asfcau sthanani ,,
25
25
23
19
17
jihvamahip ca ,,
26
26
26
24
20
18
obhavas" ca ,,
27
29
»27
21
iihvanmlam upadhma ,,
28
30
*28
22
yady obhftva > ,,
29
31
*29
23
svar&ntaip. ,,
80
82
*30
24
bakaratp paflcamair „
31
13
31
...
6
19
anraayarp tarn ,,
32
14
82
1
7
...
kanfliyav aba vicu „
33
47
48
33
25
33
21
syur murdhanya „
34
35
34
26
34
22
jihvamule tu ,.
49
35
27
35
28
e ai tu ka?|ha- „
86
50
40
28
36
24
ardhamatra tu ,,
37
51
41
29
37
25
ai(o)karankarayor »»
38
52
| 42
30
...
26
upadhmSnlya usmS „
53
43
32
...
28
satpvjtarp matrkarp „
39
40
41
57
...
...
...
ghos* va «»amvjtak ,,
...
...
...
...
Bvaraij*m usmanarp ,,
45
...
tebhyo' pi vivytav
42
58
46
27
anusvara-yaminaip ,, ... ... v
43
44
45
««•
81
27
ayogavaha vrfleya
54
44
33
38
29
alabu-vi^a- „
55
86*
34
...
80
annsvaras-tu. ,,
46
56
37*
35
81
anusvare vivfty&ip ,,
47
_
...
lxiv
THE PININTYA glESI
Table C — (contd.)
Hemistiches.
a
o
'S3
a
01
o
<u
k.
M
pa-
a
.2
"x/i
p
<u
o
«
M ■
"S
a
.2
a
<D
o
8
i
CM
d
_o
'm
el
«
u
Fm
•2
CD
fa
<
1
to
a
©
dvir o^thau tu etc
48
...
...
...
vyaghti yatha .»
49
89
. 58
...
bblta patanabheda ,,
50
40
59
yatha saurastrika ,,
51
•88
evaip ranga >»
52
,*39
raflga-varnam .,
53
...
dTrgha-svararp „
54
hrdaye caika- ,,
55
iiasikayaW i>
56
hydajat ntkate .,
57
_1_
...
...
...
mardavarp ca dvimatraqi,,
58
...
...
liiadhye tukampayefc ,,
59
...
...
sarangam kampayet ,.
60
...
evaqa varj?ab ..
61
41
60
31
...
satnyag-varna- ,,
62
42
61
...
32
...
abhyfisarfcbe drutaip „
...
43
62
...
6isyaiiam npade^Srthe ,,
44
63
...
...
gltl liighri
63
anarthajfio' lpa- * ,.
64
...
...
...
madhnryam aksnra-
65
dhairyaip laya- ,,
66
...
...
...
sadkifcarp bhltarp ,.
67
klkasvararp 6irapigaip ,,
68
...
urSm^u-dastatp „
69
...
...
nispi^itaip grasta- ,,
70
... '
prSfcHb pathen »»
71
...
madhyandiDe ,,
72
...
...
en
I- *f^tf ^fl[ ( ^h Reconstructed Text )
[ ^^mrara: ]
r ^r » ^ m ii ^ *r m ii 15 ^t ^^ 11 t* ^ ^ ||
f *T 3 T £ |l ^flll sc * s* *r 1 mi *ff *r ^11
X " X X "V
^ 3 *T * II 3f *[ *f S ^ IT II ^^W3^^^cl^||
X, x. x
mmiw *r v * x 11 1 ^ 11 ]
x xx-*
[ m^m ]
[ ^wrfcpi^ ^^fernra ]
mm hit H^srofij; *Rt 5^ f^Rn 1
^ro: ^rr^frr: ^irtcj; i*m<?u«j^m<i: i
$# |Hr: Her ^r w*rat fawT ^fa ifh
^nfw ^ot ^nr ^^ett: mmi win
oT^tiginftwr ^ *rrf^f w<*: sjm: «?ou
#
1*1
II. ^srfag^BnifliraT (The Agni-Purana Recension)
ii J On ^kisf cf f^rHNnq ^w*iwgc?*i i
ii3ii *rc: ^RTfe?nf ftr s Swfir JTOOT* |
||4ll 12 3TTfT:^R?t^f ci l^t ^qGRrfacI*[ I
srs 13 *n^f^r?pr ^ #WTgn^ ik ii
1. M. fipar^. 2. M. sr^if^rr:. 3. M. **n for w:.
4. M. ifogft for x qrXfl. 5. M. wM for qnfira^.
6. M. fttm. 7. MP&c. w*: for ^to.
8. In all MSS. after 3a occurs the following : k.w^ # m $\m f^nr: W%*?r: I
w?nft: srergir: <*fk: to nm *•, \\ For wsr # ^ Pac read ^f 5 #s^ and
for ^tw tmi P&c read jftfPRSRK, and for wm *m *: P&c has to tj to.
M. *ru«gw mm*. 9. V. om. See Introduction 2a. 10. M. **%£.
1 J. M, *** for *r?', M6. unni. 12. M, °^. 13. M. n^far wf,
cut ?n?ffaroRH ?ft$i® ^TW«3*PRr i
11611 ^irf^r ^r^ ftat fwnr: w*tt sjcn 1
ll7an ^rccf: ^nwr: wrtcj; ^^mgq^T^rcr: iri
h8ii ir# <£tl; ¥ cr ^fa ^rast fami *rf¥ «e«
■9r f^WTi^ ^ ?*ra >rrfe«lt 1 in* * „? .1
<skrt mssti firsn^ ^srera*^: iirii
1. P. flW^R^TTcn. 2. M. °*lfa.
3. M. ^*m f%if%^T and P. ^rgwCr fwfer for ^fam fa?f?re.
4. M. gr<ftaf<?\
5. P. reads x^i-pctf tfT^nrcw :gw^ instead of 135 ( t iww etc.)
and M. t^giTTW %**{'
6. M. *frcntf. - 7. M. nciar&r.
8. P&cd give this couplet preceded by ?mr smft f^[ HWI^-e'fpaf *r ^r
tJMq i— (Yajus. 20a). P. gives 17b-18a as its 18, and 19b-20a as its 20, .
nl3an ^r#*rrwT 3 3 ^^j^r q^l^rn^^rj i
nl6bn ^r%^HT ^^fhsrfNrarer/ sm: 5 ^jm: i
w: qrt to ftwr c fr%mgR<?Hcr: ir°ii
ii I7n ^sgTTftRTT ^ft *rrf^rt wra: ^jm: i
iw^T 8 ^ srer ^nfftR^r 9 *§wr^n i
1. P. ehW^Tfa^stT. 2. P. °clM5JfT H ^. .
3. MV. 3pi?i ^Tf^rcffR .
4. P. %t: fa) *reT: and M. *ft w. *rei: for -%r*reT:.
5. MV. arc; for srt:. 6. PM. fafhfPF Jnfl*l?r: for f«r^^i»[Ji^iii?T:
7. M. *w1sg*rTf€3iT ij^t *nfaft. 8. P. rfflt^, M. ir(cr)^ [?ra:.
9, M- «RH^;- 10. P. t^Tai.
1*1
m - q^^T-^fen ( witl1 the Panjika )
TfT^J ^T fasff^TraT 44 Id-**** *TC^?TT I
^srfa'5|iJ?eTOT?R\f?n ^TOOTWH^ I ^T«i^dM-di*4^-
^fT^fM^^I IT^MWRI^fNrR^I iRt^wftr^^—
1. Before this A X B have *frr<iNira tt: ; A 1 also ^" sffft TiTTO^, A 2 H *i«i
^I^rfaraTRTT^: ^TOR *W and B tng ?ft.
2. BfiTitfT . 3. IB farer arfmrntf wr<rwrat 4. A 2 °^s*&i.
6. A 2 owiis ^r. 6. BHL omit f. 7. A 1 omits y&; ... t^.
8. fai^r for fwi ^m°- 9. H. f^ftet.
10. B* fiwraT *W*rf. " 11. A 2 omits ^.
12. B omits T^ ft 13. HLA 2 "fiRifa wrf*T j B. °*ifafft WTfr,
« qiftrcta-firoT
z^TOfaft $mi, <i\ mm *mfa OTftwrftr i m ftr ^ 4 <r ?f
fasraftfsn i *r cr fa fin d( m wW qiftr^r **r? irrt w ?wt
jn^rrfr ito ubitot^N 4 qfwpraT '^%<t$m q Wilwf ^nfif
(qT- M.^)^fiM ^ sqr^^ JH^pm,*T?rT& 7 %fifl fT?ra
*fir ifc: i mw^^sgf ?r fir sit ft fin aimfafir srrt; g^
^iwra: i *nggj$fi?fir s^sw: i crf^fir mfti^mq^w: i B wi
qiWwrl^T'eiTfq fa'^T^^^WSHgigstf fa«qT5 *ISFW«wt SH^H I
qTW*HRw ^g<j4* * to?to: *x q^rosrc: i ?hit ^r *w«fir--
fen3: i ?wt ^ "m^^ro— "* ^^ Afirau: si^t^t q* %f%^rr^f
^ 12 ^mrf:'' *fir u?n
*"» fir'w fic fir i niftftjftfft: nftrewfq jrottofimt lf W
1. HILB^Tw. 2. A^to^.
3. H*rawf. 4. A 1 A 2 °*af *r trf^nisraT. 5. B adds*.
6. AV°^«<d*HWi 7. A 1 ft A 2 owfta «ft i
8. HLA 2 owff ?t?x <TTfW ... arpffoTifc 9. B sfa for ssiTfc.
10. A 9 TOTTfaRrt:. 11. A 2 w«rcrro: 4 12. HLfNtfifo
13, A 1 tiw fSrCRnfaicji, 14. HLA 1 fWr(?).
15. BA 1 quote the entire Slolta 2. 16. A x A 2 ^rt /or ^ff,
mat snpft ^Tft m wmt wzwti m\\
nln *n^sr ¥r cit irH ^^n^r sun: mm: \m\
ISrw, ^^t^ 2 3flr^ f%n? ftsT^ i *rg ftfircosproimSt ^ft ^r^,
if warainnfii: ; ^ * wjir-^niR* w; «*iifrfr^
**<£! §*St3: « ^ 'sr*ft# ^t^t^^:' sspm i era ftf ^% ^^r?r-
s^TOmf^fa % ** virihibiR wn *ft i « 4 ft urn « *-
^ *t ftf si ft t ^ t ft i ^tt ^ft % sIs^fqf^xr^r: , ^^t
st^s^t sqr^rifJTft srw^ot: i ^4 3 10 wf^Nft: ? "creregd
1. A 1 A 2 15rsi^R$* 2* B om, ^Tf s 3. A 1 adds *pf.
4.- H •u^i^Tf^Td 5. A 1 q^tff «Pft and A 2 . q<?T*rf f^ferat^I /or ^eR«5f firfw^:.
6. LAH! add ^r fee/ore fWs. 7. G <?^ /or c ^r. ;
8. L ornft* fr. 9. B <*rg;qfe «ftsn*_ 10. B omits,%
11^ , A 1 A 2 omit %'s word ; before this I cm: isKfiMi, 12 4 A 1 cf /or *r?fc
• -^ - c &' ..'~ ' f- • I ■ ■■'
tlim *c m« ^rr tft& ijwwtenfo: ?a*^«HfiK i ■ w iff nf * *-
f# si fa: i 3fn^*ft irmT^r. Wf: i f^T^arf^^sTf^fw: 2 mm
qTS3T^ mm n st ft ftn ?rarrcr?3ra 'srer—s" * *r 3 * * * ^t
"wTf^fit^csrni;: *r*mT ^t^i ^<tt: i
faster ^nf: ^sri? ^ft^lfif^fr: i 12
*g^s^TOg:9feft#tftrrn «
S£f "sht fMcR* 'snr^fsi^ftsnwir. ii far. % ^,c-£.)
1. A X A 2 <r qt. 2. A 1 omits °1%fiT,\
3. A T A 2 "firm- 4. A 2 -yfi ^sr-. 5. MB owits ^^ .
6, H. ^: q^anftsrefa: j I •wfifoerr. 7. CA 1 *re^iftr -mi:,
8. ^^, A 2 ^n?TcT;qK*T *it* t. . -. .
9. A 2 "^rwiiffi *f^ «w:. 10. BBIA 2 o^'t cr«n ^.
11. I A 2 HLB owii #ms and i&e fayo following Alohas. 12. A 1 "fw^cr:.
13. Hs ^c[ g^f -srfw, B. * x X7[ ^cfsfa^ I s*f *rfa*Wi< i L garf'faw.
A^tpf THTO* > 14. A 1 spTTsf^s -
15. IBH °^f%«?t T^T, Ai - jrfaRt T* 16, B omrts fiifa^
17 A B a% tot^..,.,.^
l|2ll fWCTffh ft#5ft ^ItK: ^rft^^ H^W
«*ww mm *j«r/ ^fa **iraNta$«K *f*nrrom i ^r *g*-
^wgsrec^fafa nays* ^ijfwrftfa tot^ ft g*rt ^wc ^w^ifa i
2 ^t*j qtg TOwgpiTfifia" («. ht. i,t.*0 ^fa i \^*rr ^jjtwwmr
^3W*t fa* a? 3 fir i wrs H^^^rnc:, [^]
^rg 4 wroMgim^sTT3src: i ^^ft ^ '3«wjw. cutis' *fa i
faw sfa i fafatf ^L&Fi faisS •sft firem: i x 3? X ft ^t fa
5 <* u ^ *n fa fa i TOwfafa <*& ^ffTORITft TOraWT* 9*ft#
TO^ft i ere? ^ ^2?fa— "^t^^t^t fat st ^3TOT*wfa5u" tfn \
to** I ^iw^«nftw*OTfa ^t^ i y. * 4 s S ft fa
OT*s3l3fc£ ^fa I rT^TT ^afapr 8 'cra ^ £ g^tf 3UU|iTiq/ '5;^ Ziper;-
1. B* ^ftrfrRf wft 1% A 1 1 vqfixffii *wt TOFPr*rofif«r, A 2 *iftm(?)ftfo t
.2, B. .^rrgq^f, H ^:<tfg, L wfti, A 1 wq ^ I mfaqty,
3. BA 2 $ ^jwisri w° IH ^^gi^r^Tsi^fiT: sre £
4. A X A*B. "srawgT , IHL. *Rrrcm°, A 8 ^^TO^TWT*f° s
5. B *Klfinit 6. B ° ^ff%. 7. B omits ^rq^tsIxT TOfe
8. IB omit crw, IHXA 2 *p^f for Jtsctf A adds ^tf a/ier in^ctf,
' 9. BHL irtntt ftrejt, IL fcaue in tfte margin ^ufar* 5f3frCt Prat n^BT^^r
Wh, B *n(itftr ^ Wfare ^pmt ftafa ^wra? s^:.
v
ii3ii *H: wntfrmtfrt * awfh iro*? r*ii
ar?iT w flrofe: i ^g:srf%: ot^ ? 3-; g~i?t flswlrfa qT3T~rcT?i i
^rt ^<st5^t^ %^T%^f <^rhr# s# *fai m*m -gwfe: «*«
-•a> -.-, .£*'. T>— .■ ,a I, ,*\,„
g-r «i^:%^FRtift^f?{ft^ "Tan - ? s^— 5 §?^c[, s^t f~ s~n$
*wt 7 srcftT% i ifo ( W %rr^r i^mnr ritai) 9n iriRita ^t*t
1. A 1 omits ?sfq. 2. IHLA 1 A 2 ^ce^wrofi:, B $-nr.
3. B ^parfr fire*:. 4. BL s^NT ^wfoat, LAU 2 *^Wf
(ft) #rsb# (^t), I ?^Nf ^rf^ *fa.
5. A 1 ! ow«» '5pB~ — .- *fa ~f~ 3;, A 2 omtfa 5^Tc| ... $3tTO[» HL v ui
xfH before •^srnic[, 6. A J A 2 ^Tg^ifK^r , B T^ajftoTtor:.
7, : HL 5^^:. : 8, B *mw°.
wo® ?n^f^pf wm sott*^ «
ii5ii <rrt m^f^ra^f ^tim 5wid(«j^ iri
situt^ to4 toft wt*m ^$xmmw sf% si^t ^t^ cr^i
t\ *r. m w fa ww Ǥt fa i ?re *Rt fa*p ^ TOiifrwrsfti
^T?nf«f silftTfa^ ^Tfarg^ ffer i h it * s fa *it *s ?* fafa \
ftsfrrefaf a: ^r Trre?f to irosrfer ii^ii
*ft *t fa fai urn: *3ifa ^ gt*fts€fa irra:*wrataqwi, *m\ ^
(*8.«l) sfa i ^raa *ira3: 5 ^fawik: ; <srF5$T^fa ^: ii^ii
3f^ ^fai **ror TKfer "trgqpfo **R w^: ^*^tfafa *ri
'eff^s;' (*. ^ *°«) ^fa 3**ara: i *«i fct gsnftft 7 insrfM
^iWTst fa^qa^s^fa^ i ^KftSii cn^re^fafasato-
^spwrsr mi ^tf sNrcafafa *3|rfa ^ to sresraran^ifrr sttfm
w^sg^Tf^wj i sn^ra s^ssr^ftfa snrmsr: i sfta%ftfa
1. Ii omits ^ruftwr ftwi w cw» BH ^n6r«®sft 0^2/ .
2. A 1 ^ /or ^. 3 . BHLIA 2 m\ ^ wrsi tfsw 3HT w.^mftft.
4. B has before this *rtOT*Pfl , s*irsra:s
5. BHL omits *tfi\*m : a n& has wm&xm*?. for <m*%tf&fo $^:.
6. BHLCA 2 omit °^f. 7. A 2 L ^sjjfM «^W^-
n6a ^ferawf ftai fwrc: w*rc sr <r: lien
wi: ^n^rcr: wcfu^ v?mi*FFzmm \
fai ^roN srerw^ firw^ft fa^n sw ^tot: i %mrnx
fkvm *f far. u^-sO ^fa ^t i 2 ^<fog*rrr: ]]al
*fgf*r#srt iprht 8 q^m ftt€ wre—
^ ?: a: *tf?r i ^sn^ ig^ sroimra: i ^faf ^t?ttt q?rorf :—
q^r faiNf mfat fkqwtrmwx § ^crc*:, t^^t^nff ^5c{ ii
1. HL qaftrrora ; B. °<rei 9pnrf?r. 2. A 1 ^tsg*Rf : -
3. A 1 omits TOrar»*TOT¥.
4. BI ifs ^5%: HTf $ftf cl fsr^rcr &<?/ore i/»s. H, puts, f^m before this.
5. ,BHL omit ^*$ v^rmfe *srtesff%:.
6. .LMOomft"^ .
*rt«o«TOinwn tor «*?^t*! i
ifa %%q§ q$ ^ <£*§ ^ ^pws h
^ita^gifcwi iron** *ta i 8 *rc^w g iOTftf«*f
1." C°^ci%. : 2. ]&SS. *^jm. 3. A!^<'
^^T'fl^g^T'rr^f?!! ma: srrarr ^^ ft t^tfasRtft-
<3W^9W«r OTTO w ^m*. I
tf wf ^hrrai *ferHfa Irfw." ii (^ fir, * .*.<-*)
^ ?r ^ ^f *fai 3 grt ^ sBroififW. 4 ; t^f ^h ^ is\m \ wm
"ftftamreiT *mn wfssiowifa ^t^" (it- fir. \^.*) ^ [
fira*: i fren sr *n^:—
"*src ^r. ^ ^N: *?rc ^fcr ^ <*n
^ ^ Hti TO 5 *re firefa * w. «" (it. fa. v*.r) ^f?r wit
1. B omi'fa ?T. 2. A*C ^ I
3. A* read nz s after x^g.
4. B. puts stops after ftw: and ^Wfo 5. A*C °^?r ^*r,
fmv^ g ft tfrart -^timt m mjb ft: i
nl2|i q§ g ^^cTH^n ^Nrl ^#^ w e nt \\m\
m*m\ g mm® ^T^n:^*^ i
u 1331 ^rfkrc^tderi ^dfffOTOT^ wv\
^ ^n *c wr fir fa i 3 *reTPret ^r^r^^rd ^^ «roc?t sn^ i
s 1 v am msrsn: "s^ra* ^wj ^rni^rS ^r vgt marsa: m^mft
*tt%§ ^srrc: ^^qforiw: i h^tt ^ qifaifa:— "sngfec^ Wrsr
TOJW." (m.M.*L) tfti *5*fircfii " 5 <s* *far. *****
^ w s to vm 6 ^rT^f^osrf^^»T^: ,, ^fai ^t s sn I ^ **rc
qs*k steqtafSl" 1 ^j *H ^ sk g * qT ^fai w%\t*i z*&m
7 tcfiq^T<t ^ *jt*n *rtg: 1 ^ *sn ^ g *r nr ^fa 1 wjrc^refa
^rarwrafif^ ^ ^3 *rcrc 8 huh
fir , ST *i% f ft 1 ***& firemf qrfarr: 1 _ ^ nft sit s: *j <St
1 1 ftfai ^qrrct "^tatitfNfftfa qfech *dfa 1 **q 3 qf 5 ^-
1, A* omits. 2. A 1 omits. 3. A X A* sto C wt_. :
4. BLA 2 omit q^i^fcwGT^:.
5. MSS. *wifai *rw$ ^ iN ctfra to* „.°*rc ?fa i
6. L ^n^fawrc:, A 1 ^i^fererwrc:.
7. B. omit ^qrsnrKt *fir I ^TT a 8- A 1 *nw;.
9. BHIL ?&z\ ( BH 5*ta: ) *teiwrt ^ arrat v^ftfa. A* s^tw^
10. H sffan^, C *fairef? . ^ ;
3
... -i A « _ „ ^ ._ ____»_, __ ^ CN f^~ »-v
lll5 t | — nsfNiftfWt -— — : wm i
Q —N <-- * ~N ___ *N .
*r qt St fai ^qtqqrer ^"g - Rn?q^c-— ~*q^ i ~g*qT*t
foq^ten. x — ^fa fsnB7*|<ifa;, x ~ ~;?a qqn^q;' 6 $r ~3ig~i~:
TTfa - ":, wftqqm; I ~ fq^ qfq: *q\qt qnriWtN 7 ifof 3
sNrqqt 3 *ra~ OTWlfsR: I TO g SWTOqtqqr -- «q^ I ifaf
*ifc iratonw-: n~^--q* ^%^-qmsfqcr-: i
~g^TT^r ~^q«T¥--g^iR^ qgifir. qTfirf«wq ' qrfiRiT << i^sg~~; w
*r «n ftq fai ~ sufSFft, 10? ^t qfanqT ^q fanifq: sp&*sro
2. OA 1 - m^— to i A 3 "n~ i ^-rc~\
3. A 2 totpi; ^foin - r. B. n° ^t^n^i 4. A 2 — i&r A s omits.
5. H m*\ wit , B °^f ciral I *r«ra g # # ^n%.
6. I A 8 *f i~j^T^g»iTfa~': i A a ~fbi~: iTf%-\
7. HLB put, ^ a/ie?' £7»s. . 8. A s °*rrfa»u
9. A 8 omits *rt-?™ wl3t*r:.
10. L -qrrggnrfNnn and H — srif 5 ^farer A ' WTs^jprenfftarai for craj ^Ntct.
11. A 8 L - -g - ;.
h16ii ^otet w^ifrrasT: *Kmw i
W ^2T W* STf^TT f%%mg!T^Ffrf: H?^H
ii17ii ^sipnfirarrwt *TTf^t mw. sjcn: i
^ /~>
t crafT^T wstsi^ *§Tl*i«nd *3*gt^t:
*r#f w*uft Wtarg?;: ^w. forcer i faOTjtf ^ ^srra
iTfasfrBlr ^ ??rg ^ w ^ft i stf sfawg^^d %f%^ <reftc ii
*sra: ^toft: ^rrTnt wWr $?: 3?ftfits^T irsr^fTt §?: 3f«ft I
n qr ? ^r gaft srofantf *rft srai-Tftfftr. * ussr, 3 1
*r far f?n ^rfsrft jrsrrfTTOWi i ^r^^^^^^t^^H
vft ^ra^n i g<*r: g g * «tt ^ ^cc^st: i 5 si ft ft RamsTOrroty
shot qS ^tost: G ?rlrc£_T ssra: ?r«tft qr^gjcw. i $ ^n: *& st
* «: H\w\ *fti to ^;ft nc^T^T^^r totww *tt topo^ i
5fa rann^nr: Sfrr: \ vw> sot trtTOsrosfsrem to: mmu
^nsn%: ^uftrm: i ft ^t st 3 * ^t t ?t ^ft i ^gs^refaft ^rsfHT-
fN ^rrftr "T3 R^^r Ita3 ^ft ^^rr^m^ i " 7 st ^-[TOtfTafe-
jt^" ^sifcsrft: i *r*iwfiSt f <rt: 8 ^nkt 3s ^ ii^b
of ft ft xtstt^tto^w oth^^t^^i *r 3 «n fir an ^ft
M«|2kfaarn 9 ^rg htst^ *iTfiran*r3*Tasftft *rg*iTfifan 5jto*pw:
1. A a A 3 omit. 2. A 1 JW%tJT«j°,
3. BBL read after this ^mw ^ w:m i fafcf *rtw w^{\ twftsfa frotsft
fafcfT^ "WT^rt ?T«N ~" i ~[_ <w^/ in H).
4. HILoww't - ^ 5. H omi ts ajf^Rf %w«t:. 6. L*w~p?T.
7. A 1 A a omit up io ^aft^far: MS S. *t Trcnpwfl', (I°JRnT i H). •
8, B omits ^u % A*C ip&mK.
#
3* tnfa%-fsrat
^^nfH^Tf^KT?!; siHtarq.1 ?wr^mfaft:— OT^^ra^W^^'
fcu^ffti *r#*fai **^ tw wrd hot, rata^r*
^^iiHg^^, q^ ^t^ ^rrf^: ^=S 1 tt^ q*m#ft
*fff^: i mv, mr— ^ 5rY sg ti fa *ffT *r # 1 ^ ^ pt^twtc-
TTft^T: 1 *r # *r g tq^^sfirft ^r*n^fcr to* 1 *u f^ 3t w *r *:
w. 1 w* *w lift* m^»v wA, 1 iiwint
^rftrr; htsr^' fa. w. i\c) ?.& 1 ^rc^mqt: uaffi mS irft^,
w* =fffam: 1 sr^ ^ktsjt: sr3»T^ tOTwre: *r * n « ^ ^
q8 W 5TSP§r t'ST^T^f TRT: I 53T ft 1 ^ «3 ^T ^ 3 *ft I
[t%]<ttaRswr*rT*{, [^] gturput ^gsksataT]^, fwir *farrer:",
t ^r ^r ^rf ^ ft ft sri ftfa 1 ^ *ft irsiTwrc^w ^j?i
1. A a vwm. 2. HB omit wk after *
3. IHB ,^wt ^T^r^rt a^rrn ' inwrrct ^gHRsfta - A a ) gMg^nm i
%m: ; IH. °^gqf«iig»»n ^m «fa, . -
4. A^fcmra . . ■.■•*••
, f^ ... , . rill „ ,...,„, rv. q k
^f cfTJgr^T sr5r*TT*T Ti^ft^T
**Wr. STTFCT m^Tf T^gsCTSr ^R^ I
tsd *wt m^rot ^ramt gsmtf 1%^% i cm zzmm—vm
sj ^ * ^ft i wc: 3 at ^ 9rctfltft *fanc: w*irc sifaCf ^wrff
*roft wftrft^ftctf 'jtararc—
w0m *wft ^ft; i ^p^^^T^T^ift w^TiT^T^Ti;, wwi*^
1. IHLB omit ^*^^s......*f?^TSi^fcr; A 1 omits ^*r *raaiwrra, etc.
6wt puis it a/ier f %^ HKF[. „ ,..:.:
2. A 1 omits *m, 3. HL omit si W'"^^U
#-- r>. „ -. r^ - ♦.
^ WTm W*RR3pf tm-
Pwaw'nfq ^ anranS: i ?rt st fern: q£<?*fcita * htf ^nf^Srwfi
Wlf^fa qf^^Tri^T^^Tc[ <faifag* R ^m^, ^i^m g ^qftfw?r-
1. BH omit wtwci: fai^rr^rr^.
2. B fwTqsrmrfr.'ecfT and H faprcrcg^fo^T for fa*rasr:...f»r:«*iT.
3. A x O trwr^-w^ .
4. BMA. ^RWT°; IHL owii ^WTgf%^...WTf*r.
6. MBHL ffii qTMfa-fsreT-sm<§n **rcn i (B hts ' hw 1^3 *n^r
*hot 1 *fc wra§* *r *m ^1 frq^ 11 ^far^T k* 11 wif: )
^ t***. 1W ftrfcrt L ^ *^ ft'isrre arc fitftarat 'tfNrrat ^^fronir-
qfkft m<nm w i *ftf^*r fafecn ^faww^ 11 *ft: 1 A 1 d/£er ^g^mr, qftrw
W Wfa fasrirant 11 t? grof OTrotwsrT afrrawraawahrtita fafisra «re ww ^ 11
»f 11 ftwimgqtiftfqrq 1 OTrosrfarcwwe 11 ^ l^ G ^ 5 ^ ^ 11 =ft 11 ^t 11 *ft 11
I *fa faNiqf^TT ^TWT Ac. A a *ft firerar. trfw ¥flTHT I ^^0 *TC WQ'ft
^t r mx ^t^ft fim\ 11 $w$ 11
II8II
IV. far^Tflf^rrai-^ftfn" (With the &iksa-prakasa)
ft^T ^?ff* Hfrtstl^l^ —
*r sr ft <gf ft f?n ^%«4crgsRT^ sprit ft:3?ram9qr«a*n«[
3< w 1: i *ra: m^-i^^fa^TsMt ft^<$qrraffs$W3tara firan-
wuft xT^fSm!% i rrrf^f ft^T **r# ajmqf ftm w^t ^fm
trfronsi g*nt ^Tgfa^Tt ijtaisrrftfai tot ^r qr«*ts«.
* <?rg<fsi" \ & i ?Tm ff 4 — ft^T *srer#sraf sgm*p ■•<*#
1. Be, tffrt:, " 2? L siTO for °*tt*t. 3 MBS. *fa *, 4. Be.o^ifs%,
^t*! mi 3T3w*n^ i ^ert: «t^t < ?fa: ^mt ^^rm st ttot-
VFgm 1 cWTOHS 1 ¥ sCTippsiT qsmV* TS*IT^ W^-
_2. —StJJ _C- . ** *v # ■• r- . . .. . ^ „..„ , ., .„ ,, „ \ , .
V% Vfe TO I ^CT^T^T fac3*^*| ^RTri; TOP| I 4|«n<l fflFOTrawT^J-
* q rPim wwftWft Hfwftwnr ssftiafafai m wr **■
^Tmf^TpiT Ufwiftirj I «WWS[ g ^8^ *rTM **ftfll
5|\Wl", (fa-*-£.) I "*f 3WR[# M (fa.*.* ) "3TS*sicf (fa.^U)
1. L°41W^. 2. Be. ftf^s^f^ . 3. LBe. fswpssuw. ' ;
4. Be. q&s. 5. L ^r t^r for sj^r ^ ^. 6. L ^ ?r ^;
7, L a «p4. 8. Be, ?^sg«r,TjTR; for^g^^e^TR:.
% flrofOTrgrafOT? wf: ^wwt tot: i
nln vh&m mm n^ 'wtw w: wm hbh
^ri?;nr ^Tsmre— *t ftf % fa fa i trcfaraftrfa; sftrfteic^ *ratira-
frrenffl ?n*5m*«nfirsT*ira ^WN[ imfa ftr * fe ft fti irasfh;
s*gfifcfa3rr qfeWh otwct Slum Afen: ^nsHrorcsireiw*.:
WPRT. ^W^CT^T^CrC] 4 iWT TOT. N^U
m^5a^^ i*rar*l ^fa ^*Tsfa\ *rat ^?r ffii 5 sref
* <* * ft * <# Tpat^i?*??r. 7 c 'wn#3i^^%r. for. t.v**)"
*? te t^ *i ^ ^ m ^^ ^ ^ ^nrfaaijfacn: *r%% i ^ 9
?^tri?^ sac* fo] ?rcr q* n* ^te *te ft* ft^ ^ ** *tf
^^ ^nAta qfremr. i " u <a* **: w* ^ : ^ *** ^ ^ !
»*wii»Fifl« *ra fiwfii * w" (v *• *). *fa iTT ^ : ■ ***|*
ftft*feftr ^ifwi ^ *ft Pro*:, ^f^ *tg*fc ft*ft
1. MSB. 'fttf. 2. L *yS*n*L 3. Be. m 4, MBS. °^.
5. Be. omits *rct *S*T *ftk 6. MS*S, ^:, 7, Be ft ffer. .
8-. L puts % ^, ^ after this. 9 A - Be„ ^ for t^ 4 1(X L^4
11. M'SS 4 *Wet-*fN*rc. 12. MBS, tot* •
^4 wfiHta-fiTO
?m ^tc$ ^rar %$&{ R*rt3 *Tm^;*W?i iwrc: A i ^s^m ^:
ftnrr^sfaft «rm: tresj*:, 'nwttvjjwRglWNt «rra: mFTOr q^wwrr-
q^ ^ni: $ i z g q: i ^ $pr: sr^qtsft wmi ^^^r^^sm^: i
?ogW''( Or. ^° ) *f?r m^f: i w ^%gmn tot *rrsi?: *fmr€
*wfc WOTsranr:, *r groartt w. $* ^f 5* i xftf 1 "mwnHWffimd
^^ eft W ^ag *r *Kf *&? Oft. fid, I "sRStTCfgffi *«? TO ^J-
*wfid8*l *rc gWnjt: t ^Tten^. snsrfh *T&rstuwfq tfg?n^ 1
s^t sprt PnAs '^fsi*m; w faT.fir. *.*. *-<l) *fa 1 ^mft
tfitosrrenn 1 a* *Wt*ifafWt fltaiN <ifs§?r: 1 "^r firfra *rat*r-
*mwft *ftr ^r 1 ^noftr hot firorlHfor: fq^^*r" (;ft # faj r ? ) ^fa
1 I 10 ^TT qfastfsfitfa TOTO$q: q^Wljef^ . ^T^^i: TOW^Rm-
*raiT^q: 1 <^]gfgfei^ ^^n^q: 1 to ( *r*[SF ? ) ?&& wFtv.
■ 1. L ^?mt. 2. MSS. ^f^c.-. 3. Be. ?rwf. 4. Be. °^f^r^.
5. "Be. omits arrom Wwer:. ' 6. L^rf?r.' 7. L"?j^. "
8. Be. isrjtf. 9. L adds aft?R;^ 10. This passage is very corrupt,
11, Be, ^fl^shl^Tf^. 12. Be. ^sq^ or ^^ht i
^HTt ffcpS* X3T X* ^rfq TOM I
sot e%f?f fsrtNft ^rc 5f ci^ ^ imi
faro ? H^iprar i *PEi:^ftfiT fi^ ? W«& ^5 «« M
'srg ^t* sfa 1 "Assure* for. ^-^) ^T**r ^ ^ftsjg^arc: 1
fiifire ^**m ^ffrftw 3renq?:sN; ft 1 ^r srr 3 ^ ^*ifa^ *tt l\ ^t
qr§ ^hwrf^" (it. far r.8.8) 1 '^rwRwrew ^:*fenr*ropa?-
*tfh srg^ft 1 froJtft qT^ 1 h ^ tot <b*is%*ito!t *ft *JT^Tfer
mi "m^ft srert m'^fft ^t" (MO*ft ! *wnjri% *rat*: 1
SaiTR ^ 'M*; jtfTOf fawr. 8.8-.0 "**rf <sR?n*f' fa% u*.0
T&* g^Tfafjmift fa*^ ^^ fasmf^ fa*!T ^t*TT3ir*R*T* 4 3^^
1. Be. ^juft. 2. L w°, Be. *fa°. 3. Be. <sm*TTC:.
4. Be/°R^^r%. 5. Lir:. 6. Be. sspral . 7. MSS,^Tis§...
8. MSB. tRf. 9. MSS B ?ra(59. 10. L ^ (z?)° 11. Be. f^^fFn;.
w— *" ^ r-. . ..
^ cnwUi-TstraT
mm ^fiT ^amif^ *Rt g^ fawn i
^jro i fir w ^^r f[ n w ^& i xgrXqt qrapwyroft 1 1 facr*^ i
wa: asm: 1 *T3<s*KK±ft ^cTrtt: vm ^m\ q^R^ faqfe-
^^— ^tt $ fa 1 ^rfmt^: ^usSMt srcs^*Nft ^ s%$fa^nfifa:
qraf (Wr ?)arc "<m t?rer istoto sratrr^ *fa Jrsft^ ^arr Pwiwfa
"qtfta m^raraltai ^pro q? affircrtra €* ^«rrfa-
fawT (wT^t.^.^^) ^^ ^» wr ^tfsriifa jrt^Ktc^
[TOW TOlfa I *tS«lfar*fer ?T$ fcsfa 11*11
TTT ^ ci fe ff{ 1 ^r ^T5^>=2RToSrr ^*fa '%%*! ^f^[ *F5* ^x,
1. L TOWt* 2. L VfTf^t. 3. Be. °ftt*°.
■ > ... .
_____ **■
Hon cfpc crrwRR5T wt^r^r ^hmmwi iri
11611 ^fer ^Hr^ ^wt fwr»T. ^ptt weft \\t\\
^Tcr: ^rr^rrf: wrm<{ vmim^Fm: 1
_________ ________ *•*■
11811 ^# fNh ^rf ift ^T^T^t ftsPRT ^ 11 ?? h
*\ <~- ^^ «______
<»» . *\^\ ..... ____________
^wtwrt w ^pr5Fn2Rqg?n: 11^11
fwsqiF^ srretaT^ ?r sftw srtfqir wt "^i^^ff 'fa (tfT- $.* -<°)
^ ft 4 *f?r 11 *r *n*p,fHff ^fi£ ^sit (?) ^frreft: unfiia:
^^f^< im *Wt^ srro^ 1 "^f%rn^n^" (qM-w) ^srfaarai
"srlf faam<?m^rT^^t fWS ^^.irorsref: uFWH^t I
*r xrosr" tfai <tot ^ fl^snrc 1 '%*Tft qT3»^fadM<$iHlfH
f^^sr-T 3 j$\fm\ 1 *rrr <Sfa faf%m %*rfa gift m^ft
wg^rr *Rrfaf' (smr. * r U«.«*) ^fa 110
1. Be. omits ~- «fir. 2. MSS. after this c^ *t4. 'S, MSS. qrat.
^rit ^a"HTf% wkTgT; w; firearm i
wj^' *re*r # f^n^ ^srarangjiw n^n
ill On- ^rksf ?f fiwrftaT^ wot¥WTS[ mil
ill In ^*Nran toot ^err ^g^rr: gp: i
iil2aii ftnroi% g f : Slwt ^wtsfr *r: srat yk n?on
w^* *qktf ^:^rr%t a 4 ftsrr^n^i irtffH *ref f^T*
l^^fa^ i ^ wr^nr^sfl i ^<i<k^"if vm: wm& ^*tt: ^; \
^sHNntfif ^r^nRc: *3mcg ^m\ wmi 1 g 51* f% ¥T ^% sfstft
*RT*fc*ra $m: ' ( *m to shot faOTjiter: nsm w"$N. kt- m*)
1.- Be f *»iw«»f^RfE 2. Be. w^ .-
_____ i**
nl5bn ^ijlNifafHft ^wj^sr: wm§ i
nl6an ^g^rc*g w^\ fas* it: s^tsrfqjKqi
# w *fcrftp*T ^rrd" *ra TOfwraS i .
H2bi tf g tot** *rit **fcft mfi «e,
Ill3ll Q^tT^tR^t#fT cNM^rftferT*! ||^o||
IllSall ^^RTfT fNN ¥Rri[^JT5WTfiR: IR?II
# ^TW^OTT % %ci" ^CW S|cl*[ |
sT«it srr<3t ^St i sratq^qsrre *%: '^^^( vfys^ \ mi
fafiiffir— 4 H ^RT ft 3fT K 9t ^WT?TT 3TOTO «^q, TOT . i^[«OS-
wrorift'irft i ss w^g sfassrero: iis£.-*?m
sj^^Tfafai wwhih ^mf fai?r <srcw ma 8 w?t fail: i
1. Be. viq. 2 - Be - L 5TTcrf^^f^>oT. 3. L ttftvff.
4. Lwfarc . 5. Be. L wnrcNrRwI^n^, 6 % Be. L u$.
7. L nippft. 8. L imcpr . 9. Be. f^s^t Wt.
10. Be, adds m\ffi cfTOTCfa ^ 3*TWTTt ftwro;
Iil6b« ^rttOT w gqi^NffRwjeT: wsmi i
ii17ii ^s*RTfw *rirr Trf^t mra: wcrr: i
t^rr^r ^wi^f mt^h^ <^qn^: i
*r crer qiS ^ftefe mmiftq f%feNicj irw
f^^\^Tg5r^TT?i^;&i ^rg q^T^ir^H mWNMI<g *HI«H-
^rirtsgiTft^T *fin *r*^*ri ^z^sri ^^t^i
!&%^ 2 roTtf^qf^r ftr^swf fa^fa ^ fit «rf fif ft I ^PR-
ftW^ i uth* ^t *w*s *rawj wra w( ^rnl^frerPOT ^r
«f«ra^ «]t^s w <w *farfag: qfiM -irfiji *€*?
^tft^ *iftrffi?fiii ^tf; mm to* v«# im
^T^ TOfe *H^ M^ll
1. Be. omits »iRig[q^n:— *Wfe \ Be-, fi^t
mumfati M
# sto" 5^t^ f^cj; g^rsj; ^?Tf*R ^ fte^cj i
s 3 fa i q?w ^ w^g St m«rt *tar ^reft ^rq^nfa^ *tot
^nr^JT^Tf^ftfeT *ratiN iratffa arergft mit^T 13^ far
^ WIT "HT 3 -%$[ \ gclT fa^farlf WTO3J WTOTsfi irafrl I
±MH8md4f*mil^°ll
(ht. *aa\) w* "fe^sT^" (qT. «•?•**) ^nf^T #K ?iw: hto
1. L trfMt.
*r vi x ^[ 5T^: ^t first: i
hwhto^ i ftsrf^^isrwq^irrrrej "'stIswt ^rt" (fa. y,.^)
^fira?*, "^TOff ^t *ff% #3T" (fa. tt,.8o)ftf?r W^TcJJI
1. L Be. °4 2. Be. omits sfa.. 3. L Be. ran3*Trfw?p£rf 5 r.« a
4. D reads also W( v^* ftfJT^ H§ iswftqfc 3amK*f^ ifarroit
'iy.ii
V. sjspaipiftaT ( The Yajus Recension )
ufa^wfq n*$£i{ ^few<i*{ ^rffirfiT: i
wafi *ter3 ^rTfor ^r tffarc wirarr ii^ii
ii3h wr. *wrfi™ftr s wfo m^m nqi
1. B °^. 2. G *n£ft, L, nwfa
5. CL ttt: iratwarr: % ^ci w %*n. 6. CL *w,^i1*rv B
7. CL^ktf. 8, CDL « fr « imi 1 « k
ii4h mfft^^r^f c} ^ TOnsroTfiRtq; \\t\\
w * eve » ... c^ ♦ _____
||5ll cTR "cTToFnER'r WlTO ^T*Rn«pH{ II ? ° II
11611 ^rfor or^ ftat from: w*n m ?r. 11 nil
■v &
wr* ^Mcr: ^rmTfj jrwrgR^rro: 1
h7h ^ ^fa?: mff%*tf cf ffitom ii^ii
^ wrnft *mfom: w. ftwr 1
n9ii faug^f ^ ^ero *nftr^it ^ crrg ^ 11? 311
*wwr ftaftra utot tn? iw ^1
^TCWH rTTSai fir^ ^ *TO3[ 3JSW SJW. II {\\\
f SW^ ^Wrf ^nuj ^rcrarilf ^ *Tferr»f I
s^r %*mit apr am ^Tsrfani^ii
1. Weber reads °^T*m^raf^pr. 2. ODL f era xnt ^Wtsfe.
3. CDL ^ ^pfirra _ 4. CDL ^.
1 ^m sQfmt ^ g^ ^ftr* ^ §te$^i
11811 *£t #£: a c* ffir *nmt fro »<Rft ii^h
ill In ^^btt ^tstt <^n w^m: mm: irbii
f^WT^ <j f : mm ^^ot 3; mju f^t i
h 12im Q g "wim^^n ^t ^ ^^^ $r ^ irmi
ii 1 4b n ^qw#ta wm ^ faiTij#MTf%% i
nl6aii ^Tfj«K4d *ff&st f*Rrf ft: snsrtg; ^ iRqi
10 3?<to ^ ^nrmf ^ ftiff sot ^?r^i
I. CDLsqift w-"^rof T^. 2. GDLsrftat. 3> A*rfq»
4. GL 3P5ctfjikiT. 5. A 3rqj<?i ; CDL. ?pisir <en? ^rpc?ft\»
6. Weber reads wnfNrrw^ ^ % ODL ^faTfNrnsfafsrt enft$f?l¥Ic!H.
7. CL ^WiifllfiW,. 8. AL 3«B[q2art, BW ^f°» OW ^n:,
9. CL^T^^rg. 10. CL ^rtiw =13.
II. ABWfttrar^lt. 12. AW swiltft, CL wnft tm %.
ww: ^st to: stun f^twrgj^Rcr: ir°h
hIVii ^ig^rftrar ^ ^f^t 4 iot: w?rc \
t^n^T **Nrercnsr ^rt%^ *mwv 113 ?n
nl8ii °4raratercf ftsn^ *farf^R| iro^ i
9 fa*KH3*§ft:^rn*s s*rt
s ^w t^c^ 10 jr^rrr: €^t fear: i
•1. OL °^: ^ei arc:, B *m*ve\: *nsr: ; AW •%*«prFW a
2. CL irat, B jwwt. («p^ sec. m) AW «mt. 3. CL =n£t,,
4. B ¥\m ; CL 5^ BT3T, AB W q ^ gsp^.
5. AW f^^terct. 6. B fcr^resr, t«rareT^. 7. ABW mfr.
8 OL ^fafw. 9. OL fasre^fag^. 10. OL wra*.
11. Weber reads wrew before,TO3°. , 12. CL ^g# =<r W wat.
VI. ^c^T'itaT ( The & k Recension
M
nfwrfa wsj$*{ ^famc^r ^ftfir: i
ra3 *gfi *nfo *ri Star: to^it i;u
iilii wra mm wH ^mvtM w: ^t ctt: hbh
Il2n §werif^ faiNfr <3MK\ £ cl t^f ^ 114,11
w
^TTelTF 51JT *l*i$U^I«( Wu ^W T3«RRT I
u3ti *h: ^T?nffcT?nff^[ sr nr^ftf ^trcrj; n^h
t5i mt m#rwf ^to *n*rai^ iri
1. Y.°^u .2. Iwt .3. Y ^. # 4, Y wsjM^
^ f* . »-s »\ ♦ , f> , .. __ ,„ _ „.
lion ^jtot *[*fm w twtt: w^tt ?aj en h^h
u7ll *ft *rof^: mff%w if ftntai iu . «
w
_______ <r^ __________
^~ ~~j~r~f ^ftctfsr — — ~ ~: i
ftwijwi tout * »rfirafi^r. ubi
^^ptt ?n _4 fa^rcs ^^ 5sr^ sitc »w
[8]
V- . ^^ ___________ *N
h12h ** n g waroan ^ <H qw&Jte^ $?,# i?ch
^nrraT g; ^^m ^r^^M^ i
Hl3ll ^t^T^K^^T cWtf^IcWfrTil ||?e.||
tat *m M tart * frnfruii
w
2 ^pcpnm w^ t^r fa§rt sfcw ^m*i \
iMtsfo fronts ciwm ^ 3 tTift *Vt«
11^ _______ c^\ ~~ *_.____ g
.. oil wrgfwm^Twt ^rnjjsi: 'wrgr. i
w
1. Oh. mwtf ^Tf^irNTC", Y ir-s-jr wncNfK 2, Y w^t ^r ^Tr?if "*.
■8. Y snftsfa ~f. 4. Y has after this ^q^pffa '3WT ^ fsrfl^t^Trf^^.
5. Y -j-wifi-:. 0. OL. w*F{ ^.
7. Y *«n *imt...?mfw ■*. 8. Y w ftsrrffal".
8 ^ qTf^fa-ftMT
?p3 g gptq^l ^^ ^ m^ir 2 *rcft Wp
*Mt Aft frc^ ?raT ^ffe?fC(T^^: i
§§ mwm (?) ^ ?*8 ms^n (?) g*rc nssii
^trfu ^ sfef faw PrafaRf iirfifrf **rta*i i
mi g fasn^ 5 ^ s^S fai€t*Trt to ^t infant i
nl6bn ^tiWCT ^^ftwifcraeT: 'wc. «r 4 m: i
Star: wvi to: ffftffT f^r^Tg^Hcr: n?qi
ill 7d ^sg*nfw f *nrr srrf^t wr: mm: i
1. °^pit L °5fT^Tt. 2. CL wt. 3, Weber reatfs ^vt?.
4. Weber read's fircsTff. 5. ^epw softer. 6. Ch °<^T*j»nr .
7. Y to;. 8. Y !f#. 9. Y g^f^.
3Pffam§wr 8$
11I811 i'sr^wraTt fircn^ Htffim nwf 1
«ftfifBTTH TO* sjtfNtf ^ Wl 118*11
ff^TTcf; m^ ^sfatsr srereft^i n^W 118RH
M
TOra»( ^T^TfrT £*ftsf €faf n^fir^^rftCTsrf \
*5WmMW ^ftfT 3 ^?t ^ qffsifijSRT^TITg^T^sr 118^11
1roi g sfiftfrorf ^ft^q^fafeRrsj iibsii
K^rri «ft4 it^ttt OTsrfrfafrr TOq?*rarr iin"
3 ^arg^m !$ *to*aftrr*[ 1184"
Suit flfir fwnri g if^tef?t ii8*J
^ ?rer 4 qi3 ^*sfe qmr^fe' fiRftro^ii^i
1. Ch *t#h^°, Y. °g^t trrf^a. 2. Y ai^ct ^
3. Weber reads vw. Gh & *. 4. Y nftfltftsfo.-
$*$w w*m*i wpr air 2 *Tsra hw
mft #ta sroit **ft *<t fiwnstf * mhn* i
^ ^t^[# a^rflT^ t%5i% sro^sns: ^reatsiRiwn imn
*rawj (?) ^RTf^r fa^tf 58nf^wtfem i
«^:*T*?fa: l?t a?r€t% wtetf mmi
w. anwff ri^ ^Twtg^m fiwr i
*iTOiN: *r*ra<s ^ ^fafa %f?r: iiy^ii
^ ttaT fro 3**t fawt: at^Tftfa: i
**& <* %4 ot^P MHa Mift i*«i
^frT qifa*lfcfimT ««THT II
1. X ai"*'. 2. Y «CT5!ft 3. Y fawrfparfaW
4, Y r«w; w<?r.. 5. Y i^gst ^vi .
Varna-Sutras of Candragomin
ii # fisnTOfm *m: i & ii
^T^TO^rajifaJft ^rt sitot hii
^i^^t - ^ ^ftflTR II* II
^ ^zgrowi 11411
~- ___________
~T^^1^3IRT^ II? oil
^tft^q^Wt: 11 * tn'
^§W~~TTOIIW
-f ^ -I -[ ||^8||
f5W* # ^itJT*!T*| 11.^11
f^OTT^ araWIT^ » xi II i
Iwgtmtf faTORUJ II ^H
Sfan ^^Twrter)T-T: 11? *n
W^Cl 4TO9 MR * h
?r?r ^rr wr -5 t: ii^ii
: ^OT*^fira^ Wait %cr«\w^c# - «w
j. .. r- <?t ^
84 t|TP»RT?r-TaraT
$m*[ <3\irot ^roi ^ hwi
Sfcft fag?Tc4 aftet: (Citato imn
*ra ^r^if ** ft*. ira *fo fa*T fWr. tffi** ^fm^r«-
w*nirer fWf *nfe 3*r ti^wt wsfa ii« o «
*RIIl1Mt*«:i8<l
fiwifipftfrf: H8^«
fiwnfiwr. ira: H8^ii
W^Rnr. i8V
THE PANINIYA-S1KSA
With Translation and Notes (Critical and ExegeticalJ
THE PANINlYA SIKSA
with Translation and Notes (Critical and Exegetical)
[a i u-n || r l-k || e o-ti. || ai aw-c || ha ?/a va ra -t || Za-u ||
wa ma wa na wa-m || y/za b/ia-n || g 7?a #a dfta-s || /a ba ga ia da-s ||
/c/ia p/ia cfea f/ia £/m ca ta ta-v || fea pa-y || ^a sa sa-r || /ia-1.]
Note 2. The Varna-samamnaya (or the so-called Siva-sutras)
whether it was composed by Panini or any of his predecessors
was in all likelihood an essential part of the P£. and consti-
tuted its beginning, for pratyaharas like ac, yan, §ar, etc., have
been used in that work. But there being no direct evidence
about its assumed place in the PS. we have put it within
square brackets. (For derailed discussion on its age and author-
ship as well as other points, see Introduction, §§ 12-15).
Note 2. The Pnj., Prk., Yaj. and Rk recensions begin with
the three following couplets :
Atha giksam pravaksyami Paniniyam matam yatha \
§astrdnupurvyam tad vidydd yathtfktam loka-vedayoh \\ (1)
Prasiddharn api gabddrtham avijnatam abuddhibhih \
punar vyaktikarisyami vaca uccarane vidhim ii (2)
Tri-sastti catuh-sastir vd varnah sambhavato matdJp \
Prakrte Samskrte cdpi svayam proktah Svayambhuva \\ (3)
Tr. Now I shall give out the Siksa according to the views of Panini.
In pursuance of the traditional lore, one should learn it with reference to the
popular and the Vedic languages. Though words and their meaning are well
known, yet these are not within the knowledge of persons intellectually
deficient, (hence) I shall dwell once more on the rules regarding the pronun-
ciation of words. That speech-sounds in Prakrit and Sanskrit are
sixty-three or sixty-four, according to their origin, has been said by Brahman
(Svayambhii) himself, [1-3 ] .
7.
50 THE PANINIYA SIKSA
a. The expression Pdniniyam matarri yatha agrees with the following
which occurs later on in all recensions (except the AP.) : gamkarah Samkarim
pradad Ddksiputrdya dhimate. It appears that the compiler of the AP. did
not know who the author of the PS. was. For, though in the introduc
tion of his metrics (eh. 328 AP. ed. Ananduirama) he writes : chando
vaksye mulajais taih Ping aid kt am yathdkramam he is quite
silent about the source of the Siksa given by him. lb is nob so much
likely that Panini like later authors would pub in his own name in
his work, for in his Astadhyayi too he does nob mention himself.
This igaorance of the compiler of the AP. along with the defecbive uature
of fche bext of the PS. as given in his work probably goe* to show that at
his time (c. 800 A.O.) bhe PS. was nob a frequently studied work. The
Prabi&lkkya^ which are laber than PS. must have supplanted it to a
considerable extent at that time. That the author of the AP. leaves out
as many as six hemistichs out of eighteen couplets shows the damaged
condition in which his material had already reached at the time of the
compilation of the AP.
6. The expression tri-sastU catuh-wstiv va shows how the author of
these spurious verses felt a difficulty over the meaning of the first two
couplets of the PS. and could nob say for certain whether 63 or 61 letters
were meant by Panini. Kautiliya ArbhaSastra (c. 300 B.O) knows only 63
letters (see ed. Jolly, II. 9.14). The AP. contains none of these couplets except
the first half of the third in the following form : vaksye Mksam trisastih syur
varna va catur-adhiMh. It is evident that the compiler of the AP.too felt a
difficulty over first two couplets of the PS. It canuot be ascertained whether
the authors of the other recensions have imitated the indecision of the
A P. in this matter or independently had their own confusion.
o. The expression Prakrte Satyskrte cdpi, scarcely older than the A P.
(c. 800 A.C.), has sometimes been erroneously referred to as the earliest
mention of the names of Sanskrit and Prakrib languages (e.g. Hari
Narayan Apte, Wilson Philological Lectures of 1915, Poona, 1922, p. 5).
Svara vim£atir eka§ ca sparMnam panca-vimsatih \
yddaya§ ca smrta hy astau catvaras ca yamah smrtah ll (4)
Anusvaro visargai ca xa-</>au cdpi pardfrayau \
duhsprstat cSti vijneyo l-Mrah pluta eva ca ll (5)
Tr. Vowels are twenty-one, stops twenty-five, the group
beginning with ya (i.e. semivowels, sibilants and h) eight and
yamas four; anusvara, visarga x and $ are dependent on others
and the pluta 1 is duhsprsta. [4-5].
TBAtfSLATION AND NOTES
St
Note 3. The order in which the different groups "of speech-
soiinds have been mentioned seems to be duelto exigency of
metre. The twenty-one vowels according to the commentaries,
the PafijikS and the PrakasSa are : a, a, a 8 ; *i, I, I„ ; u, u,
Q 3 ; r, ?, h ; }, ; e, e 8 ; o, o ; ai, ai 3 ; au, au„ .
The earliest enumeration of vowels has probably been injthe
so-called Siva-siifcras. But there we have only nine vowels, long
and pluta ones being altogether omitted. The omission has been
discussed before (see Introduction, § 14). The Pratisakhyas
are not in agreement with one another as regards the treatment
of vowels. The following is a tabular statement of vowels
recognized in the extant Pratisakhyas compared with the vowels
of the PS.
Table I.
Vowels according to the PS. and the Pratisakhyas.
PS.
a
a"
a 3
i
I
13
u
u
u
u
u
u
u
u
u
u
"3
"3
u 3
r
r
r
r
r
t
V
r
f
f
h
h
1
1
1
I
I
1
I
I
I
Is
Is
e
e
e
e
e
e
63
63
e 3
o
o
03
03
03
ai
ai
ai
ai
ai
ai
ai 3
ai 3
ai 3
au
au
au
au
au
au
au 3
au 3
au 3
22
APr. 1
a
a
i
i
i
i
I
I
X
I
*3
h
13
RPr.2
a
a
a
a
a 3
83
13
TPr,3
16
VPr.*
a
a
23
BT5
a
a
h
i
I
h
u
u
«3
r
f
h
23
1 The APr. according to the commentary does not include the pluta vowels in the
Varna-samamnaya, but admits their existence in the Atharva Veda (I. 105). It is possible
that the pluta vowels arose late in the recitation of this Veda.
2 In his enumeration of vowels, Uva$a [e.g., on RPr. 1, 14) does not mention pluta ones,
though the RPr. recognizes them (see I. 16 ; H. 32 etc.), In the RPr. 1 (also long J ?) does
not enjoy the full status of a vowel. For it can stand neither at the beginning nor at the end
(1.9,11).
3 The commentaries to the TPr. do not recognize pluta variety of r, J and
diphthongB.
4 This enumeration is according to Uvata. For his view on RPr. vowels see Note 2
above. The first seven chapters of the VPr. are genuine. The last (VIII) chapter seems very
much to be a late composition (see Weber, Ind. Stud. IV, p. 65). Hence by VPr. we shall
understand the first seven chapters, and the chapter VIII will be designated by the name
late VPr. or 1 VPr.
8 The view of the RT. as regards the number of vowels it recognizes has been
gathered from its vrtti which might have been built on Audavraji's work (aee Introdact ion
§40). The recognition of a long } by the RT. is curious. . PS. and other Pratisakhyas do not
accept this.
9 9 1?
ha & 13
52 THE P1NINIYA gIK§A
The difference between - the PS. and the Pratisakhyas is
due to their originally different character, for the former was a
manual for helping the recitation of all the Vedas or it may have
belonged to the one undivided Veda that existed at the very
beginning (see Introduction, § IB), while the latter (the Prati-
sakhyas) were treatises related to the peculiar mode of reciting or
chanting one particular Veda, or its many recensions (tatra sarua-
veda-sadharanl Hksa...Paninina prakaiita. pratioeda-§akham ca
bhinna-rupa pratiSakhya-samjnita anyaireva munibhih pradarsita,
Prasthana-bheda, Weber's Ind. Stud. I, p. 16). The fact that the
PS. was accessory to the study of all the Vedas, required that it
should be a treatise of general kind and in this respect differs from
the Pratisakhyas which related to one kind only of the mantra-
text in its different Sakhas. Hence we find the Atharva and Rk
Pratisakhyas omitting from their treatment of vowels the pluta
ones which probably arose late in the recitation of their respective
mantra-texts. The TPr. includes pluta a, i and u in its treat-
ment of vowels while the diphthongs (e, o, ai, du) as well as r
and I have no pluta variety in it.
Note 4. Yamas are said to be particular nasal sounds
occurring before the nasal stops when plosives precede them.
The enumeration of yamas as four in the commentaries appears
to be a bit puzzling ; for, according to the definition of the
Pratisakhyas and the Nar. S. the yamas become 20 or 21 in num-
ber (see APr. I. 99 ; TPr. XXI. 12, XXII. 12 ; EPr. VI. 8).
Uvata in his commentary of the RPr. has a defence for both the
enumerations. He sums up his first discussion, with evarp,
vimSatir yama bahv-rcanam bhavanti sva-rupatt catvara eva tad
uttaratrayama-laksane vicarayisyamah (on I. 20) and in discussing
the character of yama (on VI. 8) he says tasmad iha c spar$a
yamdnananunasika' ity ucyamane vimiatitvat sthaninam adeSanam
api yamanairi vwrigatitva-prasangah ; sa ma bhut. caturyam
eva yamanam prathamah prathamarri dvitiya dvitiyam evam a
paricamad apadyerann ity ucyate. The sum and substance of
what Uva^a says seems to be that in pronunciation the yamas do
TRANSLATION AND NOTES 53
not partake of the characteristics of their respective groups to any
considerable extent, hence they are to be called the first yama
the second yama and so on, making the yamas four in number.
But the Bahv-rcas however thought otherwise and gave an ex-
tremely logical interpretation to the definition of the Pratisakhya
without caring for its practical aspect (Whitney has a difficulty
over the nature and number of the yamas; see his comments
on APr. I. 99, TPr. II, 51 ; XXI, 12 ; XXII, 12. A great deal
of his difficulty is due to the peculiar nature of the TPr.). The
late Vaj. Pr., i.e., its ch. VIII (29), has recognized four yamas
only though curiously enough Uvata explains their number to
be twenty. In the Kktantra also (ed. Burnell, p. 2) only four
yamas have been recognized. (For more information about
yamas see Siddheshwar Varma's 'Critical Studies', pp. 99ff.)
Note 5. Anusvara. All the Pratisakhyas except the Rktantra
have recognized one anusvara only. The Pafijika as well as the
Prakasa recognizes a reading anusvarau according to which two
anusvaras are available. In this matter the Panjika invokes
the authority of Audavraji. But the recognition of two anus-
varas seems very much to be a late development and did not
find favour with the majority of early Vedic phoneticians
(Saiksikas). It is possibly the author of the spurious verse
tri-sasti§ catuh-sastir va, etc., that has first honoured the view
of Audavraji in connexion with the PS.
Note 6. Duhsprstah. The pluta I has been called the duk-
sprstaov 'touched-with-difficulty.' This may be one of the reasons
why some Pratisakhyas did not recognize ' this sound (see
Table I). But the PS. being meant for all the Vedas had to notice
this. It should be known that the commentator to the RT. recog-
nizes this (see ibid). Weber was inclined to understand
duhspr$ta as a nasikya (Ind. Stud. IV, p. 349). But his view
seems to be untenable. The Panjika on the authority of Audavraji
takes it in the sense of wat-sprsta (p. 11). For according to the
latter, I partakes of the character of semivowels which are
isat-sprsta according to PS. See also Uvata on jRPr, XUX 3.
U THE PININlYA SIK$I
Itma buddhya samarthy&rthan mano yunkte vivaksaya \
manah kaydgnim ahanti sa prerayati 'mdrutam II (6)
Marutas turasi caran mandram janayati svaram |
pratah savana-yogam tarn chando-gayatram afritam II (7)
Kanthe madhyandina-yugam madhyamam traistubhdnugam \
taram tariiya-savanarn £irsanyaw jagatdnugam II (8)
SSdirno murdhny ablrihato vaktram apadya marutah \
varum janayate tesam vibhagah pancadha smrtah || ({))
Svaratah kalatah sthdnat prayaindnupradanatali \
iti varna-vidah prahur nipunam tarn nibodhata II (10)
Tr. Itma with buddhi perceives things and sets the mind
to an intention of speaking; the mind (then) gives impetus to the
fire within the body, and the latter drives the breath out [6].
The breath circulating within the lungs creates the
soft (mandra) tone; this is connected with the morning offering
(pratafy-savana) and rests in the Gayatrl (metre) [7] .
(The same breath circulating) in the throat (produces) the
middle (madhyama) tone and relates to the midday offering
(madhyandina-savana) and follows the Tristubh (metre); and the
shrill (tara) tone (which is produced by the breath circulating) in
the roof of the mouth relates to the third (i.e., evening) offering
(of the day) and follows the Jagati (metre) [8].
(The breath which is thus) sent upwards and is checked by
the roof of the mouth attains to the mouth and produces speech-
sounds (varnas), which have a fivefold classification — according
to their pitch, quantity, place of articulation, the primary
effort and the secondary effort. So said those who were
versed in (pronouncing) speech-sounds. Learn this
carefully [9-10].
TRANSLATION AND NOTES 55
Note 7. Pratah-savanayogarri. The Aitareya Brahmana has
the following : atha mandram tapati tasmat mandraya vaca
pratah-savane ^awisei (XIV. 6).
Note 8. ^manyarri. This is a form allowed by Panini, in his
grammar, for the Chandas only (frrsamjairiS chandasi, VI. 1. 60).
By Chandas the grammarian surely meant the Vedic language 1
as opposed to the current language of his time. There is
nothing peculiar in his use of the Vedic language in the Siksa
which is a Vedanga (see also Notes 9 and 18 below).
Note 9. So'dirnah. The peculiar sandhi observeable here
sah + udlrnah) has been supported by Panini (so'ci lope cet
padapiiranam. VI. 1. 134). According to the Ka&ka this sutra
relates to the foot of a Rk (iha Rk-pada eva grhyate). Hence this
also is an indication of the archaic language of the PS. (see also
Notes 8 and '20).
Note 9. Varnan, the speech-sounds (see Note 14 below).
Note 10. Janayate. The use of Atmanepada in this verb as
opposed to that of Parasmaipada in PS. 4 deserves to be noted.
But the meaning in both the cases is almost similar.
Note 11. Svamtali. The word svara in this place means pitch
accents, such as udatta, anudatta and svarita. The translator
of the Cbandogya Upanisad in the S. B. E. series once translated
this word as 'syllable' (I. 4). This is indefensible.
Note 12. Prayatna. This word means 'primary (pra *= forward)
effort' (yatna). Patanjali, however does not seem to be willing
to allow such an interpretation (on Panini, 1. 1, 9, ed. Kielhorn,
Vol. I, pp. 61f.) But as he has objected to it from a different
stand-point we can well have our interpretation. For in arti-
culating speech-sounds, first of all we adjust the different parts
of the mouth. This adjustment as opposed to setting the vocal
chords to action (which hasibeen termed as anupradana) has been
1 For a searching enquiry into the meaning of Chandaa as used by Panini, see Br. Pan }
Thieme's 'Panini and Veda', Allahabad, 1935, especially pp. 67#,
56 THE PININIYA SIKSI
justly called prayatna. This prayatna is included in the asya-
prayatna of the Astadhyayl (I. 1. 9), Isya in this work means
'the place of articulation (sthana) in the mouth' {asya). The use
of asya instead of sthana has been meant for brevity {Ughava) :
prolixity should always be guarded against in a sStra. The
prayatna in asya-prayatna has been identified with the abhyantara-
prayatna by Bha^toji-dlksita (on Panini I. 1. 9). According to
him it is of four kinds : sprsta, isat-sprsta, samvrta and vivrta. As
opposed to the abhyantara-prayatna, he has bahya-prayatna,which
is another name for Panini's anupradana, which according to
Patanjali consists of the following : vivara, samvara, s'vasa, nada,
{ghosata, aghosata) 1 , alpa-pram and maha-prana (on P. I. 1. 9)
Kaiyyata adds to this three more : udatta, anudatta and svarita, and
Bhattoji follows the latter in this matter (S. Varma, op. cit.,
p. 9). The use of two different sets of derivatives of the root vr
(such as samvrta, vivrta and samvara, vivara) in the classification
of both kinds of efforts is not happy. Nevertheless it can be
justified; for in the case of the abhyantara-prayatna, the root vr
relates to space between the two parts of the mouth, which touch-
ing or coming very close to each other, produce speech-sounds ;
while in the case of the bahya-prayatna, it relates to the vocal
passage where vocal chords are situated.
The fact that Patanjali and his successors use abhyantara-
and bahya-prayatna instead of simple prayatna and anupradana
demands some notice. A change of practice in this matter
probably points to the advance of phonetic studies which
evidently took place during the time that elapsed between Panini
and Patanjali. Some of the early Prati^akhyas such as the
APr. andTPr. were written in this period (see Introduction, §24).
1. Ghosata and aghosata are simply synonymous to nada and hasa respectively.
Later grammarians however have taken ghosata and aghosata as something other than hasa
and nada. Evidently a marginal gloss crept into the Mahabhasya as early as Candragomin (c.
600 A. C.)i who in his Varria-Sutras has imitated this in using expressions like nad&nupradana
ghosavantah. and [aj-ndddnupradana aghosavantah. The mistake involved in the superfluous
use of terms has been detected neither by Candragomin or any of his successors like
Kaiyyata or Bha$$oji-dIksita.
TKANSLATION AND NOTES 57
Pratis\akhyas very rarely use the terms prayatna and anupradana.
The APr. never uses prayatna, but anupradana is used in it
once (I. 12). In the RPr. each of these terms occurs once
(XIV. 10 ; XIII. 1). In the VPr. prayatna occurs once (I. 43)
and anupradana never. TPr. coins a new word karana for
prayatna (II. 32, 34, 45 ; XXIII. 6) and uses prayatna once
(XVIC. 6, 7), but in the next occasion (XXIII. 2) uses for it the
word karana-vinaya (adjustment of different articulating organs.)
Other Pratisakhyas too use the term karana (e.g., APr. I. 18;
VPr. I. 75; EPr. VI. 8). Whitney's translation of prayatna
simply as 'effort' is vague. Weber's translation of the word as
'Mundbewegung' is however more accurate. Anupradana is
twice used in the TPr. (II.* 8 ; XXIII. 2). The disuse into
which prayatna gradually fell seems to have caused the substitu-
tion of its radical sense 'first effort' by the more generalized sense
'effort' which without any adjective did not distinguish between
the primary (abhyantara) and the secondary (bahya) efforts. As
unambiguity and precision of terms is an essential condition in
scientific, discussion, the post-Paninian phoneticians almost gave
up the old terminology and had new terms like abhyantara-
prayatna and bafo/a-prayatna for the simple prayatna and
anupradana respectively.
Note 13. Anupradana. The term as we have seen above
is equivalent to 'after-effort' or 'secondary effort', which means
stiffening or loosening of vocal chords. Whitney translates
this as 'emission' (APr. I. 12 ; TPr. XXIII. 2) and Weber
has rendered it by 'Ausstossung' (Ind. Stud. IV, p. 107).
Dr. Siddheshwar Varma translates this as 'sound- material', or
'breath-voice material' [op. cit., pp. 3, 9); but such translations
though "not altogether incorrect are not happy. Whitney, Weber
and Varma all seem to have missed the etymological implication of
the word. The author of the Siksa-praka^a however extends the
meaning of anupradana which according to him includes nasality
too (p. 29). This evident innovation seems to have justification
from the separate mention of anunasikas in PS. 17b. (For other
points regarding this word see above the Note 12 on prayatna).
8
58 THE PININIYA SIKSA
Note 14. Iti varna-vidah prahuft. So said those who were
versed in the lore of (pronouncing) the speech-sounds. This
evidently shows that there were other masters of phonetics
(Saiksikas) before Panini wrote his &ksa. This hemistich does
not appear in the AP. It is possible like the P$. 14 it has been
left out (see Note 28 below). Varna also means a 'written
sign' representing a speech-sound (see Th. Goldstiicker, 'Pelnini :
his place in Skt. literature', London, 1861, pp. 34fL).
The theory of producing speech-sounds as given here
recognizes three principal places of articulation : chest (uras),
throat (Icantha) and the roof of the mouth (iiras). Patanjali too
while explaining catvari §rhga, etc., interprets tridha baddhah
as trisu sthanesu baddhah : urasi kanthe HrasUi. (ed. Kielhorn,
Vol. I, p. 3)
From the fivefold division of speech-sounds mentioned
in the P& 7 we may well expect that each class of sounds
will be discussed next one after another. But authors of the
inflated versions such as Kk., Yaj., Pnj. and Prk. recensions
without paying any heed to this fact have interspersed passages
(treating five divisions) with couplets from different sources.
Udatta§ cdnudatta& ca svaritat ca svams trayah |
hrasvo dirghaJp pluta iti tolato niyama act II (11)
Tr. There are three kinds of (pitch) accent : udatta,
anudatta, and svarita. Among vowels short, long and pluta
varieties are distinguished by their time (of articulation) [11].
Note 15. Aci. Ac meaning vowels is a pratyahara of
Panini. The Yaj. recension reads P$. 8 as its 23rd couplet.
Note 16. The Prk., Yaj. and Rk recensions read the follow-
ing couplet as the 11th, the 14th and the 2th respectively : —
Uddtte nisada-gandhamv anudatta rsabha-dhaivatau \
svarita-prabhava hy ete sadja-madhyama-pancamah II (12) h
12. Of the seven musical notes nimda and gandham can arise in the
high pitch (udatta), rmbha and dhaivata in the. low pitch (anudatta), while
TBANSLATION AND NOTES 59
sadja, madhyama and paficama have their source in the medium pitch
(svarita) .
This couplet occurs in the Nar. S. (I. 8. 8) and seems to be original
to it ; for this work belonging to the Sama Veda has a direct concern with
an elaborate theory of seven musical notes. Besides this the fact that the
couplet has bean composed in the 5.rya metre while the passages common to
all recensions are in the Anustubh seems to create a presumption in favour of
its spurious character with reference to the PS. Its absence from the AP.
as well as uncertain position in other versions probably strengthens this
presumption. Hence this has not been included in the reconstructed text.
Astau sthanani varnanam urah kanthah Hras tatha \
jihva-mulam ca danta§ ca nasikosthau ca talu ca II (13)
Tr. The speech-sounds have eight places (of articulation) :
chest, throat, roof of the mouth (lit. head), root of the tongue,
teeth, nostril, lips and palate [13].
Note 17. The RPr. and TPr. do not recognize any pure
dental sound and they place most of the dentals at the root of the
teeth and according to the RPr. urasya (lit. from chest) sounds
are existent only in the opinion of others (I. 18). The other
Pratisakhyas admit danta-mula as an additional place of articula-
tion (For details see the Table II) .
Note 18. The Panjika does not comment on the two fol-
lowing couplets. They seem to be irrelevant in the position
they occur in the AP., Prk., Yaj. and Rk recensions. But they
occur in the Nar. S. (II. 5. 4. 9), Yv. 8. (143-144) and Mand.
S. (107-109) too.
0-hham& ca vivrttii ca §a-sa-sa repha eva ca I
jihva-mulam upadhma ca gatir a?ta-vidhSsmanah \\ .1 4 II
lady o-bhava-prasandhanam uMrddi-param padam \
svardntairi tadr$am vidyad yad anyad vyahtam usmanah n 1.5 II
Tr. TTsmans (spirants) have eight ways (of development) :* change to o,
hiatus, i, s, s, t, jihvamuliya and upadhmanlya [14],
60 THE PACINI?! SIKSl
When a ' word ending in o (out of an usman) is followed by another
word beginning with u, the former should be considered as ending in a
vowel coming from an usman [15]. •
a. These two couplets, though probably not belonging to the PS., seem
to be very old. On the antiquity of the first (14), see B. Liebich, 'Zur
Einfiihrungin die indische einheimische Sprachwissenschaft,' II. § 22. The
second couplet is not quite intelligible. Weber is willing to read akar&di
against ukdr&di of all MSS. (Ind. Stud. IV, p. 352). ^
b. The APr. according to' its commentator recognizes four usmans i, 8, s
and h (I. 31). The VPr. (L 51). has also the same number. The TPr.
adds x and <j> to these and has six (I. 9). The BPr. has recognized two more :
h aad m, making altogether eight usmans (I. 10, 12). The reckoning of
anusvara as an usman seems to be very strange.
Hakamm pafwamair yuktam antafysthabhti ca samyutam I
aurasyam iwm vijaniyal katithyam ahur asamyutam II (16)
Tr. When combined with nasal stops (lit. fifth ones) and
semivowels, h should be known (as arising) from the chest; while
h not so combined is said to be from the throat [16].
Note 19. This couplet stands in a wrong place in the Yaj.
recension, and the Pafijika has not commented on it. Besides this
it is missing in some MSS, of the AP. Still we have considered
it to be belonging to the original PS. on the following grounds :
(i) Uras according to the PS. 9 is a place of articulation for
some of the speech-sounds, (ii) Indigenous Pali grammarians
too have recognized some sounds as aurasa (Pali, orasa sounds ;
Mmayeff, Par. p. 2'; "Geiger, Pali Lit. und Spr., p. 41),
(iii) This couplet PS. 10 occurs also in late Siksas such as the
Loma^i S. (V.9), the Varnaratna-pradipika S. (26). and the
Yv. g. (177). Considering the position of this couplet in these
works it does not seem to be possible that it originally belonged
to them. The RPr. (1. 18) and the ET (II. 3) too recognize
urasya sounds.
Note* 20. Antahsthabhis ca. Its feminine gender creates
difficulty in construing this with 'varna' (masc.)or 'aksara' (neut.)
TRANSLATION AND NOTES 6l
in the instrumental plural [understood]. This difficulty was felt
by some redactor who changed the expression to antafysthatt
cdpi. But the genuine original reading might well have been
*antahsthebhi§ ca, and the late redactor probably finding this
Ohandasa form unexplainable by the grammar of the classical
Skt., which he thought to have been the language of the P$.,
changed ifc to antahsbhabhis ca and brought it within the control
of the ordinary grammar, though the new difficulty which arose
escaped his notice. The redactor of antahsthaiS cdpi made it
faultless and removed all trace of the assumed original.
Kartthyav ahav i-cu-yasas talavya osthaja vu-pu \
syur murdhanya r-tu-ra-sa dantya l-tu-la-sah smrtah II (17)
Jihvd-mule tu kuh prokto danbyosthyo vali smrto budhaih \
e-ai tu kantha-talavya o-au kanthosfhajau smrtau II (J?)
Ardha-matra tu kanthyasya ekardukarayor bhaveb \
aikardukarayor matra tayor vivrta-samvrtam II (19)
Tr. A and h are throat sounds ; i, cu (i.e., c, ch, j, jh and
n) and i are palatals; u and pu (i.e., p, ph, b, bh and m) labials;
r, tu (i.e., t, th, d, dh and n) and s cerebrals; and I, tu (i.e.,
t, th, d, dh and n) and s are dentals [17],
Ku (i.e., k, kh, g, gh and n.) is uttered from the root of
the tongue, and v is a denti-labial sound ; e and ai are throat-
palatal, and o and au are throat-labial sounds [18] .
The throat element of e and o is half a matra and of ai and
au is (one) matra; these two latter (i.e., ai and au) are open-close
sounds (i.e., their first half or the a-element is open and the
second half or i- and u- element is close) [19] .
Note 21. At the time of the Pratisakhyas the speech-
sounds of the Old Indo-Aryan did not all retain the
places of articulation which they had at the time of Panini.
62
THE PANINIYA SIKSA
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TRANSLATION AND NOTES 63
For details of this variation see the Table II in which views of
Pratisakhyas have been compared with that of the PS.
Among these, typical is the case of r and r. According to the
Pratisakhyas the first is velar, while they are not unanimous
about r. But Panini considers r to be cerebral (Siddheshwar
Varma, op. cit., pp. C-7). The fact that r and r cerebralize,
according to Panini (VIII. 4.1) as well as the Pratisakhyas
(tiPr. V. 11, 20; VPr. III. 85; TPr. XIII. 6-7), the dental
sounds that follow them, shows that these sounds were
originally cerebral, and Panini testifies to the original state
rather than the Pratisakhyas which have r as a dental or an
alveolar sound.
Note 22. Gu. It indicates c, ch, j, jh and n. Appending u
to the first sound of the groups (vargas) of stop consonants
for indicating all the five members is a Pacinian device used in
the Astadhyayi (anudit savarnasya cdpratyayah, I. 1. 69) 1 . Pu,
tu, tu and ku have been similarly used.
Note 23. Ardha-matra tu t etc. This couplet (PS. 13) has
suffered very badly in transmission, and its second half does not
occur in the AP, Uvata in his comments on the VPr. I. 73, has
wrongly quoted its first half as ardhamatra tu kanthasya
aik&raukarayor. It appears that the sandhyaksaras
(diphthongs) e and o having lost their diphthongal character in later
times 2 this couplet became unintelligible and gave rise to variants
of perplexing nature. Weber's reading kanthasydikardukarayor
spoils the metre, but his conjectural emendation (in translation)
of aikardukarayor was a very happy suggestion and finds actual
support from the Panjika (p. 18). His reading madhye e-ai for
matrd tayor however cannot be accepted, for it has evidently
arisen due to a misunderstanding.
1 It is on the basis of Pacini's use of pratyaharas that Dr. Paul Thieme makes the
statement that "it is self-evident that the As^adhyiyl presupposes the Siva Sutras and
the Siva Sutras presuppose the Astadhyayi " (op. cit., p. 109). The PS. can well be
substituted for the 'Asfadhyayl' in this remark,.
* See Note 1, in p. 04.
64 THE PANINIYA SIKSA
All the sandhyaksaras 1 being long, consist of two matras
(RPr. 1.16; VPr. 1. 57; TPr. I. 35; APr. I. 61). Hence
from PS. 13 we bave the quantitative distribution of the
two elements of e, o and ai, au as follows :
in e
( < a + i ) a is -J matra 1 and i is 1-J matra
( <. ft + w) & >> a" >) >> u >> la" )}
,, ai ( < a + i) a ,, I 2 ,, ,, i ,, 1 ,,
,, an ( < a + u) a„l ,, ,, m ,, 1 ,,
Note 24. The Kk recension reads the following couplet
after PS. 12. This does not occur in the AP. and Yaj. recensions,
and none of the two commentaries comment on it. Hence we
have considered it to be spurious.
Samvrtam matrikarn, jneyaifi, vivrtam tu dvimatrikam i
ghosa vd sai/ivrtah sarve, aghosa vivrtah smrtdh n20n
Tr. A Bamvrta (close) sound is one matra long, and a vivrta (ope)
sound is two matras long ; voiced sounds are all samvrfca while breathed
ones are vivrta [20] .
This couplet like other spurious couplets discussed above must be a
a borrowing from some unknown source. But the substance of the second
half of the couplet occurs in the TPr. (samvrta-Ttanthe nadah hriyate, vivfte
Svasafy XL. 4-6).
1 Wackernagel (I. § 32), does not admit that all e and o in OIA were originally sandbya-
ksaras, f>., combination of two vowel Sounds. His objection is based on e and o not arising
out of actual sandhi in OIA. But the Vedic phoneticians in using the term evidently recalled
the Indo-Tranian diphthongal character of e and o such as appears in Av. vaeda (Skt. v6da)
and At. xaothra. (Skt. lidtra), as well as e and o arising from a combination of a with
and u respectively.
2 The VPr. (I. 76) only among all the Pratisakhyas expressly recognizes the fact
that ai and au have one matra for a and one matra for i as well as «. From the direction
as to the production of ai and au given in the APr. (I. 41) it appears that this latter work too
agrees with the PS. But as regards the pronunciation of e and o the APr. expressly says that
they have only .one place of articulation (I. 40) and hence we are to understand that
at the time of this Pratis"akbya, e and o no longer retained the tn.ce of their diphthongal
character which we see in the PS. 13. The VPr. is silent about the production of e and o.
The RPr. in its attempt to describe their nature simply mystifies the issue (see XIII. 15-16)
Hence it appears that the Pratisakhyas in question are later than the PS.
TEANSLATION AND NOTES 65
Note 25. Next occurs the following couplet in the Bk and the Yajus
recensions and it has been commented on in the Prakaia commentary. But as
it app ears irrelevant in the present context and contains the term karai^a
which as we have seen before is a term of later origin than Panini (see
Note 12) we have considered this couplet to be spurious.
Svaranam usmanarn cdiva vivrtam karanam smrtam i
tebhyo'pi vivrtdv emu tabhyam aicau tathdiva ca II (21)
Tr. Vowels and sibilants are open in enunciation ; e and o are more
open than they, and ai and au are still more so [21].
Note 26. This couplet like other spurious ones must be a borrowing
from some unknown source. The substance of the first half of the couplet
is available in the APr. usmanarri vivrta?n ca, svaranam ca, I. 31. 32). But
according to this Prati&akhya, e and o a-s well as a are the most open sounds
(aikardukarayor vivrtatamam, (ato'pydkdrasya I. 34. 35) and not ai, au as in
the present couplet.
Annsvara-yamana-ni ca nasika sthanam ucyate \
upadhmaniya iisma ca jihm-mfdiya-nasikc \
ayogavaha vijneya aSmya-sthaJia-bhaginah || (22)
Tr. Anusvara and yamas have the nose for their place (of
articulation); upadhmaniya, usman {i.e., visarjaniya), jihvamullya
as well as nasikyas {i.e. the anusvara and yamas) are ayogavahas
and as such they share the place of articulation of sounds on
which they are dependent [22].
Note 26a. The hemistich anus vdra-yamanaTri ca etc., does not
occur in the Yaj. and the AP. recensions (see Introduction § 2).
As anusvara and yamas have been mentioned earlier in the PS.
(1-2) we have to consider this as belonging to the original text.
Note 27. Anusvara. The 'anusvara-nasikyah' and 'anusvarah
nasikyah' seem to have been synonymous and probably the
original name for anusvara by which the TPr. (I. 34 ; II. 30 ;
XVII. 1) understands only a nasal vowel. This meaning of the
term was known to the author of Panjika too. For he says
soaram anu bhavati ity anusvarah, 'as it arises after the vowel it
is (called) the anusvara 5 (5).
66 THE PANINIYA SIKS1
The term anusvara-nasikya has sometimes been shortened
also simply as nasikya or nasika. But this shortening seems to
have created some misunderstanding. For example, in the
APr. (I. 26) 1 and in the RPr. (I. 00) nasikya has been used to
denote sounds pronounced directly from the nose {i.e. yamas and
the anus vara) 2 as opposed to anunasikas (nasal stops) 8 which are
pronounced in the mouth as well as in the nose (APr. I. 27
and P. I. 1. 8). But in spite of such an use of nasikya some
interpolators and commentators of the Pratisakhyas have taken
anusvara and nasikya 4 to be two different sounds (VPr. VIII s 25,
27, '29; Uvata on YPr. I. 74; Mahiseya on TPr. I. 18). But
curiously enough in his commentary to the RPr. I. 20, Uvata
has. explained nasikya as the term including yamas and the
anusvara. as well as nasikya} Though the later writers on
Vedic phonetics at times differed from him about the meaning
of the term anusvara, Panini understood by this a nasalized
vowel. For he explains the anusvara as a nasal sound (PS, 14)
and gives directions as to how it should be correctly produced
(PS, 15b-16a). The term 'nasika' which is used to denote a
nasalized vowel in the Pratisakhya has also been used in the PS,
(14b). Among the western philologists a controversy went on
for some time about the correct pronunciation of anusvara; but
1 The APr. never uses the term anusvara. It is from the commentator that we learn
that the nasikya is equivalent to yama and anusvara (see Whitney on APr. I. 26).
2 Similar is the view of PataQjali. On Panini I. 1. 8, he says atha mukha-grahanam,
kirn, artham^ nasikd-vacano' nundsika ittyaty ucyamdne yam&nusvaranam eva prasajyeta.
mukha-grahane punah kriyamdne na doso bhavati fed. Kielhom, Vol. I, p. 60).
3 The TPr. sometimes takes nasikya in the sense of yama alone (XXI, 12, 14).
4 The view that anunasika is equivalent to a nasalised vowel arose probably from a
confusion of this word with a somewhat similarly sounded term anunasikya (= nasality) as
used in the M'ahabhasy a, yatha trliyas tathd pancama...adliiko gunah (ed. Kielhorn, I, p 61,
line 18, 29). Patafijali is clearly against such a view (see Note 2 above). Among the old
authorities who seem at times to identify anunasika with a nasal vowel is APr. (I. 53).
But the relevant sutra has probably been corrupt. TPr. once understands by anunasika nasal
stops and anusvara (II. 30. See also III. 129 ; IV. 3, 9, 13, 51, 90; TPr. V. 26-28, 31 ;
X. 11(?), XV. 1. 6 ;XXII. 14).
5 Weber considers I his chapter of the VPr. as a later addition (opp, cit., p. 65).
6 ke te ndsikyah'i ity asyam apeksdyam aha nasikya yamanusvarali (ed. Sama^rami,
p. 80) B
TRANSLATION AND NOTES 67
among thein all Whitney, in spite of the bewildering opinions of
the Prati^akhyas or rather the commentaries of such works,
could correctly guess the true pronunciation (on TPr. II. 30).
Wackernagel however considered him to be mistaken 1 and
Thumb 2 did not venture to give any opinion on the matter.
Note 28. Upadhmamya tismd ca etc. This hemistich does
not occur in the Rk and AP. recensions. Still, upadhmamya and
visarga being mentioned in the PS, 2, s we can reasonably expect
the treatment of their mode of articulation in the Siksa. Hence
we have considered this hemistich as a genuine part of the PS
(see Introduction, § 2b). One of the reasons why it came
to be ignored in the "Ek recension is probably to be sought in
tbe varying later uses of the term usman which in this coritext
surely means visarga 1 or the final aspiration preceded by a vowel
(-h). This term meaning visarga as well as final h occurs in the
Bk Pr. (I. 22 ; II. 4). In the VPr. (I. 54), the APr. (I. 20),
the Rktantra (16) as well as in some other part of the RPr.
(I. 13) the term sosman has been used to indicate aspirated
stops. It seems that by the earlier deary as visarga as well as
aspirated stops, due to their almost similar nature, was included
in the term usman. Panini, however, does not use this term
because in his grammar, his pratyaharas evidently served the
purpose. By this term the TPr. however means 6, s, s, h,
X and (j> (I. 9), and curiously enough the KPr. also means by the
term same sounds in I. 12; and in the Chapter "VIII (considered
to be a late addition by Weber) of the VPr. we understand by
the term s, s, s and h (sutra 22, ed. Weber).
Note 29. Ayogavaha. This term has been variously ex-
plained, and Weber felt a difficulty over its correct interpretation
1 Altindische Grammatik, Vol. I (§ 223), p. 257. In the opinion of Prof. Iaders the
anusvara of the TPr. is anything but a nasal vowel (see Die Vyflsa-Oiksha, p. 51).
2 Handbuch des Sanskrit, § 54.
3 This couplet occurs in all tbe recensions of the PS, and must have formed a part of
the original work.
* Weber, Ind. Stud., IV, pp. 112, 325, also VIII, p. 212.
.68 THE PANINIYA SIKSA
(op. cit., p. 354). According to the Panjika it means (15)
na vidyate yogah vamdntarena yesam te ayogavahah : Those
sounds which do not combine with other sounds are ayogavahas.
This definition does not convey any meaning to us. Uvata says
akaradina varna-samanwaycna samhitah santah etc vahanty
atmalabham prapnuvanty ayogavahah (on VPr. VIII. ^) : They
are ayogavahas because they attain their selves when combined
with sounds like a {i.e. vowels). Similar is the view of the
commentator of the Pratijria Sutra on II. 1 (see Benares ed.).
This explanation too does not satisfy us and seems to be rather
fanciful. Patanjali who is earlier and more authoritative than
■ the writers mentioned above defines the term as yad ayukta
vahanty anupadistaS ca iruyante (ed. Ilielhorn, Vol. I, p. 28) :
' Those sounds which are heard even though they have not been
included in the Varna-samamnaya (or the so-called Siva-sutras) . '
Besides these there are other interpretations of the term by late
authorities, but it will scarcely be of any use to discuss them.
The explanation given by Patanjali can be followed without any
scruple.
Alabii-vina-nirghoso'danta-mulyah svardnugah \
anusvaras tu kartavyo nityam hroh $a-sa-sesu ca li (23)
Tr. The anusvara after the vowels not pronounced at the
root of the teeth, should be made sonorous like the sound of an
alabu-vma, but when it stands before h, s, s and s this pronun-
ciation is compulsory [23].
Note 30. All the recensions except the AP, contain the
above couplet. The anusvara being a frequent sound in Vedas
and the classical Skt. it appears very much likely that Panini
gave attention to it. Besides this for interpreting dasasesu ca we
must invoke the help of Paiiini's Paribhasa tasminn iti nirdiste
purvasija (I. 1. 66). This also may be taken to show that this
couplet belongs to the original PS.
TRANSLATION AND NOTES 69
Note 31. From this passage we derive a hint about an
alternative pronunciation which the anusvara had before stops.
This alternative pronunciation has been provided for by Panini
in his grammar (anusvdrasya yayi parasavamah, va padantasya.
VIII. 4. 58, 59) 1 and it is equivalent to the pronunciation of
what according to Prof. S. K. Chatter ji is a 'reduced ' nasal
occurring also in the late Middle Indo-Aryan (op. cit., p. 360).
Note 32. Nirghoso' danta-mfdya should be taken as nirghoso
-{-adantamfdya.
Note 33. The next couplet occurs in the Kk recension only.
Anusvare vivrtyam tu virame cdksara-dvaye \
dvir osihau tu vigrhniyad yatrdukara-vakarayofy II (24)
Tr. In the anusvara, hiatus, virama and double consonant the two lips
should be separated as also in case of au and v [24] .
Note 34. This couplet has been taken from the Lomasi S. (III. 7)
where it is fully relevant. The reading atraukara in the Ek recension is
evidently corrupt. Due to this corrupt reading Weber had a difficulty over
tha passage (op. cit., p. 361). The following couplet occurs next in the Ek
recension. IntheYaj. it is no. 20. The Prakaia comments on it though
the Pailjika passes over it, and some versions of AP. does not know it.
Vyaghri yatha haret putran damsprabhyam na ca pldayet \
bhita patana-bhedabhyam iadvad varnan prayojayet II (25)
Tr. As the tigress carries her cubs between two (rows of) teeth taking
care lest they should either be dropped or bitten, so should one pronounce
the (Vedic) speech-sounds lest they should be dropped (i.e. elided) or
differentiated [i.e. mis-pronounced) [25].
There is pun in the words "patana and bheda. The fact that the couplet
mentions the dropping of varnas in the Vedic recitation shows that the upper
limit to the date of the composition of the couplet is c. 200 B. G. when the
1 ' The anusvara followed by consonants other than i, §, s and li is changed to the
savarija (homogeneous nasal sound) of the following sound ; the possible homogeneous sounds
in the above case are h, ii, «, n and m. This rule is optional when the anusvara stands at the
end of a word. 1
70 THE PANINIYA SIKSI
tendency to drop intervocal stops as in the so-called Maharastrl or the late
phase of Saurasenf, 1 was already beginning. This couplet occurs in the Yv.
8. (195) and the Mandiiki S. (43) too. We are nob sure whether it originally
belonged to the Yv. S. or the Mand. S3., but it is sure that the couplet did not
form a part of the PS. which may go back to a time earlier than 500 B. 0.
(see Introduction, § 36).
Note 35. The following couplet occurs next in the Ek recension and in
the Yaj. recension it is no. 6. Of the two commentaries, only the Prakasa
touches it. AP. omits it.
Yatha Saurastrika nan takra" ity abhibhasate \
evam rang all prayoktavyah kheara' iva khedaya \\ (26)
The couplet as it stands in the Ek and the Yaj. recension and in the
Praka^a seems to be corrupt. The true reading may be that of the Nar.
S. The Mand. S. and the Yv. S. gives the couplet in a developed form a
The purport of the couplet in all the above different forms is that the rahga
is the nasalization of a vowel.
Note 36. Next occur the four following couplets in the Ek recension
only.
Ranga-varnan prayunjiran no graset purvam aksaram \
dirgha-svaram prayunjiyat paican ndsikyam acaret II (27)
Tr. In pronouncing the ranga sound one should not swallow up the
preceding sound ; the preceding vowel should be uttered long and then the
nasal sound should be uttered [27].
This couplet occurs in different Siksas. It is difficult to say where the
couplet originally stood, 3 but it is sure that it came in the PS. from another
source.
Hrdaye caikamutras tu ardha-matras tu murdhani \
nasikayam tathdrdham ca rangasyaiva dmmatratd II (28)
1 See the present writer's 'Maharastrl, a later phase of Saurasenx,' Journal of the
Department of Letters, University of Calcutta, XXIII (1933).
In the Nar. 9. (II. 4. 9) this couplet occurs with variants nary drain ity, rahgalj.
prayoJctaoyo Naradasya matam yatha. In the Mand. S. (112) it occurs with the variants : nan
araitvrangdjj, prayoktavyah naMra-parivivarjita. The Yv. S. (19CP however reads it almost
like the Mund.. S.
3 This couplet occurs in a slight different form in the Y v . S. (189) and the Loma6i
S. (I. 8). The Mand. S. 110 can also be compared with this.
TRANSLATION AND NOTES 71
Hrdayad ntkate tisthan kamsyena samanusvaran \
mardavam ca dvi-matram ca ■jaghanva'd iti nidarsanam II (29)
Tr. In the heart (i.e. chest) there should be one matra and half a
matra in the roof of the mouth and another half in the nostril. These
are two matras of a ranga sound [28] . l
A ranga sound rising from (lit. existing in) the heart (i.e. chest)
has a sound like that of the bellmetal (bronze), (and it has) softness and
is two matras long. Its example is jaghanvct 2 [29] a ".
Madhye tu kampayet kampam ubhau pargvau samo bhavet \
sarangam kampayet kampam rathheii nidarsanam II (30)
Tr. The kampa should be made in the middle and its two sides should
be made equal and the kampa should be accompanied by a ranga. Its
example is rathiva [80].
Note 37. The meaning of the passage is not clear. This couplet
appearing only in the Kk recension and not being relevant with couplets
which are undisputedly genuine we have considered it spurious. This, like
other spurious passages, occur probably in some text not yet brought to light.
Note 38. Next occurs Uie following couplet which has not been
commented on in the Panjika though other recensions include it.
Evam varnah prayoktavya ndvyaktd na ca piditah \
samyag-varnaprayogena brahma-loke mahiyate || (31)
Tr. The speech-sounds should be pronounced like this. On uttering
them in the proper manner one attains elevation in the world of
Brahman [31].
Note 38a. This couplet occurs in the Nar. S. (II. 8. 31) and also in the
Mand. S. (44) and might have originally belonged to any of these works.
It does not fit in with those stanzas of the PS. which occur in all recensions
and are undoubtedly genuine.
1 With the above couplet mny be compared the Lomasl S. I. 7. This passage seems
to be corrupt.
2 This couplet occurs in the Nar. S. (II. 4. 8) with some variatiorj. In the Mand- S.
(113) too this occurs in a varying form. Whatever be the true reading of the couplet it ig
sure the PS. in its original form did not contain it.
72 THE PXNttflZA SIKSI
Note 39. la the Yaj. recension the above couplet is succeeded by the
following one :
Abhyas&rthe drutam vrbtim prayogdrlhe tu madhya?nam I
s'isyanam upadegdrthe kuryad vrltim vilambitam II (31a)
Tr. In memorizing the Vedas one should make his reading quick but in
applying the same in rituals the recitation should be of medium speed,
while at the time of instructing pupils, the Vedic passages should be recited
slowly [31a],
Note 39a. This couplet occurs in the Nar. S. (I. 6, 21) and Yv. S. (54)
and in a slightly different form it occurs also in the Mand, iS. (3). It seems
that the couplet occurred originally in the Nar. S.
Note 40. The next six couplets occur in the Bk recension only. They
are being taken up serially.
GUI fighri Hrah-kampl tatha likhita-pathakah \
Anarthajno , lpa-kanthas' ca sad ete pathakddhamah II (32)
Madhuryam aksara-vyaktih padacchedas tu susvarah \
dhairyatn laya-samartham ca sad ete pathahe gunah ii (33)
Tr. Those who recite the Veda in a singsong manner, (too) quickly,
with a nodding of the head, use a written text at the time of recitation
do not know the meaning of passages read, and have a low voice, are six
kinds of bad reciters. Sweetness, clearness, separation of words, right accent,
patience and ability to observe time are six merits in a reciter [32-33].
Note 40a. These two couplets occur in the Yv. S. (198-199) and seem
to have occurred there for the first time.
Sankitmn bliitam udghustam avyaktam anunasikam \
haha-svaram Mrasigam tatha sthana-vivarjitam ii (84)
Note 41. In the Nar. S. (I. 3. 11-12; this couplet together with
another enumerates the fourteen faults oi the Vedic chant. A translation
of the two couplets are given below.
Shyness, fear, extreme loudness, indistinctness, undue nasalisation,
repressed tone, undue cerebralization, non-observance of the placesof
articulation (in general) and (proper) accent [34], and
harshness, creating undue separation between word -3, uneven tone
hastiness, want of due palatalisation : these are the fourteen faults in the
Vedic chant.
TRANSLATION AND NOTES 73
Note 41a. These two couplets occur also in the Yv. S. (26-28; but they
relate there to faults of recitation (patha-closa) instead of the faulis in chant
(giti-dom) of the Nar. g. But as the couplets in this latter work have
been preceded by the expression bhavanti gH' tra ttokclh thoy are surely
quoted there from some earlier work It is probable that the couplets in
question occurred in the Yv. S. first.
Upamfoi das tarn tvaritam nirastam
vilambitam gadgaditam pragltam \
nispiditam grasta-paddksaram ca
vaden na dmam na tu saminasyam il (35)
Pmtah pathcn nihjam urah-sthitena
svarena sardfila-rutdpamena \
madhyan-dinc hantha-gatena caiva
cah-dhva-samhujita-sannibhena il (36)
Tarain tu vidyat savane trtiyc
iiro-gatani tac ca sada prayojyam \
maijura-liamsdnyabhria-smmnam
tidyena nadena Hrah-sthiiena II (37)
Tr, One should not recite a Vedic passage in under-tone, between one's
teeth, quickly, haltingly, slowly, with a hoarse voice, in a sing-song manner,
with repressed voice, omitting (occasionally) words and syllables and in a
plaintive voice [35],
In the morning (the Vedic student) should read (mantras) with a voice
from the chest, which should be (as deep-toned) as the growl of a tiger. In
the middav he should read it with voice from his throat, which should be like
that of a oaktavaka. In the third savana (i.e. the evening offering) he
should recite it in the highest pitch from the roof of his mouth and his voice
should be like that of a peacock, goose or cuckoo [36-37 J.
Note 41b. These couplets occur also in the Mand. g. (41-42) but we
are not sure whether they originally belonged to this work.
Aco'sprsta yaws tv Isan nema*spr$tah salah smrtah \
§esah sprsta hahh prokta nibodhdnupradamtah II (38)
10
74 THE PXNINIYA SIKSA
Tr. The vowels are without touch, semi-vowels slightly
touched, &, s and s are half -touched sounds, and the remaining
consonants are touched (i.e. stops) [38].
Note 42. The" degree of touch in this connexion is with
regard to the cavity of the mouth or rather the space between
the two parts of the mouth which touch or approach each other
before speech-sounds are produced.
ffiamo' annnasika nahro nadino ha-jhasah smrtah \
isan-nada yan-yasa& ca svasinas tu kha-phddayah || (39)
Isac-clwasams caw vidyad gor-dkamaiiat pracaksate \
Tr. N'am (i.e. n, n, m, n, and n) are produced
through nose, and h except when it is combined with r ; and jhas
(i.e., gh, jh, dh, dh, bh) are voiced, semivowels (y, r, 1, v) and
jas (i.e., j, b, g, d, d) slightly voiced, the group beginning with kh
and ph (i.e., kh, ch, th, th and ph) breathed, car (i.e., k, c,
t, t, p) slightly breathed. This has been called the basis
of speech [39-40a].
Note 43. The hemistich 39a seems to have created
difficulty from very early times. The Panjika (19) explains the
passage first with the reading namo and this seems to be the right
reading. The second reading discussed in it could not have been
original in spite of its quoting Saunaka's Ek-Pratisakhya.
Note 44. In the Amoghanandim, S. 40, we have haMro
rephasamyukto nadir bhavati nityasah : 'h combined with r is
always as a voiced sound. The true nature of the nahro has not
been marked by the author of the Panjika. He seems to have
been misled by a wrong apprehension of the testimony of the
Amoghanandim S.
Note 45. The terms nadl, isannada, svasi, Isac-chasa stand
for voiced aspirate, voiced nomaspirated, unvoiced aspirate,
unvoiced non-aspirated respectively. The term Isan-nada
TRANSLATION AND NOTES 75
practically mean having hasa as well as nada or ub hay dtmaka
i.e., ivasa-naddtmaka. Hence in the EPr. (XIII. 2) we have
terms like hasa, nada and Svasa-nada. The TPr. (II. 9) however
uses §vasanada in case of ha-kara and seems to describe it as a
sound midway between voiced and unvoiced (II. 6) and at the
same time calls it voiced (I. 3 3).
Note 46. The following couplet occurs in the Yaj. recension (33). The
Rk recension gives only the first half of it.
Daksiputrah Paninir yasenSdam mjdhrtam bhuvi ii (4=0)
ratnabhiitam idam Sastrarii prihivyam samprakaHtam (40a)
Tr. By Panini, the son of Daksl, who has promulgated in this world
this science which is as it were a jewel, has also revealed it to the world
(for the first time) [40-40a].
Note 46a. The PS. has been called the mul&gama in the Indian tradi-
tion( S. Varma, op. cit, p. 5). This spurious verse which may be very old seems
to follow this. There is scarcely any doubt about the importance attached to
phonetics by the ancient Hindus. Patailjali too stresses the importance
of the subject in the following terms: tebhyas taira sthana-ltamndnu-
pradSnajnobhyo vaidiha 4abda upadiSyante (ed. Kielhorn, Vol. I, p. 5). ' Those
who are acquainted with the places of articulation and manner of adjusting
vocal organs accordingly were taught the Vedic text.'
Note 47. The following nine couplets occur in the Bk recension only :
Ghandah padau tu vedasija hastau kalpo'tha pathyate I
jyotisam ayanam caksur niruktam srotram ucyate || (41)
Siksa ghranam tu vedasya mukham vyakaranam smrtam \
iasrnat sangam adhltydiva brahmaloke mahlyate n (42)
Tr. (First) Metrics which is the two legs (of the Veda) is read and then
the Kalpa which is' its two hands. The Science of the Movement of luminaries
(Astronomy) is its eyes, and the Nirukta is called its ears; the Siksa is the
nose of the Veda, and Grammar is its mouth. It is for this reason that
one studying the Veda with all its limbs {i.e. accessory studies) attains a
high position in the realm of Brahman [41-42].
\
76 THE PANINIYA SIKS1
Udattam aklujati vrso'ngulmam
prade&ini-mula-nivista* murdlw \
upanta-madhijc svaritam dhrtas' ca
kanisthikdyam anudattam eva \\ (43)
Tr. The top of the thumb when held at the root of the index finger
indicates the udatta tone, and held at the middle of the ringfinger (upania
or last but one) and at (the middle of) the little finger it indicates respec-
tively svarita and anudatta [43] .
Udattam prades'inim vidyat pjracayam madhyato'ngulim \
nihatam tu kanisthikyam svaritdpakanisthikam II (44)
Tr. The index finger should be known as the udatta, the middle finger
pracaya, the little finger as nihata and the ringfinger as svarita tone [44].
Note 47a. These two couplets have not been traced in any available
Siksa.
Antodaltam adyudattam udattam anudattam nica-svaritam |
madhyddditam svaritam dvyuddttam tryuddttam
iti nava-pada-s'ayyd II (45)
Agnih somali pra vu viryam haviswm
svar Brhaspatir Indra-Brhaspati \
Agnir ity antoddttam, soma ity adyudattam, prHy
udattam, va ity anudattam, viryam nica-svaritam II (46)
Havisam madhyddattam, svar iti svaritam, Brhaspatir
iti dvyudattam, Indra-Brhaspati iti Injuddttam )l (47) '
Tr. There are nine kinds of accents in pad as : antodatta, adyodatta,
udatta, anudatta, mca-svarita, madhyddatta, svarita, dyudafcta, tryudatta.
Examples of these are Agnify, Somah, pra, vo, viryam, havisa, svafi,
Brhaspatih, bidrd-Brhaspatih, (Agnih, Sumah, prd, vo, viryam, havisa, svar,
Bfhaspdlih, I'nclrti'Bfhaspdtih) [45-47].
Note 47b. This passage with slight variation occurs in the Nar. S. (II.
7. fl. 6) and seems to be quite relevant there. It is almost certain that
the Ek recension took it from there.
TRANSLATION AND NOTES 7?
Anudatto hrdi jneyo murdhny udatta iidahrtah \
svaritah karna-mullyah, sarvdsye pracayah smrtah \\ (48)
Tr. Anudatta is to be known in the chest (Hi. heart), udatta at the
rcot of the ear, and praoaya in the entire mouth.
Note 47c. This passage has not been traced in any of the available
Siksas. Perhaps it has been taken from some S. which has not yet come
to light [48] .
Gasas tu vadate matram dvi-matram tv eva vayasah \
Hkhi rauti tri-matravi tu nakulas tv ardha-matrakam II (49)
Tr. The cam gives out one malra and the crow two matras, the
peacock tlict e matras and the mungoose only half of a matra [49].
Note 4 r id. This passage occurs in the Loma6l 8. (VIII. 9), the KPr.
(XIII. 20) ard with slight variation in the Yv. 8. (15-16) and in the Mand.
8. (138), but it seems to have occurred first in some of these Siksas and not
in the PS.
Note 48. The following two couplets occur in the AP., Ilk and Yaj.
recensions, and the Prakaia comments on them.
Kuttrthad agatam dagdham apavarnam ca bhaksitam \
na tasya parimokso'sti papaher iva kilvisat II (50)
Sutirthad agatam vyaktam svdmn'ayyam suvyavasthitam \
susvarena suvaktrena jirayiikiam brahma rajatc II (51)
Tr. In the repetition of that which has come from a bad Scary a, that
which is indistinct (lit. burnt), mispronounced, from the faulty text there is
no deliverance from its demerit as from the snake-like sin [50],
But in repeating with good accent and voice (lit. mouth) that which
has come from a good acarya, and is distinct, from the good text and
is well established, the Veda shines [51].
Note 48a. These two couplets occur in the Nar. S. (H, 8. 10, 11) and
the Mand. S. (160, 159). It seems that they occurred for the first time
in the Nar. 8.
Note 49. In the Yaj. and AP. recensions the following couplets occur
after the passages given above.
Na karalo na lambdstho ndvyakto ndnundsikah \
gadgado baddhajihva& ca pray og an vaktum arhati II (51a),
78 THE PANINIYA glKSA
Tr. One ought not to repeat mantras with teeth shown, lips unduly
protruded and with indistinct, unduly nasalisod and half choked-up voice
and immobile tongue [51a].
Note 49a. This couplet occurs in the NS. (II. 8. 12), the Mand. S. (156)
and the Yv. S. (25). It seems to have occurred originally in any of these.
Note 50. The following couplet occurs in the Bk recension and the Pnj
comments on it. Though the PrakaiSa quotes ib we are not sure whether
the author reads it in the text of the Siksa. (For further notes on this point
see below.)
Mantro hinah svarato varnato va
mithya prayukto na tarn artham aha \
sa vag-vajro yajamanam hinasti
yathendrasatruh svarato 'paradhat \\ (52)
Tr. A mantra uttered either with a defective accent or pronunciation is
badly done and it does not carry the proper sense. .And it is like a
thunderbolt of speech and kills the yajamana just as ' Indras*atruh ' did
on account of its wrong accent [52] .
Note 50a. This couplet occurs in the Nar. S. (I. 1. 5) and the
Amoghanandini S. (122). Besides this the couplet occurs in the Mahabhasya
with a variant dustah sabdah for mantro hinah (ed. Kielhorn, Vol. I, p. 2).
Note 51. The following couplet occurs nexb and in the Ek recension
only.
Avaksaram anayusyam vismram vyadhi-piditam \
aksata(ra?yiastra"ruj>ena vajram{?) patati mastake \\ (53)
Tr. (When a mantra is) deficient in a syllable it tends to diminish life,
and (when it is) lacking in proper accent it makes the reciter troubled with
illness, and the syllable (wrongly treated) will strike one at the head as a
thunderbolt [53].
Note 51a. This corrupt couplet has not been traced anywhere. It may
be a late composition in imitation of the preceding couplet.
Note 52. The two following couplets occur next in the Ek recension
and there only.
Hasta-hmam yo'dhite svara-vama-vivarjitam \
fig-Yajufy-SamabMr dagdho viyonim adhigacchati n (54)
TRANSLATION AND NOTES 79
Hastena vedam yo'dhite svara-varndrtha-samyutdm |
Rg-Yajuh-Samabhih puto brahma-loke mahiyate || (55)
Tr. If anybody reads (the Yeda) without a show of hands and does not
observe proper accents and places of articulation Rk, Yajus and Saman
burn him and (on death) he attains rebirth as an inferior animal [54].
And a person who reads the Veda with a show of hands, observes proper
accent and places of articulation and knows the meaning of what he
reads is purified by the Rk, Yajus and the Saman and is placed high in
the realm of Brahman [55].
Note 52a. These two couplets with slight variation occur in the Yv. 13.
(40. 44) and the Mand. S. (31-32, 33-34). It is possible that the Rk recension
has adapted them from any of these.
Note 53. The two following couplets occur in the Yaj. and the Rk
recensions and have been commented on by the Panjika and the Praka^a :
Samkarah Umkarlrn pradad Daksl-putraya dhimate I
vanmayebhyah samahrtya devim vacam Hi sthitih il (56)
Ycndksara-samamnayam adhigamya MaheSvarat \
kfksmm vyakaranam proktam tasmai Paninaye namaJi II (57)
Tr. Drawing the divine words from the entire domain of speech
(vahrnai/a) Sankara gave this, his science (Sankarim) to the wise son of
Daksl. This is its basis [56].
Homage to that Panini who having received the traditional lore of
speech-sounds (Varna-samarnnaya) from Siva has told us the entire
grammar [57].
Note 63a. These two couplets do not occur in the AP. rec. and 57 is
wanting in the Prk. As to the authorship of the so-called Sivasiitras, which
is clearly mentioned in them, there is a great divergence of opinion. But
it is possible that even if Panini was not their author he was at least
responsible for their present form (for details see Introduction, § § 12-15).
Note 54. The two following couplets occur in the Rk recension only :
Yena dhauta girah pumsam vimalaih sabda-varibhih \
tamai cdjmnajam bhinnam tasmai Paninaye namahmW (58)
Ajnandndhasya lokasya jmnmjana-s'alakaya |
caksur unmilitam yena tasmai Paninaye namah II (59)
80 THE PININIYA SIKS1
Tr. Homage to that Panini who has washed off the human speech with
pure water of words and has pierced through the gloom of ignorance [58] .
Homage to Panini who has opened with the collyrium pencil of
knowledge the eyes of people blind with ignorance [59] .
Note 54a. These two couplets, have not beea traced in any available
Siksa, but the second one seems very much to be an adaptation of the
opening sloka of a not very old tract called the Guru-gifcu, In the latter
work we have Brl-gurave for Pdninayc.
Note 55. The next couplet occurs in the Yaj. and the Ilk recensions
and both the commentaries have touched it. But AP. does not contain it.
Tnnayana-mu kha-ni7isrtam imam
ya ilia pathet prayatah sada dvijah \
sci bhavcili pahi-putra-kirtiman
sukham atulam ca samaimite divi diviti || (60)
Tr. Those among the twice-born who always devoutly read this (work)
which has come out of the mouth of Siva {lit. three-eyed one) obtains
cattle, progeny, fame and will attain happiness in heaven [60] .
Note 56. This couplet again ascribes the whole work to Siva, though
from some of the spurious couplets we have, already learnt this. But the
fact that this work goes in the name of Panini and not in that of Siva — in
which case it would have had a name like the Saiva or Siva Siksa, seems
to give strong grounds for considering this story as an apocryphal one.
INDEX
1. Phonetic Terms
* Numbers preceded by 'a' refer to Notes and the others refer to number of couplet*
translated (pp. 49-80).
abhyantara-prayatna, nl2
adyudafcfca, 45, 46
aghosata, nl2, 20
aksara, 27, 53
alpapraoa, nl2
antahsfcha, 16, n20
antodatfca, 45, 46
unudatta, nl2, 11, 12, 43, 45, 46, 48
anunaaika, n27, #9
anuuasika, 5ta
anupradaua, 10, nl2, nl3, nl4, 38
airasvara, 5, nfi, 22, n26, n27, 23, n30,
n31, 24
ardharaatra, 19, n23, 28, 49
asarpyvita, 16
asprsta, 38
asya, nl2
asya-prayataa, nl2
auraRya, 16, nl9
bahya-prayatna, nl2
danta, 13
dantamula, nl7
dantanmlya, 28
dantya, 17
dantyaustha, 18 "
dlrgha, 27
duliaprsta, 5, n6
dvimatrata, 28, 29, 49
dyudatta. 45, 47
ghosa, 20
ghosata, nl2
hrasva, 11
Tsacehvasa, 40, n45
Tsannada, 39, n45
isatsprsta, n6, nl2
jihvatnula, 13, 18
kala, 10
kampa, 30
kantha, nl4, 13
kanthatalavya, 18
kanthya, 17, 18
kanthosthaja, 18
karana, jq12, 21
karanavinaya, nl2
JDadhyama, 7
madhyodatta, 45, 47
mahaprana, n!2
matra, 19, 28, 49
mandra, 7
murdhan, 9
miirdhanya, 17
nada, n 12
nadin, 39, n45
nasika, 22, n27
nasika, 13, 22, 28
nasikya, n6, n27, 27
nemasprs^a, 38
nlcasvarita, 45, 46
nihata(svara), 44
nirghosa, 23
osjiha, 13, 24
pluta, 5
pracaya, 44, 48
prayatna, 10, nl2
ranga, 26, 28
rafigavarna, 27
repha, 14
saipvara, nl2
samyrta, nl2, 20
sandhyaksara, n23
&ksa, 42
&as, n 14, 13
sosman, n28
sparsa, 4
sprsta, 38
sthana, 10, nl2
svara (pitch), 10, nil, 52, 54, 55
syara (vowel), 4, 21, 27
gvasa, nl2
svarita, nl2, 11, 12, 43, 44, 45, 47,
svasin, 39, n45
talavya, 16 .
talu, 13
fcara, 7
trimatra, 49
tryudatta, 45, 47
uccarana, 2 • • -
upadbma, 14
8'2
THE PANINIYA glKSA
upadhraaniya, 22
udatta, nl2, 11, 12, 43, 44, 45, 46, 48
uras, nlO, 13, nl7
usmar.,14, 15,21, 22, n28
vakfcra, 9
vanja, 3, 9, n9, 10, 13, 31, 52, 54, 55
visarga, 5, n28
vivara, nl2
vivrta, nl2, 20
vivrtti(ti), 14, 24
vriti, 31a
yama, 4, n4, 22, n27
yukta, 16
2. General
Agniparana, xi-xiii, xvii, xliv, xlix, 50
Aitareya Brahmaija, lx, 55
Anioghanandini Siksi, 74
Anantabhatta, xxxiii
Spastamba-Dharmasufcras, xxii, xxiii
Apte, Harinarayan, 50
Artha^astra, 50
AstadhyayT, xliii, xlvi, xlviii, xlix, 1, lx,
"'50,56,62
Atharvaveda (Paippalada), xxv, xxvi
Atharva-veda pratii&kbya (APr.), xxxiii,
xxxviii, 51, 52, 56, 57, etc.
Audavraji, xiii, lviii, lx, lxi, 53.
Bahvrcas, 53
Belvalkar, S.K., xlviii, Hi
Bhagavad-Gita, xvii, lx
Bhattojidiksita, 56
Bhaijdarkar, E.G., xliv
Bhartrhari, xliv
Bhasa, xlvii
Bloomfield, M. xxxviii
Brb.adaran.yaka Upanisad, lvi
Bjhaddevata, xliv, lvii
Buddha, Hi
Burnell, xxxvii, xxxviii
Candragomin, xlvii, xlviii
Chandahsutras, xv
Cbandogya Upanisad, lx, 55
Gbarpentier, J., xxin
Chatter]!, K.C. xxvii
Chatter ji, S. K, xix, xx, xxvi, xlv, li, 69.
Dasgupta, S. N., liii
Dayananda, SvamI, xlvi, xlviii
Deussen, P., liii
Durgacarya, lx, xxxiii, xliv_
Dhatupatha (Paniniyal, xliii
Edgerton, xxxviii
Faddegon, B., xxvii, xxix
Gautama Dharmasutras, xxii
Gautama school of the Samaveda, xxxviii
Geiger, W„ 60
Gbosb, B., xxiii, xxxvh
Gbosb, M., xl
Gobbila Grbyasutra, xxxiv
Goldstiicker, Th., xvii, xxx, li, 58
Q. au taraT Sil-sa, lxi
Halayudha, xv
Hiranyakesi sutra, xxxi
Hopkins, xxxvi
Iyer, Sabrabmaniya, xxix
Jaimini, xliii
Kaiyyata, 56
Kasiki, 55 •
Katyayana, xxvii, xxxiii, xlvi, lii
Kautilya, xlvii, 50
Keith, A.B., xix, xxxvi, li, lii, liii
Laksmariasena, xv
LomasI Siksa, xxxviii, 60, 71, 77
Liebich, B., ix, xxvi, If, lii
Liiders,H., xxv
Macdonell, lii ^
Madhava, xxxiii
Madbusudana SarasvatI (see Sarasvati)
Mahabharata, xvii
Mahadeva, xxxi
Mahiseya, 66
Mandukl Sikea, 59, 70, 77, 78, 79
Manusarphita, lx
Max Miiller, ix, xxiii, xxv, xxxn, xxxiv,
xxxvi, xxxviii, xliii
Narada, xxxviii .
Naradlyasiksa, xxxviii, Ux, lx, lxi, 52, 59,
70, 71, 72, 76, 77, 78
Narayaaa, xxxiv,
Nirukta, xvii, xxxiii, xliv, 75
Oldenberg, xx, xxii
Panini, ix, x, xxv, xxviii, xxx, xliii, xliv,
xlix, !i jf, lvi. lvii, lx, lxi
ParaSari Sik§5, ix, xliv
Paraskara, lii
Patafijali, xx, xxvi, xxvii, xxvm, xxxvii,
xxxviii, xxxix, xlvii, xlviii, lx, lxi, 55,
56,58,66,68,75
Prasthanabheda, ix, xv, xxxvii, xliv, li, 553
Pratijnasutra,68
PratifSakhyas, 50
Pingala, xv, xl.li^.lvi, lvii
]f urva mlmamsa, xliii
Raghavacarya, xii
INDEX
Rgveda, xxi, xxxvii
Rgvedapratis&khya (RPr.), xv, xxvi.xxx,
xxxvi, xliii, xlvi, lv, lx, 51-53,
57, 59-60, 62, 64
Rktantra Vyakarana, xiii, xxxvii, xxxviii,
* lviii, lix*, 51 53, CO, 62
Sahara, xliii
Sadvirnsa Brahmana, xxii
Sama&rami, S,, xxx
Satnaveda, xxviii, 59
Sankar&carya, lvi
Sarasvafci, Jfilnendra, xxxiii
Sarasvati, Madhusudana, xy, xxvi, xxx,
xxxvii, xliv, xlvii, xlix, ]i
Sarup, LakshmaD, xvii, xxxii, xliv,_xlix_
Sastri, Suryakanta, xvii, xxx. xxxvii, xlix
Saunaklya Cafcuradhyayika, xxxix
Saunaka, xliii, lvii, Ixi^
Sayana, xxix, xxx, xlvii
Sharma, Venkabaraoia, xxxiii
Sbastri, Mangal Dav, xxix
Shivadatta, Pandit xu, H
Siddhantakanmudi, xii, xxxiii
Siksapafijika xii fj, xvi, lv /
Sikeapraklia xiii ff, xlix, lvi /
Siksasamgraba, ix, xv
Simon, xliv
Sivasutras, xxvii
Skold, H., xxviii, xxxix, hi
gakranlti, xxxiii
Taittiriya Pratii&khya (TPr.), xxxv, xlvi,
etc., 51-53, 56, 57, 59,62-64
Tai&tiriya Upanisad, xxxviii
Thieme! Paul, xxix, xxx, 1, liii, 55, 63
Thumb, xix, xlv, 67
Dvatja, xxxix, lx, 51, 52, 66, 68
Uriadi Sutras, lx
Vaidya, 0., "V., ix, x, xlv
"Vajasaneyi Pr&tifekhya (VPr.), xxxix,
xlvi, 51, 53, 57.63-04
Vakyapadlya, xliv, xlviii
"Vam&i Bi&hmaoa, lix
Vai'ma, Siddheshwar, ix, x, xxvi, xxxiii,
xxxiv, xxxviii, xxxix, xliv, xlviii, xlix,
1,53,50,57,63
y .., • **-» z * 60
". : \- ■ :■ ■. . .!: :: \lviii
V^r-'.'rr-*'::^. xlviii
■ : -. ; ■■ ■" : ■'■lashikhnsan, xxxi
Vidyarthi, Visliwabandhu, xxxix
"Vira, Raejhu, x, xlvi, xlvii
Visnumitra, xv, lx
Vy'a'sa, Krsnadvaipayana, xxxi
Wackernagel, J-, xix, lvii, lviii, 64, 67
Weber, ix, xv, xxv, xxvi, xxxviii, xl, 52,
57, 63, 66, 69
Whitney, xxxv, xxxviii, lvii
Wilsoni Philological lectures, 57, 64, 67 _
Winternitz, ix, xv, xvi, xix, xxii, xxiu,
xxix, Hi, xxxiii, xxxviii, xxxix, xlm,
xlix, li
Yajaavalkya-Siksa, 59-60, 72, 73, 78
Yaska, x, xxxii, lx
ADDENDA BT CORRIGENDA
Page xii
Line 23
for and
read before
24
,, ^
,, the Yaj
xvi
9
» re
,, re-
19
, , more than
,, nearly
22
5>
omit twenty
26
, , eleven
read ones
29 after the fullstop read :
In his commentary to the PS. (Benares, Samvat
1990) Pandit Kaliprasad Misra thinks that Rk. 31, 37,
48, 54 and 55 are spurious (p. 27), while another recent
editor Pandit Rudraprasad Sarma in his commentary to
the same work (Chowkhamba, Benares, 1937) considers
Rk. 28, 33, 34, 44, 54 and 55 to be spurious (see his
comments on these).
XX
line 18 for was
read
, were
JvA.Il
6 ,, followiug
>s
following
xxiii
11 from the bottom
for lie
>j
lies
xxvi j
footnote line 2
»>
op. cit., pp. 18-19.
i> ?? o
»9
svara§o
j\,J\.l.A.
» , } 9 for (op. cit.)
9»
(Panini and the
Veda, p. 109).
XXX
„ ,,1 after Say ana
>>
(Introduction to the
Rgveda-bhasya,
ed. Peter Peterson
p. 56).
xxxiv
line 2
»
(op. cit., p. 12).
xxxviii
footnote last line
'*
4. contra
2vA.-cxJ.Jv,
line 16 for the Pr.
9)
the TPr.
ADDENDA BT COKRIGENDA
m
Add to the footnote 3 the following :
and Liebich, Zur Einfiihrung, pp. 30 ff. and A.B.
Keith, A Hist, of Skt. Lit., pp. xxv, xxvi.
Page xlix line 12 after Pingala read :
Mi£ra evidently under the influence of the commen-
tary giksapraka^a ascribes the PS. to Piiigala (pp. 1 and
27). Tripathi too does the same (p. 30). Sarma
however refutes the view and quotes Madhusudana
Saras vati in his support (p. 23).
Last line after the fulls top add : See also Mangal Dev
Shastri, EPr., Vol. Ill, Appendix III (pp. 329-44).
line 24 after the fullstop add : See Mangal Dev
Shastri, EPr., Vol. Ill, p. 141.
Add to the footnote 2 the following :
It came to my notice afterwards that Bhattojldiksita
ascribes the Eklantra-vyakarana to Audavraji. In his
Sabdakaustubha he writes : cWT ^^c^^TM*^ W^fal-
ijoefer sg^r ^fa (Chowkhamba ed., p. 113).
Ivii
lviii
lxi line 3
read
Piiigala' s Chandah-
sutras.
lxii-lxvi for
Hemistiches
read
Hemistichs
9 line 9 for
Hmw.
) >
» 6 „
STTrTT
?j
^T?nr:
10 footnote 5
read
'omit'
11 line 14
i»
^T^r^n^ *rcit^t
12 „ 15
»j
footnote 5
55
'omit*
13 , : , 5
55
'omit' and 'have'
15 line 16
55
mot ^
17 footnote 7
} )
'omits'
30 line 14
AH "1 O
for ^mf
J J
41 „ lo
9 )
^(S11<*H
42 „ 12
A>.
SPf%cf
86 PANINIYA SIKSa
Page 53 Line 14 after pp. 99 ff. read See also Tripathi,
p. 5 and Misra,
pp. 28 ff.
65 last line after to PS. read :
Tripathi suggests that dvih-sprstah and not duly
sprstha is the correct reading and quotes the Varnaratna-
pradipikii (15) to support this view (pp. 5 f.). Sarma
contradicts him and considers the reading of the passage
in the printed text (in the SS.) of the work to be
defective (see p. 4). Misra refers to the above-mentioned
passage and quotes another view which reckons weakly
pronounced y and v as durhsprsta (p. 4). The RPr.
(XIII. 3) however takes y, r, I and v as duhsprsta, but
Dr. Man gal Dev Shastri translates duhsprsta-karana as
imperfect contact (p. 95 of his ?Pr., Vol. III).
58 Aftar the Note 15 add the following :
Udatta, anudatta and svarita arise from the peculiar
conditions of the body called ayama, viSrambha and
aksepa respectively. For the definition of these terms
see Misra, p. 7.
59 line 20 read 'dantamula 1
Add to the Note 17 the following :
Sarma considers the reading ndsikosthau to be wrong
and corrects it to nasikausthau (p. 7). The grammatical
objection raised by him against the accepted reading is
valid but the laxity in this matter may be an original
feature of the text which was written in the Chandasa
style (vide Introduction, 26).
line 4 from the bottom read 'uharddi param padam.'
60 „ 1 for (out of usman) is followed by read :
due to sandhi {prasandhdna) is followed (in pausa) by.
line 3 for coming read : but in other cases the final o is
,, 7 after second couplet insert : in its present form.
ADDENDA ET COKRIGKENDA 87
Page 63 Line 12 after the fullstop read : See Misra on the
couplet 18 (p. 10).
line 6 from the bottom, after the foolstop add :
Misra has very intelligently ascertained the correct
reading (see p. 11, 11. 18-19) . Tripathl too has correctly
taken ekaraikarayor as the correct reading but his
interpretation of the passage is misleading (p. 11,
11. 1 ff.).
64 line 15 read vivrta (open).
,, 21 add after the fullstop the following : ,
Migra thinks that the samvrta sound mentioned in this
couplet relates to half e and half o {i.e., short e and short
o) and refers to Pataiijali's Mahabhasya (pp. 11 f.)
line 6 in the footnote read i and u respectively.
65 „ 15 add See Taitt. Pr., II, 13, H ; E.L. Turner
in Asutosh Mookerjee Silver Jubilee Volume, III,
p. 337 ; Jules Bloch, 1/ lndo-Aryen, p. 33.
Last line, add the following :
As Sarma comments on the Rk. recension (p. 10)
he feels a difficulty about the interpretation of the
passage and invokes the authority of the Sabdaratna
but such a difficulty does not arise when we read
upadhmaniya, etc., between the two bemistichs of
Rk. 22,
66 line 14 after 'nasikya' add :
(see Mangal Dev Shastri, Rgveda Pratislkbya,
Vol. HI, pp. 151-52, Notes on I. 41).
line 4 from the bottom omit T Pr.
,,' 3 from the bottom, add the following :
See also Mangal Dev Shastri, op. cit., pp. 143-44
(Notes on p. 20)
67 line 4 after the fullstop add :
But in this matter Macdonell follows Whitney ; see
'A Vedic Grammar for Students,' §§ lOf . 29b, 39,
88 PANINIYA SIKSA
Page 68 last line add the following :
The Alabu-vma used in modern Indian music was
probably invented after the G-upta period, but this should
not bring down the date of the above passage. For
AlFibu-vTna mentiond in this passage was in all likelihood
a very primitive instrument like our modern ekatdra or
one-stringed vlna quite different from its late development
the modern vlna. Its very crudity speaks for its great
age.
69 line 12 read 'dvir ostyau* and 'yathauharau.'
,, '20 for does „ do
,,21 „ 'dawstrabhya/ni'
70 2 after the full-stop add the following :
From what Misra says we understand that patana
(dropping) of letters means spirantizing them and bheda
(or differentiating) is de-aspiration of them ferfitaT«S*Nt"
(p. 15). -
line 4 from the bottom read 'amity' and Wang ah 1
,, 3 from the bottom ,, Mand.
71 ,,14: add the following :
MSS. read samau bhavet But this is grammatically
wrong. Hence we tentatively read samo. Mi&a
explains this as an drsa usage (p. 17).
line 6 from the bottom, add the following :
Tripathl explains piditd as 'pronounced with more
breath which lengthens short vowels' (p. 17).
72 line 19 read recitation,
,, 24: add the following :
Tripathl explains 'likhita-pathahah as one reading
" from a book written by oneself and alpakantha as 'one
ADDENDA ET CORRIGENDA 89
who has not practised recitation' (p. 18). So does Sarma
(p. 14) and besides this he considers the couplet No. 33
to be spurious (loc. cit ).
line 5 from the bottom read the place of.
Page 74 line 2 for &, s and s read 6, s, s and h.
,, 12 Insert ; (semicolon) after nose and , (comma)
after r.
74 line 8 from the bottom read the following :
rephasamyukto' nadir, etc.
line 7 from the bottom read always as an unvoiced
sound.
lines 6-4 omit 'He seems to have of the Amogha-
nandini SikaaV
75 line 9 read Paninir yas ta^dam'
76 line 14, add the following :
Sarma considers the couplet No. 44 to be spurious
(p. 18).
77 line 5 ff cancel the Note 47c and read the following :
This passage with a slight variation occurs in a
late work named the Svarastaka S. by one Ananta (see
SS., p. 365. Tripathi, p. 25).
78 line 6 for thePnj. read some MSS. of the Pnj.
,, 8 after the fullstop read :
The original Pnj. probably did not contain this
(see p. 22, line 6).
79 12, add the following :
Misra considers couplets 54 and 55 to be spurious
(p. 27) and so does Sarma (p, 21).
90 THE PININIYA glESl
ADDITIONAL CORRIGENDA
Page vi lines 1 and 3 for London read Lund
xxii line 21 for 700 B.C. read 50C B.C.
Hi ,,4 from the bottom, for concludes road suggests,
„ last, read p. clxvii
liii „ 13 insert as' if before sitting
55 lines 2 L-23 omit The translator of indefensible.
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